Interest in John Foxe and his hugely influential text Acts and Monuments is particularly vibrant at present. This volume, the third to arise from a series of international colloquia on Foxe, collects essays by established and up-and-coming scholars. It broadly embraces five major areas of early modern studies: Roman Catholicism, women and gender, visual culture, the history of the book and historiography. Patrick Collinson provides an entire overview of the field of Foxe studies and further essays place Foxe and his work within the context of their times.

This collection of essays explores the survival of Catholic culture in sixteenth- and seventeenth-century England-a time of Protestant domination and sometimes persecution. Contributors examine not only devotional, political, autobiographical, and other written texts, but also material objects such as church vestments, architecture, and symbolic spaces. Among the topics discussed in this volume are the influence of Latin culture on Catholic women, Marian devotion, the activities of Catholics in continental seminaries and convents, the international context of English Catholicism, and the influential role of women as maintainers of Catholic culture in a hostile religious and political environment. Catholic Culture in Early Modern England makes an important contribution to the ongoing project of historians and literary scholars to rewrite the cultural history of post-Reformation English Catholicism.

This collection of essays explores the survival of Catholic culture in sixteenth- and seventeenth-century England-a time of Protestant domination and sometimes persecution. Contributors examine not only devotional, political, autobiographical, and other written texts, but also material objects such as church vestments, architecture, and symbolic spaces. Among the topics discussed in this volume are the influence of Latin culture on Catholic women, Marian devotion, the activities of Catholics in continental seminaries and convents, the international context of English Catholicism, and the influential role of women as maintainers of Catholic culture in a hostile religious and political environment. Catholic Culture in Early Modern England makes an important contribution to the ongoing project of historians and literary scholars to rewrite the cultural history of post-Reformation English Catholicism.

Henry VIII remains one of the most fascinating, notorious and recognizable monarchs in English history. In the five centuries since his accession to the throne, his iconic status has been shaped by different media. From Shakespeare to The Tudors, this book reassesses treatments of Henry VIII in literature, politics, and culture during the period spanned by the king's own reign (1509-47) and the twenty-first century. Historians and literary scholars investigate how representations of the king provoked varied responses from influential writers, artists, and political figures in the decades and centuries following his death. Individual chapters consider interrelated responses to Henry's character and policies during his lifetime; his literary and political afterlife; the king's impact on art and popular culture; and King Henry's debated place in historiography, from the Tudor period to the present.

Henry VIII remains one of the most fascinating, notorious and recognizable monarchs in English history. In the five centuries since his accession to the throne, his iconic status has been shaped by different media. From Shakespeare to The Tudors, this book reassesses treatments of Henry VIII in literature, politics, and culture during the period spanned by the king s own reign (1509 1547) and the twenty-first century. Historians and literary scholars investigate how representations of the king provoked varied responses from influential writers, artists, and political figures in the decades and centuries following his death. Individual chapters consider interrelated responses to Henry s character and policies during his lifetime; his literary and political afterlife; the king s impact on art and popular culture; and King Henry s debated place in historiography, from the Tudor period to the present.

Ireland is increasingly recognized as a crucial element in early modern British literary and political history. Christopher Highley's book explores the most serious crisis the Elizabethan regime faced: its attempts to subdue and colonize the native Irish. Through a range of literary representations from Shakespeare and Spenser, and contemporaries like John Hooker, John Derricke, George Peele and Thomas Churchyard he shows how these writers produced a complex discourse about Ireland that cannot be reduced to a simple ethnic opposition. This book challenges traditional views about the impact of Spenser's experience in Ireland on his cultural identity, while also arguing that the interaction between English and Ireland is a powerful and provocative subtext in the work of Shakespeare and his fellow dramatists. Highley argues that the confrontation between an English imperial presence and a Gaelic 'other' was a profound factor in the definition of an English poetic self.

Ireland is increasingly recognized as a crucial element in early modern British literary and political history. Christopher Highley's book explores the most serious crisis the Elizabethan regime faced: its attempts to subdue and colonize the native Irish. Through a range of literary representations from Shakespeare and Spenser, and contemporaries like John Hooker, John Derricke, George Peele and Thomas Churchyard he shows how these writers produced a complex discourse about Ireland that cannot be reduced to a simple ethnic opposition. This book challenges traditional views about the impact of Spenser's experience in Ireland on his cultural identity, while also arguing that the interaction between English and Ireland is a powerful and provocative subtext in the work of Shakespeare and his fellow dramatists. Highley argues that the confrontation between an English imperial presence and a Gaelic 'other' was a profound factor in the definition of an English poetic self.