This valuable addition to the G.I. series is an illustrated guide to America's armoured forces from the use of prototypes tanks sputtering their way forward in 1918, to the complex technology of Operation Desert Storm. With detailed commentary by John P. Longellier, this book demonstrates just why these lethal troops were known as 'Hell on Wheels'.

Max Reger (1873-1916) was a celebrated German composer, performer on piano and organ, and conductor. Well known for his compositions for keyboards and orchestra, Reger worked during the crucial decades when Western music transformed itself from the misty veil of Romanticism and Impressionism to the more hard-edged modernism that would prevail in the 20th century. Less well known are his writings about music and the composer's craft. Although he wrote a major book on music theory published in 1903 (and translated into English a year later), his extended essays on composition, his fellow composers, and analysis have never appeared before in English. Christopher Anderson, a noted Reger scholar, has gone back to original manuscripts as well as the published versions of these writings to produce definitive new texts. Additionally, Anderson has written an opening essay placing Reger's writings and music in the context of his time. This volume will appeal strongly to those interested in the Late Romantic era, musical composition and aesthetics, and of course those interested in the music and life of Reger

The Church is not a business, but it does have a stewardship responsibility to ensure that all of its resources are used as effectively as possible to carry out God's work on earth. In the case of human resource assets, good stewardship involves assisting those engaged in ministry (whether clerical or lay) to achieve their greatest potential through the various components of performance management, including performance assessment. This unique collection brings together both scholars and practitioners who tackle the tricky questions related to the performance management of lay Church workers and clergy (priests and deacons). Performance management is multi-faceted, ranging from issues about hiring, job descriptions, performance criteria, performance appraisal, formation, and firing procedures. As a charitable organization, the Church is subject to the same civil law employment regulations as companies in the private sector. Contributors demonstrate that Canon Law and Church tradition supports the performance management of Church ministers (including clergy). This is a valuable resource for programs in church ministry, pastoral administration, and in the emerging field of church management.

Max Reger (1873-1916) was a celebrated German composer, performer on piano and organ, and conductor. Well known for his compositions for keyboards and orchestra, Reger worked during the crucial decades when Western music transformed itself from the misty veil of Romanticism and Impressionism to the more hard-edged modernism that would prevail in the 20th century. Less well known are his writings about music and the composer's craft. Although he wrote a major book on music theory published in 1903 (and translated into English a year later), his extended essays on composition, his fellow composers, and analysis have never appeared before in English. Christopher Anderson, a noted Reger scholar, has gone back to original manuscripts as well as the published versions of these writings to produce definitive new texts. Additionally, Anderson has written an opening essay placing Reger's writings and music in the context of his time.
This volume will appeal strongly to those interested in the Late Romantic era; musical composition and aesthetics; and of course those interested in the music and life of Reger.

The first thorough examination of the most renowned and influential organist in early twentieth-century Germany and of his complex relationship to his country's tumultuous and shifting sociopolitical landscape. In the course of a multifaceted career, Karl Straube (1873-1950) rose to positions of immense cultural authority in a German musical world caught in unprecedented artistic and sociopolitical upheaval. Son of a German harmonium-builder and an intellectually inclined English mother, Straube established himself as Germany's iconic organ virtuoso by the turn of the century. His upbringing in Bismarck's Berlin encouraged him to develop intensive interests in world history and politics. He quickly became a sought-after teacher, editor, and confidante to composers and intellectuals, whose work he often significantly influenced. As the eleventh successor to J. S. Bach in the cantorate of St. Thomas School, Leipzig, he focused the choir's mission as curator of Bach's works and, in the unstable political climate of the interwar years, as international emissary for German art. His fraught exit from the cantorate in 1939 bore the scars of his Nazi affiliations and issued in a final decade of struggle and disillusionment as German society collapsed. Christopher Anderson's book presents the first richly detailed examination of Karl Straube's remarkable life, situated against the background of the dynamic and sometimes sinister nationalism that informed it. Through extensive examination of primary sources, Anderson reveals a brilliant yet deeply conflicted musician whose influence until now has been recognized, even hailed, but little understood.

For millions of America's young athletes, winning is everything. Sports programs emphasize success over personal growth. Overzealous parents put tremendous pressure on their kids to succeed, and even parents who mean well often put unintentional stresses on their young athletes. Will You Still Love Me If I Don't Win? teaches parents how to relate positively to their children and demonstrate genuine support.

Christopher Andersonn has spent two decades working with young athletes at all levels of sport, from amateurs to Olympians. He shares stories from the field and gives valuable instructions as to how parents can address the emotional needs of their athletic children. Will You Still Love Me If I Don't Win? provides advice for using emotional training as well as physical training to aid children in becoming well-rounded, confident young people. It demonstrates where parents and coaches often go wrong in relating to kids, what causes negative behavior toward children, and how to stop hurting and start healing.

With a foreword by three-time Olympic swimming coach Richard Quick, Will You Still Love Me If I Don't Win? guides parents to motivate their children positively for both personal and athletic achievement.

Max Reger (1873-1916) is perhaps best-known for his organ music. This quickly assumed a prominent place in the repertory of German organists due in large measure to the efforts of Reger's contemporary Karl Straube (1873-1950). The personal and collegial relationship between the composer and performer began in 1898 and developed until Reger's death. By that time, Straube had established himself as an important artist and teacher in Leipzig and the central authority for the interpretation of Reger's organ music. The Reger-Straube relationship functioned on a number of levels with decisive consequences both for the composition of the music and its interpretation over a period fraught with upheaval on sociopolitical, religious and aesthetic fronts. This book evaluates the significance of the relationship between the composer and organist using primary source materials such as autograph performing manuscripts, reviews, programmes, letters and archival sources from contemporary organ building. The result is a much enhanced understanding of Reger in terms of performance practice and reception history, and a re-examination of Straube and, more broadly, of Leipzig as a musical centre during this period.

Max Reger (1873-1916) is perhaps best-known for his organ music. This quickly assumed a prominent place in the repertory of German organists due in large measure to the efforts of Reger's contemporary Karl Straube (1873-1950). The personal and collegial relationship between the composer and performer began in 1898 and developed until Reger's death. By that time, Straube had established himself as an important artist and teacher in Leipzig and the central authority for the interpretation of Reger's organ music. The Reger-Straube relationship functioned on a number of levels with decisive consequences both for the composition of the music and its interpretation over a period fraught with upheaval on sociopolitical, religious and aesthetic fronts. This book evaluates the significance of the relationship between the composer and organist using primary source materials such as autograph performing manuscripts, reviews, programmes, letters and archival sources from contemporary organ building. The result is a much enhanced understanding of Reger in terms of performance practice and reception history, and a re-examination of Straube and, more broadly, of Leipzig as a musical centre during this period.

Renal Cancer: Current Status and Innovations provides a useful guide to the fundamental basics and latest diagnostic and treatment techniques for Renal Cancer. It features clearly structured and easy-to-understand chapters enabling the reader to develop a thorough understanding of screening, surveillance, diagnostics, pathology, robotic and open surgical approaches, ablation, medical treatment, psychology, and future innovations.  The book provides a valuable resource for the full spectrum of clinicians involved in the multidisciplinary management of Renal Cancer.

The ISO 9001 standard is brief and fairly straightforward, unlike a commonly held misconception. An ISO 9001-based quality management system has something to offer any organization regardless of size or type of industry, or even the kind of product or service an organization provides. The ISO 9001 Quality Procedures for Quality Management Systems comes with over 400 pages of practical documentation designed to help you comply with the latest version of the ISO 9001 standard. You don't need to start from scratch... it's already done for you