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This comprehensive reference book is a Discographical listing which
includes all of Louis Armstrong's recordings on the OKEH record
label, the 8000 Series and the 41000 Series starting from his first
recording with Okeh in 1925 through to his last Okeh recording in
1932. 84 Black and white Label Photos are spread throughout the
book. Included you will find references to all 68 Okeh records and
136 songs issued. Personnel accompaniments for each session
recording. Song title index, location and date of each recording.
This comprehensive reference book is a Discographical listing of
Gene Autry's recordings from his very first (successful)1929
session (along with Jimmie Long) where he cut "My Dreaming of You"
and "My Alabama Home" issued on Victor V-40200 through to his 1969
Country Music Hall Of Fame album. Included you will find 10
pseudonyms used by Gene Autry and Jimmy Long, a full discography of
more than 900 listings on 78's, 78 Album Sets, V-Discs, LP's, 33
microgroove's and 45's. Black and white label and cover art photos,
recording session index listed chronologically, recording session
personnel accompaniment index, record label index, song, title and
matrix index. Also included is a section for "Un-Issued and
Rejected" recordings. An entire section of Gene Autry's Famous
Christmas, Holiday and Children's records.
Rev. Gates began recording with Columbia records in April of 1926.
During this year Rev. Gates recorded 85 sides. In August through
September alone Rev. Gates recorded 48 sides in New York. He
recorded for Gennett, Banner, Paramount, Pathe, Okeh, Vocalion,
Victor and others. His first big hit which sold approximately 35,
000 copies by the end of 1926 was "Death's Black Train Is Coming."
Recorded in New York City in November of 1926 "Death Might Be Your
Santa Claus" became his next big seller by the fall of 1927. Rev.
Gates was an extraordinary communicator as many of his recordings
were powerful warnings of punishments that awaited all sinners.
This discography covers his entire recording career from 1926 -
1941. You will find all recorded tracks on every label issued up
until 1941; includes matrix numbers, recording dates, pseudonyms,
accompaniments, recording type and recording locations. All this
information is in an easy to read format with extensive indexes in
the back of the book. "Death' Black Train Is Coming," "Death Might
Be Your Santa Claus," "Dead Cat On The Line," "Will The Coffin Be
Your Santa Claus," these are just a few of the powerful sermons
Rev. Gates recorded.
This extensive reference guide for Columbia's 15000-D Hillbilly /
Country 78 RPM record series includes all issued records in detail
between 1924 - 1932, Full Artist Details and Artist pseudonyms used
on the Columbia 15000-D series. Also includes the entire listing of
all 782 records and 1564 song titles issued in this series with
full titles, Dates and Matrix numbers and an extensive artist /
pseudonym Cross Referencing Index. This is a must for the library
of any pre-war country records collector, researcher, dealer or
enthusiast. This guide will most certainly help in your search for
all that black gold
This collection of poems are a reminder of the oases God provides
through human relationships and the healing streams of His
redemptive love, mercy and grace as we journey through the deserts
of Life. Jennifer Christian-Scott lives in New York City with her
husband. She has been writing poetry and inspirational prose for
over 20 years. This is her first book.
Requiem on a Summer's Eve: An Homage to George and Martha is
inspired by playwright Edward Albee's 1962 stage play Who's Afraid
of Virginia Woolf? Although the 1966 film adaptation, by director
Mike Nichols, has even more meaning in this work. Requiem on a
Summer's Eve: An Homage to George and Martha is the story of a
middle-aged couple in a broken marriage on the very edge of final
collapse. Throughout the work, which is written as an "overheard
conversation," Dirk and Mary Lawford face one another and their
tumultuous life together with both humorous and heartbreaking
results. While the events unfold, a radio plays timeless standards
in the background which at sometimes mirror and at other times
contrast with the words and emotions of the characters. The many
issues with which the Lawfords must deal include the extreme grief
that they feel over the loss of their only child, the many
conflicts that they have had with their in-laws, and the general
problems within their relationship with one another. As they recall
their life together, they must finally come to terms with lies and
secrets from their past and deal with a final acceptance of the
truth about what really happened to their son Ethan. As their story
comes to a close, a surprising twist brings about the revelation of
why this story had to be told.
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