Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

It is 1864 when a lost stepbrother returns to a remote Scottish village with the ominous warning, "They dwell beneath the ground." Queen Victoria, who is personally aware of the threat, has sent an agent to investigate reports of cannibalism. Beneath the tiny village dwells a vile tribe of creatures who feed on both the dead and living and who are running out of space. The Teriz are ready to emerge from the darkness, leaving the villagers with two options-to flee or defend. Even after learning more about the tribe's evil leader, the villagers determine they can defeat him and begin developing a plan of defense. Meanwhile, feisty young villager Tamlyn Macleary is soon caught up in the bedlam. After he travels into the woods one afternoon, he and his companions stumble upon an empty wagon that once held twelve Frenchmen-who have now vanished completely. The villagers suspect the worst-the Frenchmen have been taken underground. As Tamlyn and his family attempt to fend off the unspeakable horror that haunts the Scottish moors and threatens to topple the British Monarchy from within, they soon discover that nothing is ever what it appears to be-especially at first glance.

Collected essays on critqueing the belief in progress from a traditionalist point of view from which so-called progress oftens appears as regress.

Examines the increasing significance of the volunteer and volunteerism in African societies, and their societal impact within precarious economies in a period of massive unemployment and faltering trajectories of social mobility. Across Africa today, as development activities animate novel forms of governance, new social actors are emerging, among them the volunteer. Yet, where work and resources are limited, volunteer practices have repercussions that raise contentious ethical issues. What has been the real impact of volunteers economically, politically and in society? The interdisciplinary experts in this collection examine the practices of volunteers - both international and local - and ideologies of volunteerism. They show the significance of volunteerism to processes of social and economic transformation, and political projects of national development and citizenship, as well as to individual aspirations in African societies. These case studies - from South Africa, Lesotho, Kenya, Tanzania, Zambia, Sierra Leone and Malawi - examine everyday experiences of volunteerism and trajectories of voluntary work, trace its broaderhistorical, political and economic implications, and situate African experiences of voluntary labour within global exchanges and networks of resources, ideas and political technologies. Offering insights into changing configurations of work, citizenship, development and social mobility, the authors offer new perspectives on the relations between labour, identity and social value in Africa. Ruth Prince is Associate Professor in Medical Anthropology at the University of Oslo; with her co-author Wenzel Geissler, she won the 2010 Amaury Talbot Prize for their book The Land is Dying: Contingency, Creativity and Conflict in Western Kenya. Hannah Brown is a lecturer in Anthropology at Durham University.

Written by internationally acclaimed artist and photographer Christopher James, THE BOOK OF ALTERNATIVE PHOTOGRAPHIC PROCESSES: 3rd Edition is the definitive text for students and professionals studying alternative photographic processes and the art of hand-made photographic image making. This innovative Third Edition brings the medium up to date with new and historic processes that are integrated with the latest contemporary innovations, adaptations, techniques, and art work. This 800 page edition is packed with more than 700 exquisite illustrations featuring historical examples as well as the art that is currently being made by professional alternative process, artists, teachers, and students of the genre. The third edition is the complete and comprehensive technical and aesthetic resource exploring and delving into every aspect of alternative photographic process photography. Each chapter introduces the history of a technique, presents an overview of the alternative photographic process that will be featured, reviews its chemistry, and provides practical and easy to follow guidance in how to make it work. In his conversational writing style, James also explores the idiosyncrasies, history, and cultural connections that are such a significant part of the history of photography. Featuring traditional and digital contact negative production as well as an array of processes, spread out over 28 chapters, THE BOOK OF ALTERNATIVE PHOTOGRAPHIC PROCESSES: 3RD EDITION delivers clear instructions, practical workflows and advice, humor, history, art, and immeasurable inspiration.

The relationship between early Mormons and the United States was marked by anxiety and hostility, heightened over the course of the nineteenth century by the assassination of Mormon leaders, the Saints' exile from Missouri and Illinois, the military occupation of the Utah territory, and the national crusade against those who practiced plural marriage. Nineteenth-century Latter-day Saints looked forward to apocalyptic events that would unseat corrupt governments across the globe, particularly the tyrannical government of the United States. The infamous "White Horse Prophecy" referred to this coming American apocalypse as "a terrible revolution... in the land of America, such as has never been seen before; for the land will be literally left without a supreme government." Mormons envisioned divine deliverance by way of plagues, natural disasters, foreign invasions, American Indian raids, slave uprisings, or civil war unleashed on American cities and American people. For the Saints, these violent images promised a national rebirth that would vouchsafe the protections of the United States Constitution and end their oppression. In Terrible Revolution, Christopher James Blythe examines apocalypticism across the history of the Church of Jesus Christ of Latter-day Saints, particularly as it took shape in the writings and visions of the laity. The responses of the church hierarchy to apocalyptic lay prophecies promoted their own form of separatist nationalism during the nineteenth century. Yet, after Utah obtained statehood, as the church sought to assimilate to national religious norms, these same leaders sought to lessen the tensions between themselves and American political and cultural powers. As a result, visions of a violent end to the nation became a liability to disavow and regulate. Ultimately, Blythe argues that the visionary world of early Mormonism, with its apocalyptic emphases, continued in the church's mainstream culture in modified forms but continued to maintain separatist radical forms at the level of folk-belief.

Citizenship in the nineteenth-century United States was an ever-moving target. The Constitution did not specify its exact meaning, leaving lawmakers and other Americans to struggle over the fundamental questions of who could be a citizen, how a person attained the status, and the particular privileges citizenship afforded. Indeed, as late as 1862, U.S. Attorney General Edward Bates observed that citizenship was "now as little understood in its details and elements, and the question as open to argument and speculative criticism as it was at the founding of the Government." Black people suffered under this ambiguity, but also seized on it in efforts to transform their nominal freedom. By claiming that they were citizens in their demands for specific rights, they were, Christopher James Bonner argues, at the center of creating the very meaning of American citizenship. In the decades before and after Bates's lament, free African Americans used newspapers, public gatherings, and conventions to make arguments about who could be a citizen, the protections citizenship entailed, and the obligations it imposed. They thus played a vital role in the long, fraught process of determining who belonged in the nation and the terms of that belonging. Remaking the Republic chronicles the various ways African Americans from a wide range of social positions throughout the North attempted to give meaning to American citizenship over the course of the nineteenth century. Examining newpsapers, state and national conventions, public protest meetings, legal cases, and fugitive slave rescues, Bonner uncovers a spirited debate about rights and belonging among African Americans, the stakes of which could determine their place in U.S. society and shape the terms of citizenship for all Americans.

Kamila is a cornucopia of dreadfulness. Her works at once beautiful and terrible, each piece like being tickled by Death’s cold little fingers, every bewitching creation a world I want to know more about. — Brom Welcome to the mind of Canadian horror-art sensation Kamila Mlynarczyk (better known as @WoodedWoods). Featuring art created between 2017–2019 this art book charts her progression from teaching herself how to draw to creating one-panel illustration art. It also features a chapter on her famous art dolls. Her artist notes and narrative describe her fascinating creative process and many of the inspirations behind her countless creepy, unsettling, yet poignant (and often hilarious) sketches. While the rhyme and reason behind why everyone needs a little snail friend, why cute poops make this world a better place, and why werewolves always hesitate before devouring the sacrificial girl-child can at times simply be chalked-up to mischief, Kamila is truly funny and relatable. To Kamila, nothing fictional can ever be as frightening as reality, and so much of her inspiration comes from the right here and now. She strives to depict the most terrible things in a sympathetic light, and in that way they become more beautiful than reality, more light-hearted than realistically possible, and through their relatability they become cheeky and charming—they become cathartic.  Features: table of contents, introductions by James O’Barr, creator of The Crow, and Neil Christopher, writer and publisher, photos, sketches, paintings, illustrations, and even on post-it note piece (see if you can spot it!), also contains Kamila's list of things you should read or watch to become well versed in the language of horror.  

The relationship between early Mormons and the United States was marked by anxiety and hostility, heightened over the course of the nineteenth century by the assassination of Mormon leaders, the Saints' exile from Missouri and Illinois, the military occupation of the Utah territory, and the national crusade against those who practiced plural marriage. Nineteenth-century Latter-day Saints looked forward to apocalyptic events that would unseat corrupt governments across the globe, particularly the tyrannical government of the United States. The infamous "White Horse Prophecy" referred to this coming American apocalypse as "a terrible revolution… in the land of America, such as has never been seen before; for the land will be literally left without a supreme government." Mormons envisioned divine deliverance by way of plagues, natural disasters, foreign invasions, American Indian raids, slave uprisings, or civil war unleashed on American cities and American people. For the Saints, these violent images promised a national rebirth that would vouchsafe the protections of the United States Constitution and end their oppression. In Terrible Revolution, Christopher James Blythe examines apocalypticism across the history of the Church of Jesus Christ of Latter-day Saints, particularly as it took shape in the writings and visions of the laity. The responses of the church hierarchy to apocalyptic lay prophecies promoted their own form of separatist nationalism during the nineteenth century. Yet, after Utah obtained statehood, as the church sought to assimilate to national religious norms, these same leaders sought to lessen the tensions between themselves and American political and cultural powers. As a result, visions of a violent end to the nation became a liability to disavow and regulate. Ultimately, Blythe argues that the visionary world of early Mormonism, with its apocalyptic emphases, continued in the church's mainstream culture in forms but continued to maintain separatist radical forms at the level of folk-belief.

Examines the increasing significance of the volunteer and volunteerism in African societies, and their societal impact within precarious economies in a period of massive unemployment and faltering trajectories of social mobility. Across Africa today, as development activities animate novel forms of governance, new social actors are emerging, among them the volunteer. Yet, where work and resources are limited, volunteer practices have repercussions that raise contentious ethical issues. What has been the real impact of volunteers economically, politically and in society? The interdisciplinary experts in this collection examine the practices of volunteers - both international and local - and ideologies of volunteerism. They show the significance of volunteerism to processes of social and economic transformation, and political projects of national development and citizenship, as well as to individual aspirations in African societies. These case studies - from South Africa, Lesotho, Kenya, Tanzania, Zambia, Sierra Leone and Malawi - examine everyday experiences of volunteerism and trajectories of voluntary work, trace its broaderhistorical, political and economic implications, and situate African experiences of voluntary labour within global exchanges and networks of resources, ideas and political technologies. Offering insights into changing configurations of work, citizenship, development and social mobility, the authors offer new perspectives on the relations between labour, identity and social value in Africa. Ruth Prince is Associate Professor in Medical Anthropology at the University of Oslo; with her co-author Wenzel Geissler, she won the 2010 Amaury Talbot Prize for their book The Land is Dying: Contingency, Creativity and Conflict in Western Kenya. Hannah Brown is a lecturer in Anthropology at Durham University.

The publication of the Book of Mormon in 1830 began a new scriptural tradition. Resisting the long-established closed biblical canon, the Book of Mormon posited that the Bible was incomplete and corrupted. With a commitment to an open canon, a variety of Latter Day Saint denominations have emerged, each offering their own scriptural works to accompany the Bible, the Book of Mormon, and other revelations of Joseph Smith. Open Canon breaks new ground as the first volume to examine these writings as a single spiritual heritage. Chapters cover both well-studied and lesser-studied works, introducing readers to scripture dictated by nineteenth- and twentieth-century revelators such as James Strang, Lucy Mack Smith, Sidney Rigdon, Harry Edgar Baker, and Charles B. Thompson, among others. Contributors detail how various Latter Day Saint denominations responded to scriptures introduced during the ministry of Joseph Smith and how churches have employed the Book of Mormon, the Doctrine and Covenants, and the Lectures of Faith over time. Bringing together studies from across denominational boundaries, this book considers what we can learn about Latter Day Saint resistance to the closed canon and the nature of a new American scriptural tradition.