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Didactic Literature in the Roman World: T. H. M. Gellar-Goad, Christopher B. Polt Didactic Literature in the Roman World
T. H. M. Gellar-Goad, Christopher B. Polt
R4,125 Discovery Miles 41 250 Ships in 12 - 17 working days

Provides a fresh approach to the study of educational literature from the end of the Roman Republic and early Empire. Contributions by both internationally renowned scholars and up-and-coming voices in the discipline.

Catullus and Roman Comedy - Theatricality and Personal Drama in the Late Republic (Paperback, New Ed): Christopher B. Polt Catullus and Roman Comedy - Theatricality and Personal Drama in the Late Republic (Paperback, New Ed)
Christopher B. Polt
R759 Discovery Miles 7 590 Ships in 9 - 15 working days

In the past century, scholars have observed a veritable full cast of characters from Roman comedy in the poetry of Catullus. Despite this growing recognition of comedy's allusive presence in Catullus' work, there has never been an extended analysis of how he engaged with this foundational Roman genre. This book sketches a more coherent picture of Catullus' use of Roman comedy and shows that individual points of contact with the theatre in his corpus are part of a larger, more sustained poetic program than has been recognized. Roman comedy, it argues, offered Catullus a common cultural vocabulary, drawn from the public stage and shared with his audience, with which to explore and convey private ideas about love, friendship, and social rivalry. It also demonstrates that Roman comedy continued to present writers after the second century BCE with a meaningful source of social, cultural, and artistic value.

Catullus and Roman Comedy - Theatricality and Personal Drama in the Late Republic (Hardcover, New edition): Christopher B. Polt Catullus and Roman Comedy - Theatricality and Personal Drama in the Late Republic (Hardcover, New edition)
Christopher B. Polt
R2,637 Discovery Miles 26 370 Ships in 10 - 15 working days

In the past century, scholars have observed a veritable full cast of characters from Roman comedy in the poetry of Catullus. Despite this growing recognition of comedy's allusive presence in Catullus' work, there has never been an extended analysis of how he engaged with this foundational Roman genre. This book sketches a more coherent picture of Catullus' use of Roman comedy and shows that individual points of contact with the theatre in his corpus are part of a larger, more sustained poetic program than has been recognized. Roman comedy, it argues, offered Catullus a common cultural vocabulary, drawn from the public stage and shared with his audience, with which to explore and convey private ideas about love, friendship, and social rivalry. It also demonstrates that Roman comedy continued to present writers after the second century BCE with a meaningful source of social, cultural, and artistic value.

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