Leading composers, producers and writers consider the role of the composer in the community in Britain today and over the last fifty years. With his Aspen award lecture (1964), Benjamin Britten expressed a unique commitment to community and place. This book revisits this seminal lecture, but then uses it as a starting point of reflection, inviting leading composers, producers and writers to consider the role of the composer in the community in Britain in the last fifty years. Colin Matthews, Jonathan Reekie and John Barber reflect on Britten's aspirations as a composer and the impact of his legacy, and Gillian Moore surveys the ideals of composers since the 1960s. Eugene Skeef and Tommy Pearson discuss the influence of the London Sinfonietta, while Katie Tearle reviews the tradition of community opera at Glyndebourne. Nigel Osborne and Judith Webster explore the role of music as therapy, and James Redwood, Amoret Abis, Sean Gregory and Douglas Mitchell look at music in the classroom and creative workshops. John Sloboda, Detta Danford and Natasha Zielazinski discuss collaboration in music-making and ways of facilitating exchanges between the composer and the audience, while Christopher Fox and Howard Skempton examine the role of modernism and the use of 'other', radical techniques to stimulate new dialogues between composer and community. Peter Wiegold and Amoret Abis interview Sir Harrison Birtwistle, John Woolrich and Phillip Cashian, and Wiegold discusses his formative experiences in encountering music-making in other cultures. All of these approaches to the role and identity of the composer throw a different light on how we address 'the composer and the community': the varied, sometimes contradictory, motivations of composers; the role of music in 'enhancing lives'; the concept of 'outreach' and the different ways this is pursued; and, finally, the meaning of 'community'. Underpinning each are genuine questions about the relationship of arts to society. This book will appeal not only to composers, performers and practitioners of contemporary music but to anyone interested in the changes in twentieth-century music practice, music in education, and the role of music and the arts in the wider community and society.

With the economic crisis that began in 2008, a long-standing trend toward increased regulation is becoming a flood. The clamor for improved enterprise risk management and the complexity of multinational compliance present executives with a dramatically new array of challenges.

Governance should offer solutions, but it is clear that yesterday's governance practices aren't up to the task. In both design and implementation, they are too disconnected and incomplete to fully address our complex compliance and risk management puzzle. Executives get only fragmented views of their true business performance, and inefficiencies drive up costs.

The consequences of inadequate governance were demonstrated in the economic meltdown of 2008. As the world struggles to recover from that crisis, business is now faced with a confusing array of evolving regulations, the challenge of managing compliance across multinational organizations and a new imperative for risk management that is coordinated across the enterprise. It's clear that yesterday's governance practices don't meet today's need for centralized controls, integrated compliance and risk management and greater transparency. The need for organizations to changeand change nowis clear.

Under Control captures decades of business governance experience from many of the leading authorities at CA, Inc. This book sets out not only to explain the essential challenges of effective business governance, but to help you build solutions for your organization based on lessons learned at CA from its customers and in its own corporate structure.

From governing the organization's policies as a whole instead of in silos, to a department-by-department look at the role and impact of governance, to governing your green initiatives, to the role of the board of directors, to the importance of risk management, this book lays out some of the strategies and processes that may help your organization manage its risk and regulatory requirements.

It is clear that the governance standards in the past were inadequate, and that risks have not been properly assessed or understood. This book is a first step in solving this problem so that your organization is prepared and able to respond and thrive in today's rapidly evolving environment.

Under Control is the first book published in the new CAPress imprint, a joint publishing program between Apress and CA Inc.

One of the defining factors of the first decade of the 21st century has been the increase of regulation and governance. To explain these trends, and the various best practices for ensuring governance, enterprise IT management solutions provider CA Inc. enlisted more than a dozen subject matter experts from its ranks to contribute content. The resulting book explores the need for broad governance, different areas where governance is important, and various ways for organizations to manage and implement compliance, including IT governance, project portfolio management, information governance and sustainability management. The book, while largely vendor-neutral, draws on CA's experience creating governance solutions as well as managing its own governance issues. Aaron Smith, Projects@Work Table of Contents The Rise of Governance Governance Today Policy Management Risk Management Risk Governance and the Board of Directors Governance of Risk and Compliance IT Governance, Risk, and Compliance Governance and Portfolio Management The Regulatory Environment Governance and Finance Information Governance Governance and Sustainability

In addition to ensuring broad coverage of Jonathan Swift's writing by including early, as well as more well-known later works, this Companion offers access to current critical and theoretical issues concerning the author. Special emphasis is placed on Swift's problematic relationship with the land of his birth, Ireland, and on his place as a political writer in a highly politicized age.

In addition to ensuring broad coverage of Jonathan Swift's writing by including early, as well as more well-known later works, this Companion offers access to current critical and theoretical issues concerning the author. Special emphasis is placed on Swift's problematic relationship with the land of his birth, Ireland, and on his place as a political writer in a highly politicized age.

My name is Chris Fox, and I was born with Tourette's syndrome and obsessive-compulsive disorder. In the past, I constantly battled getting bullied in school, which eventually led to substance abuse and a life that was out of control. I wasn't living anymore; I was trying to survive. My life was filled with turmoil and I almost lost it numerous times, until I met the woman of my dreams. She accepted my Tourette's and OCD, but I almost lost her due to my out of control lifestyle. I was in too deep and I had to choose to walk alone or walk with God. I surrendered to God and encountered the Holy Spirit. The Spirit revealed that I had a special gift to make others laugh, and I needed to put all of my trust in God to pursue my dreams. After living such a painful past, I knew I had made the biggest decision of my life.

Walking Naboth's Vineyard brings together nine prominent scholars to present new and valuable perspectives on the work of Jonathan Swift. In recent years Swift has been increasingly reconsidered and recast as a distinctly Irish writer, and there is little doubt that his artistic career was shaped by Ireland's troubled political life. Literary critics and scholars, as well as scholars of Irish literature, will find this collection unique in that it explores Swift's life and writing in a distinctively Irish context and considers how Swift was influenced as a member of a population that was divided against itself, colonized by a neighboring kingdom, and politically and culturally marginalized. These essays demonstrate how, despite Swift's ambivalence about his Irish nationality, he found Ireland's worldly position a close parallel to his own complex position in the political and cultural worlds in which he lived.

The human sciences--including psychology, anthropology, and social theory--are widely held to have been born during the eighteenth century. This first full-length, English-language study of the Enlightenment sciences of humans explores the sources, context, and effects of this major intellectual development.
The book argues that the most fundamental inspiration for the Enlightenment was the scientific revolution of the seventeenth century. Natural philosophers from Copernicus to Newton had created a magisterial science of nature based on the realization that the physical world operated according to orderly, discoverable laws. Eighteenth-century thinkers sought to cap this achievement with a science of "human" nature. Belief in the existence of laws governing human will and emotion; social change; and politics, economics, and medicine suffused the writings of such disparate figures as Hume, Kant, and Adam Smith and formed the basis of the new sciences.
A work of remarkable cross-disciplinary scholarship, this volume illuminates the origins of the human sciences and offers a new view of the Enlightenment that highlights the period's subtle social theory, awareness of ambiguity, and sympathy for historical and cultural difference.