The Sicilian mafia is a subject of endless fascination, but few serious books have been written about it. In this provocative work, Christopher Duggan argues that the idea of the mafia is a fiction, born of political calculation and genuine misunderstanding of the behaviour of Sicilians. The first part of the book looks at the development of the idea of the mafia from the 1860s, when the term first appeared, to the Second World War. Although all serious observers realised that there was no organised criminal society in Sicily, Duggan explains why the idea was perpetuated. When the island became part of unified Italy in 1860, hostility to the new state was claimed by officials to be criminally inspired, and they spoke for the first time of 'the Mafia'. The distinctive values of the Sicilians, such as their belief in private justice and unwillingness to cooperate with the police, reinforced the idea of a secret criminal society. From then on, many of Sicily's political and social problems were attributed to this mythical organisation.In the second part of the book, to illustrate the general observations made in the first, Duggan provides a detailed study of the repressive campaign conducted by the fascist government against the mafia in the 1920s. Making use of private papers, police files, and trial proceedings, he concludes that the mafia was primarily an idea exploited for political ends, and that its use only strengthened many Sicilians' deep mistrust of the state. This lively book is a penetrating account of the origins of the mafia myth and the first study of the impact of fascism on Sicily. It will be of great interest to historians of modern Italy, to anthropologists, and to criminologists, as well as to those who are actively engaged in the fight against organised crime. Christopher Duggan was a Fellow of All Souls College, Oxford, and Lecturer in Italian History and Director of the Centre for the Advanced Study of Italian Society at Reading University. He is co-author, with Denis Mack Smith and Moses Finley, of 'A History of Sicily' (1986).

Many of Italy's current problems can be traced back to the years 1948-1958, one of the most interesting but least-studied periods of recent Italian history. This was a decade in which the main cultural and political parameters of contemporary Italy were laid down. It was a time of enormous intellectual and artistic vitality, and a period in which the tensions generated by the Cold War affected the country to a greater degree than in any other western nation.
This first general survey of the period provides an overview of the political and economic position of Italy during the Cold War as well as an assessment of the affect of the Cold War on intellectual, cultural and artistic life. Distinguished scholars from a range of disciplines present case-histories on subjects as diverse as:
- the state's attitude towards the evolution of the family;
- the American presence in the Italian economy; and
- the place of the Italian film in world cinema.
- Italy's attitude towards the EEC and its relationship with NATO
Students and specialists who wish to enhance their understanding of Italian current affairs will find this interdisciplinary approach to the period invaluable.
"an important addition to scholarship on Italian history, politics and social anthropology, as well as a contribution to our understanding of the Italian concept of regionalism from different perspectives. ...] From an anthropological point of view, this reader may represent a landmark for future case studies on the ways in which the ideologies of the autonomist movements are received and interpreted by the people involved." --Journal of Cambridge Anthropology
"an interesting book which will be appreciated by political scientists and political sociologists in search of longitudinal perspectives, and by all readers who believe in interdisciplinary work." --South European Society and Politics
Christopher Duggan Reader in Italian History and Director of the Centre for the Advanced Study of Italian, University of Reading Christopher Wagstaff Christopher Wagstaff, Senior Lecturer in Italian Studies, University of Reading

The cult of the Duce is the first book to explore systematically the personality cult of Benito Mussolini. It examines practices that began before Mussolini's rise to power and which multiplied as Fascism consolidated its support among the Italian population. By approaching the subject from many different angles, including those of the visual arts and the media as well as social and political history, this book makes a decisive contribution to the understanding of Fascism and modern leadership. The conviction that Mussolini was an exceptional individual first became dogma among Fascists and then was communicated to the people at large. Intellectuals and artists helped fashion the idea of the Duce as a new Caesar while the modern media of press, photography, cinema and radio aggrandised his every public act. Mussolini's image was ubiquitous and varied; he adopted the guises of bourgeois politician, man of culture, sportsman, family man and warrior as he appealed to different audiences. The book explores in detail many manifestations of the cult and the way in which Italians experienced it. It also considers its controversial resonances in the postwar period. The founder of Fascism was the prototype dictator of the twentieth century. As such his cult is a crucial topic in the study of a century that produced many examples of dictators, some of them explicitly modelling themselves on Mussolini. Academics and students with interests in Italian and European history and politics will find the volume indispensable to an understanding of the modern era. Among the contributions is an Afterword by Mussolini's leading biographer, R.J.B. Bosworth.

The cult of the Duce is the first book to explore systematically the personality cult of the Fascist dictator Benito Mussolini. It examines the factors which informed the cult and looks in detail at its many manifestations in the visual arts, architecture, political spectacle and the media. The conviction that Mussolini was an exceptional individual first became dogma among Fascists and then was communicated to the people at large. Intellectuals and artists helped fashion the idea of him as a new Caesar while the modern media of press, photography, cinema and radio aggrandised his every public act. The book considers the way in which Italians experienced the personality cult and analyses its controversial resonances in the postwar period. Academics and students with interests in Italian and European history and politics will find the volume indispensable to an understanding of Fascism, Italian society and culture, and modern political leadership. Among the contributions is an Afterword by Mussolini's leading biographer, R.J.B. Bosworth. -- .

Since its formation in 1861, Italy has struggled to develop an effective political system and a secure sense of national identity. This new edition of Christopher Duggan's acclaimed introduction charts the country's history from the fall of the Roman Empire in the west to the present day and surveys the difficulties Italy has faced during the last two centuries in forging a nation state. Duggan successfully weaves together political, economic, social and cultural history, and stresses the alternation between materialist and idealist programmes for forging a nation state. This second edition has been thoroughly revised and updated to offer increased coverage of nineteenth- and twentieth-century Italy, as well as a new section devoted to Italy in the twenty-first century. With a new, extensive bibliographical essay and a detailed chronology, this is the ideal resource for those seeking an authoritative and comprehensive introduction to Italian history.

Since its formation in 1861, Italy has struggled to develop an effective political system and a secure sense of national identity. This new edition of Christopher Duggan's acclaimed introduction charts the country's history from the fall of the Roman Empire in the west to the present day and surveys the difficulties Italy has faced during the last two centuries in forging a nation state. Duggan successfully weaves together political, economic, social and cultural history, and stresses the alternation between materialist and idealist programmes for forging a nation state. This second edition has been thoroughly revised and updated to offer increased coverage of nineteenth- and twentieth-century Italy, as well as a new section devoted to Italy in the twenty-first century. With a new, extensive bibliographical essay and a detailed chronology, this is the ideal resource for those seeking an authoritative and comprehensive introduction to Italian history.

Based on the Storyland Yoga DVD, (winner of Parent's Choice, Mom's Choice Gold, Dr. Toy's Best Green Product and Creative Child Magazine "Preferred Choice" awards), "Condor Trek Kids," is the book version of the fun-filled Storyland Yoga Adventure that teaches kids yoga poses, while it infuses children with eco-conscious messages, physical activity and literacy. The book engages a child's imagination through storytelling, while they learn yoga poses by becoming part of the story and imitating animals. Yoga is great exercise and helps to calm children giving them greater focus and increased clarity. "Condor Trek Kids" is a physical education, life science and literacy reader to the Common Core Educational Standard.

The greatness of Italy's culture and way of life have had a powerful attraction for many generations of visitors. This has created an overwhelming sense that Italy is a fundamentally benign and easy going country. The Force of Destiny, Christopher Duggan's immensely enjoyable new book, lays waste to this idea. While sharing everyone's enthusiasm for Italy as a place, he strongly distinguishes this from its political role over the past two centuries, which has been both vicious and ruinous for Europe as a whole.

Today Mussolini is remembered as a hated dictator who, along with Hitler and Stalin, ushered in an era of totalitarian repression unsurpassed in human history. But how was he viewed by ordinary Italians during his lifetime?
In Fascist Voices, Christopher Duggan draws on thousands of letters sent to Mussolini, as well as private diaries and other primary documents, to show how Italian citizens lived and experienced the fascist regime under Mussolini from 1922-1943. Throughout the 1930s, Mussolini received about 1,500 letters a day from Italian men and women of all social classes writing words of congratulation, commiseration, thanks, encouragement, or entreaty on a wide variety of occasions: his birthday and saint's day, after he had delivered an important speech, on a major fascist anniversary, when a husband or son had been killed in action. While Duggan looks at some famous diaries-by such figures as the anti-fascist constitutional lawyer Piero Calamandrei; the philosopher Benedetto Croce; and the fascist minister Giuseppe Bottai-the majority of the voices here come from unpublished journals, diaries, and transcripts. Utilizing a rich collection of untapped archival material, Duggan explores "the cult of Il Duce," the religious dimensions of totalitarianism, and the extraordinarily intimate character of the relationship between Mussolini and millions of Italians. Duggan shows that the figure of Mussolini was crucial to emotional and political engagement with the regime; although there was widespread discontent throughout Italy, little of the criticism was directed at Il Duce himself. Duggan argues that much of the regime's appeal lay in its capacity to appropriate the language, values, and iconography of Roman Catholicism, and that this emphasis on blind faith and emotion over reason is what made Mussolini's Italy simultaneously so powerful and so insidious.
Offering a unique perspective on the period, Fascist Voices captures the responses of private citizens living under fascism and unravels the remarkable mixture of illusions, hopes, and fears that led so many to support the regime for so long.