The inspiration for A Haunting in Venice – now a major motion picture. When a Hallowe’en party turns deadly, it falls to Hercule Poirot to unmask a murderer… During a night of party games, Joyce Reynolds boasts that she once witnessed a murder. No one believes her, but then she is found drowned, face down in an apple-bobbing tub. Set against a night of trickery and the occult, Hercule Poirot and Ariadne Oliver must race to uncover the real evil responsible for this ghastly murder. Hallowe’en Party is the sensational Agatha Christie novel that inspired the brand new feature film directed by and starring Kenneth Branagh. This special edition is introduced by its screenwriter, Michael Green.

The inspiration for A Haunting in Venice – now a major motion picture. When a Hallowe’en party turns deadly, it falls to Hercule Poirot to unmask a murderer… During a night of party games, Joyce Reynolds boasts that she once witnessed a murder. No one believes her, but then she is found drowned, face down in an apple-bobbing tub. Set against a night of trickery and the occult, Hercule Poirot and Ariadne Oliver must race to uncover the real evil responsible for this ghastly murder. Hallowe’en Party is the sensational Agatha Christie novel that inspired the brand new feature film directed by and starring Kenneth Branagh. This special edition is introduced by its screenwriter, Michael Green.

Voices in the Legal Archives in the French Colonial World: "The King is Listening" offers, through the contribution of thirteen original chapters, a sustained analysis of judicial practices and litigation during the first era of French overseas expansion. The overall goal of this volume is to elaborate a more sophisticated "social history of colonialism" by focusing largely on the eighteenth century, extending roughly from 1700 until the conclusion of the Age of Revolutions in the 1830s. By critically examining legal practices and litigation in the French colonial world, in both its Atlantic and Oceanic extensions, this volume of essays has sought to interrogate the naturalized equation between law and empire, an idea premised on the idea of law as a set of doctrines and codified procedures originating in the metropolis and then transmitted to the colonies. This book advances new approaches and methods in writing a history of the French empire, one which views state authority as more unstable and contested. Voices in the Legal Archives proposes to remedy the under-theorized state of France's first colonial empire, as opposed to its post-1830 imperial expressions empire, which have garnered far more scholarly attention. This book will appeal to scholars of French history and the comparative history of European empires and colonialism.

Voices in the Legal Archives in the French Colonial World: "The King is Listening" offers, through the contribution of thirteen original chapters, a sustained analysis of judicial practices and litigation during the first era of French overseas expansion. The overall goal of this volume is to elaborate a more sophisticated "social history of colonialism" by focusing largely on the eighteenth century, extending roughly from 1700 until the conclusion of the Age of Revolutions in the 1830s. By critically examining legal practices and litigation in the French colonial world, in both its Atlantic and Oceanic extensions, this volume of essays has sought to interrogate the naturalized equation between law and empire, an idea premised on the idea of law as a set of doctrines and codified procedures originating in the metropolis and then transmitted to the colonies. This book advances new approaches and methods in writing a history of the French empire, one which views state authority as more unstable and contested. Voices in the Legal Archives proposes to remedy the under-theorized state of France's first colonial empire, as opposed to its post-1830 imperial expressions empire, which have garnered far more scholarly attention. This book will appeal to scholars of French history and the comparative history of European empires and colonialism.

Trick or treat? No one believes Joyce Reynolds when she boasts she once witnessed a murder. Until, that is, she is found drowned, face down in an apple-bobbing tub. What exactly was it she saw? Then the victim’s brother is found drowned too, and the mysteries multiply. Hercule Poirot and Ariadne Oliver must race to get at the truth, and prevent further tragedy.

This book explores the courtship and marriage of Gwyneth Murray, an English woman, and a Canadian, Harry Logan, who wrote in the personae of their vagina (Dardanella) and penis (Peter) during World War I. Through an analysis of their extensive daily correspondence over nearly a decade, it uncovers the couple's changing attitudes to the intersection of sexuality and religion, to marriage and childrearing, as they navigated the transition from Victorian to modern values. By focusing on first-person narratives, this book enriches our understanding of gender identities revealing how porous the boundaries remained between notions of 'heterosexual' and 'same-sex' friendships. This study offers an unprecedented perspective on one couple's sexual practices, which included mutual masturbation and oral sex, and constitutes one of the most intensive examinations of female attitudes to sexual pleasure in an era of female emancipation.

This book explores the courtship and marriage of Gwyneth Murray, an English woman, and a Canadian, Harry Logan, who wrote in the personae of their vagina (Dardanella) and penis (Peter) during World War I. Through an analysis of their extensive daily correspondence over nearly a decade, it uncovers the couple's changing attitudes to the intersection of sexuality and religion, to marriage and childrearing, as they navigated the transition from Victorian to modern values. By focusing on first-person narratives, this book enriches our understanding of gender identities revealing how porous the boundaries remained between notions of 'heterosexual' and 'same-sex' friendships. This study offers an unprecedented perspective on one couple's sexual practices, which included mutual masturbation and oral sex, and constitutes one of the most intensive examinations of female attitudes to sexual pleasure in an era of female emancipation.

Inside these pages you will find all manner of creepy, crawly things. Hideously deformed creatures on the outside share space with those handsome villains that are only hideously deformed on the inside. Get ready, readers, for you hold in your hands the Erie Tales Omnibus Collected here, for the first time, are the most frightening stories from the Great Lakes Association of Horror Writers' yearly anthology, Erie Tales The mid-west has never been scarier. The Great Lakes Association of Horror Writers is an organization of like-minded writers, artists and enthusiasts based in the Great Lakes region. Please, feel free to visit online at www.greatlakeshorror.com. Don't be afraid... be terrified.

Cultures of Citizenship in Post-war Canada, 1940-1955 argues that we need a new view of this period, one that recognizes its considerable cultural and ideological diversity. The authors explore the quest for cultural reconstruction; the emergence of new definitions of elitism, mass culture, and the relationship between the state and the individual; the changing imperatives underlying organized labour's response to the demands of economic reconstruction; federal-provincial tensions over the shape of welfare policy; the recasting of youth identities by adult authorities and among middle-class university youth; and changing structures of authority within the family under the impact of new psychological expertise. viewed as an era of political and social consensus made possible by widely diffused prosperity, creeping Americanization and fears of radical subversion, and a dominant culture challenged periodically by the claims of marginal groups. By exploring what were actually the mainstream ideologies and cultural practices of the period, the authors argue that the postwar consensus was itself a precarious cultural ideal that was characterized by internal tensions and, while containing elements of conservatism, reflected considerable diversity in the way in which citizenship identities were defined.