This is the first monograph from a scientific perspective dealing with the String Quartets composed in Spain from the eighteenth century up to the present. It is the outcome of the research and thorough study of specific works, undertaken by twenty-one musicologists, archivers and performers, together with four Spanish composers. It aims both to offer an overview of the current state of research on the primary and secondary sources available, and to trace the history of the genre by examining its genesis, development and reception in the European context. All this fosters an understanding of: (1) the position of the genre in Spain from its emergence until nowadays, (2) its aesthetics and main compositional features in each period, (3) its idiosyncratic peculiarities, and (4) the particular challenges that it has posed along its history. In addition, other goals are: to banish some prejudices about Spanish chamber music, to contribute to the recuperation of a significant part of the Spanish musical heritage, and to provide scholars and performers with the musical sources, aiming at facilitating the knowledge and diffusion of a corpus of noteworthy yet barely known works. Der Band befasst sich mit der Entwicklung des Streichquartetts in Spanien vom achtzehnten Jahrhundert bis zur Gegenwart. Er enthalt 24 Studien zu Komponisten und konkreten Werken aus unterschiedlicher Perspektive und gibt Auskunft uber die bis dato lokalisierten Primar- und Sekundarquellen.

Producing Non-Simultaneity discusses how the processes of modernisation, driven by globalisation and market forces, change the political, economic and technological conditions under which architecture is realised. The book looks beyond the rhetoric of revolutionary innovation, often put forward by architects and engineers. It shows how technological change during the last 200 years was only possible because traditional skills and older materials persisted. The volume argues that building sites have long been showcases of non-simultaneities. Shedding light on construction of the past and exploring what may impact construction in the future, this book would be a valuable addition for students, researchers and academics in architecture, architectural history and theory.

Washington, D.C., has long been a magnet for writers and an object of interest and fascination to essayists, novelists, and poets. "Literary Capital" offers a compelling portrait of the city through the work of seventy authors ranging from early Americans such as Abigail Adams and Washington Irving to contemporaries such as Edward P. Jones and Joan Didion.

Arranged by both period and theme, this anthology begins with the founding of Washington in 1800 and extends through the early twenty-first century. In the introduction Christopher Sten explores two broad categories of prose--historical writing focused on politics and writing about the lives and times of the people of D.C. with official Washington as the setting. Sten also defines a core group of "Washington writers," native and naturalized authors who focus much of their work on the city: Frederick Douglass, Henry Adams, Jean Toomer, John Dos Passos, Gore Vidal, Ward Just, and Susan Richards Shreve, among others.

Included are letters, essays, short stories, poems, and excerpts from novels and historical writings by a broad selection of such renowned American and international authors as Nathaniel Hawthorne, Charles Dickens, Alexis de Tocqueville, Louisa May Alcott, Walt Whitman, Mark Twain, Sinclair Lewis, Norman Mailer, Mary McCarthy, and Joseph Heller. The reader also incorporates many writings by well-known African American authors, including Booker T. Washington, Paul Laurence Dunbar, Jean Toomer, Sterling A. Brown, Langston Hughes, May Miller, Ralph Ellison, and Marita Golden.