This comprehensive reference book is a Discographical listing of Gene Autry's recordings from his very first (successful)1929 session (along with Jimmie Long) where he cut "My Dreaming of You" and "My Alabama Home" issued on Victor V-40200 through to his 1969 Country Music Hall Of Fame album. Included you will find 10 pseudonyms used by Gene Autry and Jimmy Long, a full discography of more than 900 listings on 78's, 78 Album Sets, V-Discs, LP's, 33 microgroove's and 45's. Black and white label and cover art photos, recording session index listed chronologically, recording session personnel accompaniment index, record label index, song, title and matrix index. Also included is a section for "Un-Issued and Rejected" recordings. An entire section of Gene Autry's Famous Christmas, Holiday and Children's records.

This comprehensive reference book is a Discographical listing which includes all of Louis Armstrong's recordings on the OKEH record label, the 8000 Series and the 41000 Series starting from his first recording with Okeh in 1925 through to his last Okeh recording in 1932. 84 Black and white Label Photos are spread throughout the book. Included you will find references to all 68 Okeh records and 136 songs issued. Personnel accompaniments for each session recording. Song title index, location and date of each recording.

This extensive reference guide for Columbia's 15000-D Hillbilly / Country 78 RPM record series includes all issued records in detail between 1924 - 1932, Full Artist Details and Artist pseudonyms used on the Columbia 15000-D series. Also includes the entire listing of all 782 records and 1564 song titles issued in this series with full titles, Dates and Matrix numbers and an extensive artist / pseudonym Cross Referencing Index. This is a must for the library of any pre-war country records collector, researcher, dealer or enthusiast. This guide will most certainly help in your search for all that black gold

Rev. Gates began recording with Columbia records in April of 1926. During this year Rev. Gates recorded 85 sides. In August through September alone Rev. Gates recorded 48 sides in New York. He recorded for Gennett, Banner, Paramount, Pathe, Okeh, Vocalion, Victor and others. His first big hit which sold approximately 35, 000 copies by the end of 1926 was "Death's Black Train Is Coming." Recorded in New York City in November of 1926 "Death Might Be Your Santa Claus" became his next big seller by the fall of 1927. Rev. Gates was an extraordinary communicator as many of his recordings were powerful warnings of punishments that awaited all sinners. This discography covers his entire recording career from 1926 - 1941. You will find all recorded tracks on every label issued up until 1941; includes matrix numbers, recording dates, pseudonyms, accompaniments, recording type and recording locations. All this information is in an easy to read format with extensive indexes in the back of the book. "Death' Black Train Is Coming," "Death Might Be Your Santa Claus," "Dead Cat On The Line," "Will The Coffin Be Your Santa Claus," these are just a few of the powerful sermons Rev. Gates recorded.

This collection of poems are a reminder of the oases God provides through human relationships and the healing streams of His redemptive love, mercy and grace as we journey through the deserts of Life. Jennifer Christian-Scott lives in New York City with her husband. She has been writing poetry and inspirational prose for over 20 years. This is her first book.

Requiem on a Summer's Eve: An Homage to George and Martha is inspired by playwright Edward Albee's 1962 stage play Who's Afraid of Virginia Woolf? Although the 1966 film adaptation, by director Mike Nichols, has even more meaning in this work. Requiem on a Summer's Eve: An Homage to George and Martha is the story of a middle-aged couple in a broken marriage on the very edge of final collapse. Throughout the work, which is written as an "overheard conversation," Dirk and Mary Lawford face one another and their tumultuous life together with both humorous and heartbreaking results. While the events unfold, a radio plays timeless standards in the background which at sometimes mirror and at other times contrast with the words and emotions of the characters. The many issues with which the Lawfords must deal include the extreme grief that they feel over the loss of their only child, the many conflicts that they have had with their in-laws, and the general problems within their relationship with one another. As they recall their life together, they must finally come to terms with lies and secrets from their past and deal with a final acceptance of the truth about what really happened to their son Ethan. As their story comes to a close, a surprising twist brings about the revelation of why this story had to be told.