The importance of Evelyn Dunbar (1906-1960) in the history of British 20th century art is continually being reassessed and belatedly recognised. A gifted draughtswoman: youthful prodigy; brilliant student at the Royal College of Art under Sir William Rothenstein and a galaxy of teaching staff including Allan Gwynne-Jones, Alan Sorrell and Charles Mahoney; principal muralist at Brockley School; book illustrator; devout Christian Scientist; official World War 2 artist, the only woman artist to be salaried throughout the war; post-war allegorist and much-loved teacher; subtly insistent feminist; devoted plantswoman, gardener and inspired advocate of 'green' values; warm and witty but self-effacing personality with many accomplishments including, unexpectedly, rock-climbing and playing the banjo; but above all a very individual artist of spirited imagination and consummate technique, whose work, which hangs in all major UK galleries and several overseas, defies ready classification. Dunbar's nephew Christopher Campbell-Howes gives a sparkling, scholarly and measured account of her life and work in a richly illustrated book that combines biography, memoir and catalogue raisonne.

The Routledge Companion to Media and Race serves as a comprehensive guide for scholars, students, and media professionals who seek to understand the key debates about the impact of media messages on racial attitudes and understanding. Broad in scope and richly presented from a diversity of perspectives, the book is divided into three sections: first, it summarizes the theoretical approaches that scholars have adopted to analyze the complexities of media messages about race and ethnicity, from the notion of "representation" to more recent concepts like Critical Race Theory. Second, the book reviews studies related to a variety of media, including film, television, print media, social media, music, and video games. Finally, contributors present a broad summary of media issues related to specific races and ethnicities and describe the relationship of the study of race to the study of gender and sexuality.

The Routledge Companion to Media and Race serves as a comprehensive guide for scholars, students, and media professionals who seek to understand the key debates about the impact of media messages on racial attitudes and understanding. Broad in scope and richly presented from a diversity of perspectives, the book is divided into three sections: first, it summarizes the theoretical approaches that scholars have adopted to analyze the complexities of media messages about race and ethnicity, from the notion of "representation" to more recent concepts like Critical Race Theory. Second, the book reviews studies related to a variety of media, including film, television, print media, social media, music, and video games. Finally, contributors present a broad summary of media issues related to specific races and ethnicities and describe the relationship of the study of race to the study of gender and sexuality.

adoxography of an inaniloquent aeolist 159 sincere apologies, life lessons, and pseudointellectual observations (among other things) life is shit life is pain make the best of it or else you'll end up a martyr and nobody likes a martyr (except the catholics)

adoxography of an inaniloquent aeolist 159 sincere apologies, life lessons, and pseudointellectual jargon (among other things) by christopher campbell life is shit life is pain make the best of it or else you'll end up a martyr and nobody likes a martyr (except the catholics)

1941 At the beginning of the year, Britain stood alone against Germany and Italy. The war in Africa dominated the headlines, with huge swathes of the North African desert changing hands continually. At sea, Germany's Bismarck sank HMS Hood, but was soon sunk herself, while Fortress Britain endured night after night of heavy Blitz and the horrors of the Luftwaffe's incendiary bombs. The first turning point of the war came in June, with Operation Barbarossa - Germany's invasion of the Soviet Union - opening up a second front in the east. The next would not come till December, when the war moved from beyond its European and African front lines to become a truly global conflict. Japan awoke the sleeping giant that was the USA with a surprise attack on Pearl Harbor. Simultaneous attacks on Hong Kong, Malaya, the Philippines and Indonesia saw huge parts of Asia firmly under Japanese control by the end of the year. John Christopher and Campbell McCutcheon tell the story of 1941 at war using many rare and often unpublished images, showing the rapidly changing nature of the conflict, as well as its impact on the everyday person.

Media, Myth, and Millennials: Critical Perspectives on Race and Culture debunks the post-racial myth among millennial media consumers and producers. This theoretically diverse collection of contributors highlights the complexity at the intersections of media, race, gender, sexuality, class and place. Loren Saxton Coleman and Christopher Campbell's edited collection offers critical and cultural insight on the commodification of millennial audiences and the acts of resistance that emerge from millennial media producers and consumers. Scholars of sociology, media studies, race studies, gender studies, and cultural studies will find this book especially useful.

Media, Myth, and Millennials: Critical Perspectives on Race and Culture debunks the post-racial myth among millennial media consumers and producers. This theoretically diverse collection of contributors highlights the complexity at the intersections of media, race, gender, sexuality, class and place. Loren Saxton Coleman and Christopher Campbell’s edited collection offers critical and cultural insight on the commodification of millennial audiences and the acts of resistance that emerge from millennial media producers and consumers. Scholars of sociology, media studies, race studies, gender studies, and cultural studies will find this book especially useful.