The pictorial turn in the humanities and social sciences has foregrounded the political power of images and the extent to which historical, political, social, and cultural processes and practices are shaped visually. Political iconographies are taken to interpret norms of actions, support ideological formations, and enhance moral concepts. Visual rhetorics are understood as active players in the construction and contestation of the political realm and public space. The twenty-one articles by scholars from Europe and the United States explore the political function and cultural impact of images from the perspectives of Art History, American Studies, Visual Culture Studies, History, and Political Science. The contributions in particular address the complex interplay between agent and addressee in the public space as well as issues of national identity, discourses of inclusion and exclusion, and the designation of political spaces within transnational contexts. The publication is part of the interdisciplinary research initiative "Perceiving and Understanding: Functions, Perception Processes, Forms of Visualizations, Cultural Strategies of Pictures and Texts" at the University of Regensburg.

His paintbrush set everything in motion: the landscape of Provence, the colourful still lifes, his portraits and the picturesque coast of southern France. More than any other artist, Paul Cézanne, the “Father of Modernism�, captured the light and the play of colours of the South in his pictures and lent them through his new pictorial language a liveliness and dynamism which continue to fascinate viewers to this day. Paul Cézanne (1839 – 1906) painted the Montagne Sainte-Victoire, a rocky massif near his birthplace Aix-en-Provence, some 80 times. The artist translated the interplay of sunlight and shadow on the constantly changing stone into pictures on the threshold of abstraction. Today they are seen as icons of art history and they underline Cézanne’s reputation as one of the most important pioneers of Classical Modernism. Countless artists, including Matisse, Derain, Picasso, Braque and Léger found inspiration in Cézanne’s ideas on colour modulation and pictorial composition. In this publication the author Christoph Wagner positions Cézanne as an artistic genius who opened up for future generations a completely new view of the world through his paintings and watercolours.

When the State Bauhaus opened in Weimar in 1918, the Swiss artist and art theorist Johannes Itten (1888 - 1967) was one of the first teachers to be appointed by Walter Gropius. With his preliminary course, Itten had a considerable effect on the creative training in the Bauhaus; to this day his insights into the theory of colours set standards in art education and in the field of design. Enquiring mind and lecturer, painter and art teacher - Johannes Itten was a very thoughtful artist personality which was reflected in numerous theoretical texts and artworks covering a wide range of styles. Constantly in dialogue with students and colleagues as well as in a study of other cultures and artistic ideas, Itten created works in which he examined colours, their aura, contrasts and forms. Inspired by Adolf Hoelzel, his teacher at the Stuttgart Academy, Itten developed, amongst other things, the famous doctrine of colour types whose significance extends far beyond the realms of art into everyday culture. The acknowledged Itten expert Christoph Wagner introduces the artist with his complex and symbolic work and traces an arc from the revolutionary Bauhaus teacher and founder of various art schools to the art theorist of the theory of colours.

The painter Hans Purrmann (1880-1966) ranks among the most important colourists of twentieth- entury art. Drawing on Henri Matisse and the expressionists, he developed a distinct and acclaimed artistic practice over the course of a life lived in places from Munich to Paris to Berlin to Florence to Switzerland. Part of the secret of Hans Purrmann's art is that in his work he translated the visible in a very specific and vibrant manner. With irrepressible curiosity, attentiveness and an unerring eye for beauty and the primal and essential, he produced works whose classification as "representational painting" falls short. In fact, his place in art history is one which continues to offer points of departure for modernism ["einen fur die Moderne bis heute anschlussfahigen Rang": in der Kunst ist die Moderne eine abgeschlossene Epoche]: in 1955 Purrmann was included in documenta I in Kassel, and in 1962 he was the subject of a major retrospective at the Haus der Kunst in Munich which was hailed by the press as a sensation. Based on new sources, Christoph Wagner presents the life and work of Hans Purrmann and places the painter as a prominent protagonist within the coordinates of twentieth-century art history.

Contains Nearly 100 Pages of New Material

The recent financial crisis has shown that credit risk in particular and finance in general remain important fields for the application of mathematical concepts to real-life situations. While continuing to focus on common mathematical approaches to model credit portfolios, Introduction to Credit Risk Modeling, Second Edition presents updates on model developments that have occurred since the publication of the best-selling first edition.

New to the Second Edition

• An expanded section on techniques for the generation of loss distributions
• Introductory sections on new topics, such as spectral risk measures, an axiomatic approach to capital allocation, and nonhomogeneous Markov chains
• Updated sections on the probability of default, exposure-at-default, loss-given-default, and regulatory capital
• A new section on multi-period models
• Recent developments in structured credit

The financial crisis illustrated the importance of effectively communicating model outcomes and ensuring that the variation in results is clearly understood by decision makers. The crisis also showed that more modeling and more analysis are superior to only one model. This accessible, self-contained book recommends using a variety of models to shed light on different aspects of the true nature of a credit risk problem, thereby allowing the problem to be viewed from different angles.

In diesem Sammelband werden aktuelle Ansatze und Entwicklungen zu grundlegenden Konzepten der Vergleichenden Politikwissenschaft diskutiert, insbesondere zu den Themengebieten Staat und Staatlichkeit, Demokratie sowie Rechtsstaatlichkeit und Governance. Damit wird ein breites Spektrum der Vergleichenden Politikwissenschaft abgedeckt. Mit einem besonderen Abschnitt zu Lateinamerika werden auch uber Europa hinausgehende Themen angesprochen. Die Beitrage stammen von renommierten deutschen und europaischen Politikwissenschaftler*innen. Der Sammelband vermittelt so einen UEberblick zu zentralen aktuellen Debatten der Vergleichenden Politikwissenschaft.

Master's Thesis from the year 2006 in the subject Sport - Sport Sociology, grade: B, University of Leicester (Institute for Sociology), course: MA course for Sociology of Sports, language: English, abstract: Abstract The increasing insecurity in English society is countered by a resurgence of nostalgia and remembering the old times. This phenomenon can be found in football, too, but it differs from the need for nostalgia that is visible in society. High Street shops like Past Times are hugely successful in selling commodities that remember the English Commonwealth with goods from the countries that once belonged to it. Also, this becomes visible by the many replica items of daily life that are designed in a retro style but contain modern technology such as radios, watches, alarm clocks and furniture. Football fans can purchase replica shirts of their favourite club from the seventies and even earlier. In the field of football, the introduction of the Premier League in England has ultimately changed the face of football. Football was commodified and has become the most successful part of the entertainment industry. In the wake of the Heysel and Hillsborough disasters football fans got active themselves and started to publish football fanzines as a reaction to the general condemnation they had to endure. In these outlets they mostly opposed the view that every football fan is a hooligan. They also used football fanzines as a platform to remember their heroes and glories of eras long gone. For this reason cultures of memory did become a part of football fanzines and did so very vividly.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ De Genuino Definitionis Tutelae Intellectu: Liber Singularis Christoph Wagner

The increasing insecurity in the English society is countered by a resurgence of nostalgia and remembering the old times. This phenomenon can be found in football, too, but it differs from the need for nostalgia that is visible in society. High Street shops like Past Times are hugely successful in selling commodities that remember the English Commonwealth with goods from the countries that once belonged to it. Also, this becomes visible by the many replica items of daily life that are designed in a retro style but contain modern technology such as radios, watches, alarm clocks and furniture. Football fans can purchase replica shirts of their favourite club from the seventies and even earlier.In the field of football, the introduction of the Premier League in England has changed the face of football massively. After the Heysel and Hillsborough disasters football fans got active themselves and started to publish football fanzines. In these outlets they mostly opposed the view that every football fan is a hooligan. They also used football fanzines as a platform to remember their heroes and glories of eras long gone. For this reason cultures of memory did become a part of football fanzines and did so very vivid.

Seminar paper from the year 2004 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7 (A-), Otto-von-Guericke-University Magdeburg (Institute for Foreign Language Philology), course: Hauptseminar City Cultures, language: English, abstract: When writing and talking about football the first thought is about which side is going to be German champion, European or World champion, which side will win the Champions League or the UEFA-Cup. Often the words go further onto the players, their wages that players earn too much money and much more that is directly linked with the game itself. Seldomly the talk is about such things as media influence and control, the development of the game, its sociological dimension or anything that plays an important role offside the pitch. Only when the clubs are nearly bankrupt or a new ground has to be built pub talk turns away from the game and its facts onto politics.

Book & DVD. Text in English & German. Friedrich Christoph Wagner spent the years between 1965 and 2002 with few interruptions lecturing students of architecture on the basics of design. In this book he spreads out a summation of his teachings. Thereby he presents an insight into his working methods, a definition of the position of the basics of design, a practical didactic system for creativity, perception and aesthetics as well as a large number of examples of his students' work. A first block about creative training is followed by a broad selection of sculptural themes by means of study pieces based upon "body space" and "the logic of the form". Then the author is moving along with studies of the phenomenon of space with its basic topological and geometrical patterns as well as the primal images and primal acts in architecture. This is followed by a discussion of the surface and of surface structures as well as of the line, with the concomitant topics of sequences and proportions. Under 'Elements of architecture' the author presents students' projects and findings, with an emphasis on proxemics, locations, situations, the ways in which people behave and the corresponding forms in architecture. In connection with this, a number of excursions were undertaken to the island of Sifnos in the Cyclades, where students assisted in making measurements and conducting research at the Kato Petali site. The book contains a DVD with sound samples and films concerned with 'space and light'.

The Bauhaus master Johannes Ittenis one of the prominent protagonists of early Modernism in twentieth-century art. Few people are aware of the close links between his beginnings as an artist and his experience of landscape and nature in the town of Thun and Lake Thun. Johannes Itten gained decisive impulses for the development of his concept of art and his path towards abstraction through various stations and sojourns in Thun and its surroundings. By means of examples of the representations of nature in his early work the publication shows in scholarly depth how Itten discovered his own, very personal and later internationally famous approach to art and painting style and presents his pictorial transformation of natureextending through to the artist's late works.

The Swiss artist Johannes Itten (1888 - 1967) was not only a pioneering art theorist and a prominent teacher at the Bauhaus, but he also left an extensive and wide-ranging oeuvre which is only known in part today. The lavishly illustrated catalogue raisonne covers comprehensively and presents an appropriate appreciation of the entire range of his artistic oeuvre. Paintings, graphic works, sculptures, textiles and furniture - Johannes Itten was an unusually versatile artist who during the six decades of his creative career also produced one of the most important works on the theory of colours in the twentieth century. His artistic work is examined here for the first time scientifically on the basis of 120,00 0 biographical documents and sources and is being expanded in comparison with the catalogue raisonne of 1972 by more than 1,000 works from all creative periods. The three-volume catalogue raisonne includes the latest provenance research, an index of exhibitions and literature and provides for the first time a complete overview of the artistic cosmos of Johannes Itten three-volume catalogue raisonne includes the latest provenance research, an index of exhibitions and literature and provides for the first time a complete overview of the artistic cosmos of Johannes Itten.

Paintings, graphic works, sculptures, textiles and furniture - Johannes Itten was an unusually versatile artist who during the six decades of his creative career also produced one of the most important works on the theory of colours in the twentieth century. His artistic work is examined here for the first time scientifically on the basis of 120,000 biographical documents and sources and is being expanded in comparison with the catalogue raisonne of 1972 by more than 1,000 works from all creative periods. The three-volume catalogue raisonne includes the latest provenance research, an index of exhibitions and literature and provides for the first time a complete overview of the artistic cosmos of Johannes Itten.