Sebastian is the story of a young man who, due to an unfortunate accident, has his leg amputated shortly before World War I. When his father is drafted to the war it falls to him to run the family grocery store in Vienna, to grow into his responsibilities, bear loss and uncertainty, and hopefully find love. Sebastian Schreiber, his extended family, their friends and the store employees experience the 'golden days' of pre-war Vienna, the time of war and the end of the Monarchy, while trying to make a living and to preserve what they hold dear. Fischer convincingly describes life in Vienna during the war years; how it affected the people in an otherwise safe and prosperous location, the beginning of the end for the monarchic system, the arrival of modern thoughts and trends, the Viennese class system and the end of an era. As in the first book of the trilogy, The Luck of The Weissensteiners we are confronted again with themes of identity, nationality and borders. The step back in time from Book 1 and the change of location from Slovakia to Austria enables the reader to see the parallels and the differences deliberately out of sequential order, so as not to see one as the consequence of the other, but to experience them as the reality it must have felt like for people at the time. Review from Goodreads: The strength of this author lies in the choice of his characters, a large ensemble cast around the title character Sebastian. Each of them seems to represent a different class, a social or an ethnic group of the melting pot that is the Habsburg Vienna of 1913. The family shop with its wide selection of goods and changing staff serves almost as the perfect symbol for the forced Austro-Hungarian state that has run its cause. With much research gone into the setting Fischer however focuses more on the human side of his characters and their conflicts. As before, he never points the finger or favours one group in particular but manages to give a great and authentic feel of the times. Self-doubt and a fear of the future oozes out of most his characters, particularly the physically fragile Sebastian and his family. It seems the old generation is holding on to what they know and what is slipping through their fingers; the young ones are unsure how to be themselves in a modern world where old values are becoming meaningless and their own initiative and expertise will be needed. With a hint of irony and a love for sentiment and nostalgia Fischer portrays the stubborn heroes, the errant and self-defeating and often silly ways in which the characters trod along in their search for happiness, be that seances, amateur psycho-analysis or risking all for a piece of the past. This second part of his trilogy is less intense in terms of historic background and has an easier flow of writing. Greatly evolved Fischer gently shows the falling apart of the old order, showing some of the innocence of the time. After having first written a book about the brutal times that follow this is a daring concept that fortunately paid off. Just like the leg amputated Sebastian has to learn to walk through life with what he has left, so will the new shrunken state of Austria need to find a new stance in a changing Europe. Having read in an interview that the story is based on his own grandfather makes the story all the more touching and a small piece of history come alive.

Time to Let Go is a contemporary family drama set in Britain. Following a traumatic incident at work Stewardess Hanna Korhonen decides to take time off work and leaves her home in London to spend quality time with her elderly parents in rural England. There she finds that neither can she run away from her problems, nor does her family provide the easy getaway place that she has hoped for. Her mother suffers from Alzheimers' disease and, while being confronted with the consequences of her issues at work, she and her entire family are forced to reassess their lives. The book takes a close look at family dynamics and at human nature in a time of a crisis. Their challenges, individual and shared, take the Korhonens on a journey of self-discovery and redemption.

In the sleepy town of Bratislava in 1933 a romantic girl falls for a bookseller from Berlin. Greta Weissensteiner, daughter of a Jewish weaver, slowly settles in with the Winkelmeier clan just as the developments in Germany start to make waves in Europe. The political climate in the multifaceted cultural jigsaw puzzle of disintegrating Czechoslovakia becomes more complex and affects relations between the couple and the families. The story follows their lot through the war with its predictable and also its unexpected turns and events and the equally hard times after. From the moment that Greta Weissensteiner enters the bookstore where Wilhelm Winkelmeier works, and entrances him with her good looks and serious ways, I was hooked. But this is no ordinary romance; in tact it is not a romance at all, but a powerful, often sad, Holocaust story. What makes The Luck of the Weissensteiners so extraordinary is the chance Christoph Fischer gives his readers to consider the many different people who were never in concentration camps, never in the military, yet who nonetheless had their own indelible Holocaust experiences. Set in the fascinating area of Bratislava, this is a wide-ranging, historically accurate exploration of the connections between social location, personal integrity and, as the title says, luck. I cared about every one of this novel's characters and continued to think about them long after I'd finished reading. -- Andrea Steiner, University of California Santa Cruz The Luck of the Weissensteiners is an epic saga set in wartime Eastern Europe. It follows the lives of two families - one Jewish, one Catholic - and their entwined survival amidst the backdrop of the second world war; first the fascist then the communist invasion and occupation of Slovakia, and the horror of the consequences of war. The reader is transported to a world of deception, fear, distrust and betrayal, alongside enduring love and family drama. The characters are vividly painted in the mind of the reader as we follow their journey across Europe at a time of unimaginable challenge and trauma. Weissensteiners is a magnificent tale of human survival. I wish I hadn't read it already so that I may repeat the pleasure of discovering and becoming lost in the story once again.(less)

Diplomarbeit aus dem Jahr 2002 im Fachbereich Sport - Sportokonomie, Sportmanagement, Note: 1,3, Deutsche Sporthochschule Koln (Sportwissenschaften), Sprache: Deutsch, Abstract: Inhaltsangabe: Einleitung: Seit Beginn der neunziger Jahre hat sich in den professionellen Ligen des Teamsports in Europa eine neue Form des Sportsponsoring entwickelt, die als Ligasponsoring bezeichnet wird. 1993 war es zunachst das englische Brauereiunternehmen Carling, das fur den Betrag von 3 Millionen Pfund jahrlich das Titelsponsoring der F.A. Premier League ubernahm. Im Laufe der letzten zehn Jahre wurde auch von anderen Fussballligen in Europa das Ligasponsoring eingefuhrt. So z.B. in Irland, Osterreich, Schottland und der Schweiz, wo die Ligen zum Teil auch den Namen des Sponsors ubernommen haben. Das Ligasponsoring ist im europaischen Profifussball damit zu einer zusatzlichen Finanzierungsquelle fur die Vereine, Ligaorganisationen und Verbande geworden. Die Summen, die mittlerweile fur solche Sponsorings aufgebracht werden sind erheblich: fur den aktuellen Drei-Jahres-Vertrag mit der Kartengesellschaft Barclaycard erhalt die F.A. Premier League Limited 16 Millionen Pfund pro Jahr. Zusatzlich hat das Ligasponsoring sich zu einer attraktiven Werbeplattform fur die beteiligten Unternehmen entwickelt. Die errechneten Werbewerte der osterreichischen max.Bundesliga belegen, dass in der Saison 2000/2001 fur das Titelsponsoring von max.mobil. ein Werbewert von uber 187 Millionen Schilling erzielt wurde. Das Sponsorship kostete max.mobile. fur diesen Zeitraum dagegen nur 40 Millionen OS. Aufgrund der erfolgreichen Entwicklung in anderen europaischen Ligen sind auch die Vertreter des deutschen Profifussballs auf diese Form des Sponsoring aufmerksam geworden. Die ersten Spekulationen uber ein Titelsponsoring fur die hochste deutsche Spielklasse im Fussball begannen mit der Einfuhrung eines einheitlichen Auftrittes der deutschen Fussball-Bundesliga zu Beginn der Saison 1996/97. Am 30. Septembe