Originally published in 1988, this volume contains papers from, and commissioned after, "The Passing of Arthur", a conference on Medieval and Renaissance Studies in November 1986. No Arthurian story is experienced without some foreknowledge of its end, which the text acknowledges through a complex range of methods. This collection takes this as its point of origin, suggesting that all such narratives concern the passing of Arthur, even indirectly, so the chapters not only look at the death of Arthur but the passing on and development of the Arthurian literature. The figure of Arthur and the Round Table continues to fascinate contemporary readers. This interesting collection presents a wide range of Arthurian studies approaches representing some of the vast scholarship on the genre.

What happens when a prestigious text of one period is read and reused in a different, much later world? What can we learn from the annotations accumulated by a single manuscript as it moved among new institutions and readerships? In this study Christopher Baswell takes as his model Virgil's Aeneid, and the many kinds of appeal it held for the culture of the Middle Ages. He examines a series of Latin manuscripts of the text which were copied in twelfth-century England but reused and reannotated for three centuries, and shows how medieval vernacular poets used Virgil's prestige to lay their own claim to poetic and even political authority.

Originally published in 1988, this volume contains papers from, and commissioned after, "The Passing of Arthur", a conference on Medieval and Renaissance Studies in November 1986. No Arthurian story is experienced without some foreknowledge of its end, which the text acknowledges through a complex range of methods. This collection takes this as its point of origin, suggesting that all such narratives concern the passing of Arthur, even indirectly, so the chapters not only look at the death of Arthur but the passing on and development of the Arthurian literature. The figure of Arthur and the Round Table continues to fascinate contemporary readers. This interesting collection presents a wide range of Arthurian studies approaches representing some of the vast scholarship on the genre.

Essays on the complexity of multilingualism in medieval England. Professor Jocelyn Wogan-Browne's scholarship on the French of England - a term she indeed coined for the mix of linguistic, cultural, and political elements unique to the pluri-lingual situation of medieval England - is of immenseimportance to the field. The essays in this volume extend, honour and complement her path-breaking work. They consider exchanges between England and other parts of Britain, analysing how communication was effected where languagesdiffered, and probe cross-Channel relations from a new perspective. They also examine the play of features within single manuscripts, and with manuscripts in conversation with each other. And they discuss the continuing reach ofthe French of England beyond the Middle Ages: in particular, how it became newly relevant to discussions of language and nationalism in later centuries. Whether looking at primary sources such as letters and official documents, orat creative literature, both religious and secular, the contributions here offer fruitful and exciting approaches to understanding what the French of England can tell us about medieval Britain and the European world beyond. Thelma Fenster is Professor Emerita of French and Medieval Studies, Fordham University; Carolyn Collette is Professor of English Language and Literature at Mount Holyoke College. Contributors: Christopher Baswell,Emma Campbell, Paul Cohen, Carolyn Collette, Thelma Fenster, Robert Hanning, Richard Ingham, Maryanne Kowaleski, Serge Lusignan, Thomas O'Donnell, W. Mark Ormrod, Monika Otter, Felicity Riddy, Delbert Russell, Fiona Somerset, +Robert M. Stein, Andrew Taylor, Nicholas Watson, R.F. Yeager

What happens when a prestigious text of one period is read and reused in a different, much later world? What can we learn from the annotations accumulated by a single manuscript as it moved among different institutions and readerships? In this study Christopher Baswell takes as his model Virgil's ancient epic poem The Aeneid, which held many kinds of appeal for the culture of the Middle Ages. He examines a series of Latin manuscripts of the text which were copied in twelfth-century England but reused and reannotated for three centuries, and shows how their users approached the epic in very different ways. He then charts the progression from the Latin of the original to the vernaculars of the Roman d'Eneas and Chaucer's House of Fame and Legend of Good Women, to show how medieval vernacular poets used Virgil's prestige to lay their own claim to poetic and even political authority.

The Fourth Edition of "The Longman Anthology of British Literature," Volume 1A, "The Middle Ages "and Volume 1B, "The Early ""Modern Period," continue their tradition of presenting works in the historical context in which they were written. This fresh approach includes writers from the British Isles, underrepresented female authors, "Perspectives" sections that shed light on the period as a whole and link with immediately surrounding works to help illuminate a theme, "And Its Time" clusters that illuminate a specific cultural moment or a debate to which an author is responding, and "Responses" in which later authors respond to one or more texts from earlier works. 0205753736 / 9780205753734 Longman Anthology of British Literature, Volume 1A and 1B Package consists of: 0205655300 / 9780205655304 Longman Anthology of British Literature, Volume 1A, The: The Middle Ages 0205655327 / 9780205655328 Longman Anthology of British Literature, Volume 1B, The: The Early Modern Period