OVER TWENTY CWA DAGGER AWARD-WINNING SHORT STORIES FROM THE BEST OF THE BEST IN CRIME FICTION Legendary editor, Maxim Jakubowski, delivers another chilling anthology collecting stories of cold-blooded murder, revenge and crimes-gone-wrong from the best of the best in crime fiction. Spine-chilling and gripping, these tales will grip you with their devious narrators and crafty twists. Featuring classic stories from Neil Gaiman, Ann Cleeves, Christopher Fowler, Val McDermid, Lavie Tidhar, Chris Simms, Christine Poulson, James Sallis, Victoria Selman, Conrad Williams, Stuart Neville, George Pelecanos, Simon Brett, John Lawton, Ken Bruen, Mickey Spillane & Max Allan Collins, Peter Robinson, Martyn Waites and Kevin Wignall

The atmosphere in the lab is toxic. It is only a matter of time before there is a flu pandemic with the potential to kill billions. Or so wealthy entrepreneur Lyle Lynstrum believes. That is why he is funding research into transgenics - the mechanism by which viruses can jump the species barrier - at a high security lab on a tidal island off the North Devon coast. A suspiciously rapid turnover of staff has him worried. He sends in scientist Katie Flanagan as an undercover lab technician. Something is clearly very wrong, but before Katie can get to the bottom of what is going on, a colleague is struck down by a mysterious illness. Has the safety of the facility been compromised, allowing a deadly virus to escape? Katie begins to suspect that the scientists are as deadly as the diseases - and that her cover has been blown. Then the island is cut off by high seas and a terrifying game of cat-and-mouse begins...

Picking up the primary scent of any investigation, this anthology of wicked tales paints a chilling portrait of "modus operandi"--the signature that identifies any repeat offender. In this collection of villainous narratives, a coroner reveals a body's telltale clues to his students as he unwittingly dissects his own relationship, a broken-down driver turns his roadside routine into a quite different type of pick-up, and two creative-writing tutors discuss the merits of "hard-boiled" versus "cozy" schools of crime writing while a murderous student points out that it's really procedure that counts. From the ex-doctor tenderly administering a final prescription to his victims to the party of finishing school debutantes exacting revenge on their lecherous host, these stories demonstrate that, even with the most despicable of crimes, there is always methodology within the madness.