The Incarnational Art Of Flannery O'Connor argues that O'Connor designed a unique asthetic to defy the Gnostic dualisms that characterize American intellectual and spiritual life. Focusing on stories with artist figures, objets d'art, child protagonists, and embodied images, Lake describes how O'Connor's fiction actively resists romantic theories of the imagination and religious life by highlighting the epistemological necessity of the body. Ultimately O'Connor challenges the romantic and modern notion of the artist as a fire-stealing Prometheus and replaces it with a notion of the artist as a locally committed craftsman. Drawing upon M. M. Bakhtin's early essays in Art and Answerability and Toward A Philosophy Of the Act, Lake illustrates O'Connor's conviction that art deliberately assigns the highest value of transcendental beauty to those beings least valued by the modern world, and challenges us to do the same. The book culminates with an original reading of "Parker's Back" that shows how in art, as in life, true knowledge comes to us through our own grotesque bodies and those of others. Unafraid of the mystery of being human, art can be the place where we encounter anew the world as more than what the intellect can unravel.

Prophets of the Posthuman provides a fresh and original reading of fictional narratives that raise the question of what it means to be human in the face of rapidly developing bioenhancement technologies. Christina Bieber Lake argues that works by Nathaniel Hawthorne, Walker Percy, Flannery O'Connor, Toni Morrison, George Saunders, Marilynne Robinson, Raymond Carver, James Tiptree, Jr., and Margaret Atwood must be reevaluated in light of their contributions to larger ethical questions. Drawing on a wide range of sources in philosophical and theological ethics, Lake claims that these writers share a commitment to maintaining a category of personhood more meaningful than that allowed by utilitarian ethics. Prophets of the Posthuman insists that because technology can never ask whether we should do something that we have the power to do, literature must step into that role. Each of the chapters of this interdisciplinary study sets up a typical ethical scenario regarding human enhancement technology and then illustrates how a work of fiction uniquely speaks to that scenario, exposing a realm of human motivations that might otherwise be overlooked or simplified. Through the vision of the writers she discusses, Lake uncovers a deep critique of the ascendancy of personal autonomy as America's most cherished value. This ascendancy, coupled with technology's glamorous promises of happiness, helps to shape a utilitarian view of persons that makes responsible ethical behavior toward one another almost impossible. Prophets of the Posthuman charts the essential role that literature must play in the continuing conversation of what it means to be human in a posthuman world.

The five-hundredth anniversary of the Protestant Reformation reawakened a long-standing and spirited conversation between philosophic science and religious faith, a conversation which continues to have consequences on how we understand both science and faith. This book brings scholars together to reflect on the topic of the Protestant Reformation, as well as the Roman Catholic Counter Reformation, the nature of science, and the unity of the Church. Five chapters in this collection represent five distinct theological formulations within Christianity; the other seven chapters are from a variety of historic, philosophic, and theological starting points on the topic. These twelve accounts range from theologies informed by the Classical Philosophy of Plato and Aristotle; medieval Jewish and Roman Catholic writers; Moses Maimonides and Thomas More; writers of the Protestant Reformation (Martin Luther, John Calvin, Richard Hooker, and William Shakespeare); the founders of modern science (Francis Bacon and T. H. Huxley), and the modern day theologies of Abraham Kuyper, Flannery O'Connor, H. R. Niebuhr, and Dietrich Bonhoeffer.

Beyond the Story: American Literary Fiction and the Limits of Materialism argues that theology is crucial to understanding the power of contemporary American stories. By drawing on the theories of M. M. Bakhtin, Christian personalism, and contemporary phenomenology, Lake argues that literary fiction activates an irreducibly personal intersubjectivity between author, reader, and characters. Stories depend on a dignity-granting valuation of the particular lives of ordinary people, which is best described as an act of love that mirrors the love of the divine. Through original readings of the fiction of Philip Roth, Cormac McCarthy, Lydia Davis, Toni Morrison, and others, Lake enters into a dialogue with postsecular theory and cognitive literary studies to reveal the limits of sociobiology's approach to culture. The result is a book that will remind readers how storytelling continually reaffirms the transcendent value of human beings in an inherently personal cosmos. This book will be of interest to students and scholars of theology and literary studies, as well as a broad audience of readers seeking to engage on a deeper level with contemporary literature.

History and Women, Culture and Faith is a five-volume collection of eighty essays and journal articles spanning the extraordinary intellectual career of Elizabeth Fox-Genovese (1941-2007). A working scholar for more than three decades, Fox-Genovese made significant contributions to European and American southern history and became one of the most provocative scholars and educators of her time as she evolved from a Marxist to a feminist to a prolife Roman Catholic. Although she authored or coauthored ten well-received books, her prolific output as an essayist is less well known. This multivolume collection celebrates the scope of her scholarship and invites a fresh assessment of her legacy and influence.

Written between the 1970s and the early twenty-first century, the fifteen pioneering essays in Volume II: Ghosts and Memories share in decoding and contextualizing the writings and history of white and black southern women. In these essays Fox-Genovese moves beyond literary criticism to give illuminating historical context to the ways that slavery, race, and gender shaped--and were shaped by--her subjects' lives and writings from the late-eighteenth century into the twentieth. As a result Fox-Genovese provides readers interpretations and perspectives that at once challenge and transform conventional stereotypes that frame our ideas about women's roles in southern history and about texts reflecting on those roles.

Fox-Genovese's essays in this and other volumes provoke thought and insight with their combination of clarity and subtlety. Here she illuminates books out of the Harlem Renaissance by Zora Neale Hurston and out of Civil War-era Alabama by Augusta Jane Evans Wilson. And her keen assessments of autobiographies of white activist Katharine Du Pre Lumpkin and black poet and activist Maya Angelou still resonate as fresh and powerful readings. Even the fictional character Scarlett O'Hara looks strikingly different under Fox-Genovese's gaze. Scholars will find this volume a window on aspects of understudied subjects and also an opportunity to engage in the challenges of reading and interpreting powerful texts created from psychologically and historically fraught circumstances.