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While institutional critique has long been an important part of
artistic practice and theoretical debate in the visual arts, it has
long escaped attention in the field of music. This open access
volume assembles for the first time an array of theoretical
approaches and practical examples dealing with New Music’s
institutions, their critique, and their transformations. For
scholars, leaders, and practitioners alike, it offers an important
overview of current developments as well as theoretical reflections
about New Music and its institutions today. In this way, it
provides a major contribution to the debate about the present and
future of contemporary music.
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Loot
Nadine Gordimer
Paperback
(2)
R398
R330
Discovery Miles 3 300
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