This volume describes the two seasons of excavation at Segsbury Camp which form a part of Oxford University's Hillforts of the Ridgeway Project. It contains background material and a series of interpretations of the site at different scales finishing with a discussion of the Lambourn Downs landscape in later prehistoric and Romano-British times. The evidence suggests that the large hillfort of Segsbury was used during the period 6th to 2nd century BC but was not densely and permanently occupied. It also seems that Segsbury was constructed in a new and previously unused area of the Downs. Alternative interpretations are explored within a framework of trying to understand what is meant by 'community' and how Segsbury articulated with other hillforts in the area. The detail provided by the excavation of several hillforts on the Lambourn Downs suggests that they were different forms of monument and argues against trying to understand hillforts as a single category.

The ancient Celtic world evokes debate, discussion, romanticism and mythicism. On the one hand it represents a specialist area of archaeological interest, on the other, it has a wide general appeal. The Celtic world is accessible through archaeology, history, linguistics and art history. Of these disciplines, art history offers the most direct message to a wider audience. This volume of 37 papers brings together a truly international group of pre-eminent specialists in the field of Celtic art and Celtic studies. It is a benchmark volume the like of which has not been seen since the publication of Paul Jacobsthal's Early Celtic Art in 1944. The papers chart the history of attempts to understand Celtic art and argue for novel approaches in discussions spanning the whole of Continental Europe and the British Isles. This new body of international scholarship will give the reader a sense of the richness of the material and current debates. Artefacts of rich form and decoration, which we might call art, provide a most sensitive set of indicators of key areas of past societies, their power, politics and transformations. With its broad geographical scope, this volume offers a timely opportunity to re-assess contacts, context, transmission and meaning in Celtic art for understanding the development of European cultures, identities and economies in pre- and proto-history. Essays in honour of Vincent Megaw on his 80th birthday.

The ancient Celtic world evokes debate, discussion, romanticism and mythicism. On the one hand it represents a specialist area of archaeological interest, on the other, it has a wide general appeal. The Celtic world is accessible through archaeology, history, linguistics and art history. Of these disciplines, art history offers the most direct message to a wider audience. This volume of 37 papers brings together a truly international group of pre-eminent specialists in the field of Celtic art and Celtic studies. It is a benchmark volume the like of which has not been seen since the publication of Paul Jacobsthal's Early Celtic Art in 1944. The papers chart the history of attempts to understand Celtic art and argue for novel approaches in discussions spanning the whole of Continental Europe and the British Isles. This new body of international scholarship will give the reader a sense of the richness of the material and current debates. Artefacts of rich form and decoration, which we might call art, provide a most sensitive set of indicators of key areas of past societies, their power, politics and transformations. With its broad geographical scope, this volume offers a timely opportunity to re-assess contacts, context, transmission and meaning in Celtic art for understanding the development of European cultures, identities and economies in pre- and proto-history. Essays in honour of Vincent Megaw on his 80th birthday.

Who owns cultural objects? and who has the right to own them? The contributors to this book have thought long and hard about the ethics and politics of collecting, from a variety of professional perspectives: archaeologist, museum curator, antiquities dealer, collector, legislator. The book is the outcome of a series of lectures and workshops held in Oxford in October-December 2004. It brings together some stimulating and provocative opinions, that would not usually be found together; archaeology and cultural heritage students rarely come into contact with antiquities dealers or collectors, for instance; museum curators rarely get to know the production processes and rationales behind the legislation and ethical codes they have to abide by. The aim is to provoke thought and debate on this topical and sensitive subject area.