Kinch Na Shannack owes the Takers Guild a small fortune for his education as a thief, which includes (but is not limited to) lock-picking, knife-fighting, wall-scaling, fall-breaking, lie-weaving, trap-making, plus a few small magics. His debt has driven him to lie in wait by the old forest road, planning to rob the next traveler that crosses his path. But today, Kinch Na Shannack has picked the wrong mark. Galva is a knight, a survivor of the brutal goblin wars, and handmaiden of the goddess of death. She is searching for her queen, missing since a distant northern city fell to giants. Unsuccessful in his robbery and lucky to escape with his life, Kinch now finds his fate entangled with Galva's. Common enemies and uncommon dangers force thief and knight on an epic journey where goblins hunger for human flesh, krakens hunt in dark waters, and honor is a luxury few can afford.

Christopher Buehlman invites readers into a darker age—one of temptation and corruption, of war in heaven, and of hell on earth…

And Lucifer said: “Let us rise against Him now in all our numbers, and pull the walls of heaven down…”

The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that plague is only part of a larger cataclysm—that the fallen angels under Lucifer are rising in a second war on heaven, and that the world of men has fallen behind the lines of conflict.

Is it delirium or is it faith? She believes she has seen the angels of God. She believes the righteous dead speak to her in dreams. And now she has convinced the faithless Thomas to shepherd her across a depraved landscape to Avignon. There, she tells Thomas, she will fulfill her mission: to confront the evil that has devastated the earth, and to restore to this betrayed, murderous knight the nobility and hope of salvation he long abandoned.

As hell unleashes its wrath, and as the true nature of the girl is revealed, Thomas will find himself on a macabre battleground of angels and demons, saints, and the risen dead, and in the midst of a desperate struggle for nothing less than the soul of man.

"The secret is, vampires are real and I am one." "The secret is, I m stealing from you what is most truly yours and I m not sorry..." New York City in 1978 is a dirty, dangerous place to live. And die. Joey Peacock knows this as well as anybody he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city s sidewalks. The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It s almost too easy. Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were. And neither are the rest of us.

A man must confront a terrifying evil in this captivating horror novel that's "as much F. Scott Fitzgerald as Dean Koontz."* Haunted by memories of the Great War, failed academic Frank Nichols and his wife have arrived in the sleepy Georgia town of Whitbrow, where Frank hopes to write a history of his family's old estate-the Savoyard Plantation-and the horrors that occurred there. At first their new life seems to be everything they wanted. But under the facade of summer socials and small-town charm, there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of the Savoyard Plantation still stand. Where a long-smoldering debt of blood has never been forgotten. Where it has been waiting for Frank Nichols....