This book, first published in 1968, is a collection of twenty-five lectures by Swami Prabhavananda, the outstanding scholar and translator of Hindu scriptures. They present a direct and pragmatic approach to spiritual life, and a clear guide to Hinduism.

In this final volume of Christopher Isherwood's diaries, the celebrated writer greets advancing age with poignant humor and an unquenchable appetite for the new. Isherwood deepens his study of Hinduism, writes his final books, and immerses himself in the vibrant creative scenes of the 1970s. With his long-term companion, Don Bachardy, Isherwood delves into the art worlds of Los Angeles, New York, and London, where he meets Rauschenberg, Ruscha, Warhol, and Hockney. Collaborating with Bachardy on scripts for Broadway and Hollywood, he encounters John Huston, Merchant and Ivory, John Travolta, David Bowie, Jon Voight, Armistead Maupin, Elton John, and Joan Didion. This volume is a densely populated human comedy, sketched with both ruthlessness and benevolence against the background of the Vietnam War, the energy crisis, and the Nixon, Carter, and Reagan White Houses. The final installment of Isherwood's masterwork reveals a man candidly fearful of his approaching death, and yet engaged in the vitality and energy of daily life.

This book, first published in 1968, is a collection of twenty-five lectures by Swami Prabhavananda, the outstanding scholar and translator of Hindu scriptures. They present a direct and pragmatic approach to spiritual life, and a clear guide to Hinduism.

Welcome to sunny suburban 1960s Southern California. George is a gay middle-aged English professor, adjusting to solitude after the tragic death of his young partner. He is determined to persist in the routines of his former life. "A Single Man "follows him over the course of an ordinary twenty-four hours. Behind his British reserve, tides of grief, rage, and loneliness surge--but what is revealed is a man who loves being alive despite all the everyday injustices.

When Christopher Isherwood's "A Single Man "first appeared, it shocked many with its frank, sympathetic, and moving portrayal of a gay man in maturity. Isherwood's favorite of his own novels, it now stands as a classic lyric meditation on life as an outsider.

The timeless epic of Hindu faith contains a simple, vivid message of daily inspiration for millions throughout the world. This powerful, beautiful scripture is translated into clear, meaningful English which can be read as a living contemporary message that touches the most urgent personal and social problems. (July)

First published in 1934, Goodbye to Berlin has been popularized on stage and screen by Julie Harris in I Am a Camera and Liza Minelli in Cabaret. Isherwood magnificently captures 1931 Berlin: charming, with its avenues and cafes; marvelously grotesque, with its nightlife and dreamers; dangerous, with its vice and intrigue; powerful and seedy, with its mobs and millionaires this was the period when Hitler was beginning his move to power. Goodbye to Berlin is inhabited by a wealth of characters: the unforgettable and divinely decadent Sally Bowles; plump Frau]lein Schroeder, who considers reducing her Bu]steto relieve her heart palpitations; Peter and Otto, a gay couple struggling to come to terms with their relationship; and the distinguished and doomed Jewish family, the Landauers."

The aphorisms collected in this book, first published in 1953, were composed by Patanjali, a great Indian sage, over 1,500 years ago, and here translated into clear English prose. The accompanying commentary interprets the sayings for the modern world, and in doing so gives a full picture of what yoga is, what its aims are, and how it can be practised.

The aphorisms collected in this book, first published in 1953, were composed by Patanjali, a great Indian sage, over 1,500 years ago, and here translated into clear English prose. The accompanying commentary interprets the sayings for the modern world, and in doing so gives a full picture of what yoga is, what its aims are, and how it can be practised.

BBC drama based on the life of writer Christopher Isherwood (Matt Smith). Feeling suppressed by the restrictive society of 1930s England, Christopher moves to Germany so he can experience Berlin's gay subculture. He meets and falls in love with German street cleaner Heinz (Douglas Booth), but the outbreak of World War Two brings chaos into their lives, and soon Christopher has to fight to protect Heinz from the Nazis.

After a chance encounter on a train the English teacher William Bradshaw starts a close friendship with the mildly sinister Arthur Norris. Norris is a man of contradictions; lavish but heavily in debt, excessively polite but sexually deviant. First published in 1933 Mr Norris Changes Trains piquantly evokes the atmosphere of Berlin during the rise of the Nazis.

Discover the dark and decadent novella that inspired Cabaret. Set in the 1930s, Goodbye to Berlin evokes the glamour and sleaze, excess and repression of Berlin society. Isherwood shows the lives of people under threat from the rise of the Nazis: a wealthy Jewish heiress, Natalia Landauer, a gay couple, Peter and Otto, and an English upper-class waif, the divinely self-indulgent Sally Bowles. 'Brilliant sketches of a society in decay' George Orwell 'Isherwood is a master of the emotionally cathartic moment, funny and perspicacious' Evening Standard

This volume contains Auden and Christopher Isherwood's dramatic extravaganzas The Dog Beneath the Skin, the Ascent of F 6, and On the Frontier. It also includes the two versions of Paid on Both Sides--which are so different as to constitute two works--and Auden's satiric revue The Dance of Death. Two plays appear in print for the first time, Auden and Isherwood's The Enemies of a Bishop and Auden's The Chase. Also included are Auden's prose and verse written for doucmentary films, a cabaret sketch, and an unpublished radio script. Many of the texts include poems by the young Auden that have never been published before. The extensive historical and textual notes trace the complex history of the production and revision of these plays, including full texts and rewritten scenes. During the years when these works were created, Auden moved from a "poetry of isolation" to more expansive and public writing. After he left Oxford at age twenty-one, during the summer of 1928, he wrote the tragicomic charade Paid on Both Sides. During the next ten years, until he left England for America, he created the increasingly ambitious works for stage, film, and broadcast that appear in this volume. The most important of these plays were written in collaboration with Isherwood. As the world political situation worsened, Isherwood and Auden's style combined the energy of popular entertainment with the urgency of sacramental ritual. Edard Mendelson is Professor of English and Comparative Literature at Columbia University and the author of Early Auden (Viking). He is the editor of two volumes of Aduen's poetry, Collected Poems (Random House) and The English Auden (Random House). Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

When A Single Man was originally published, it shocked many by its frank, sympathetic, and moving portrayal of a gay man in midlife. George, the protagonist, is adjusting to life on his own after the sudden death of his partner, and determines to persist in the routines of his daily life: the course of A Single Man spans twenty-four hours in an ordinary day. An Englishman and a professor living in suburban Southern California, he is an outsider in every way, and his internal reflections and interactions with others reveal a man who loves being alive despite everyday injustices and loneliness. Wry, suddenly manic, constantly funny, surprisingly sad, this novel catches the texture of life itself.

In November 1929, Christopher Isherwood - determined to become a 'permanent foreigner' - packed a rucksack and two suitcases and left England on a one-way ticket for Berlin. With incredible candour and wit, Isherwood recalls the decadence of Berlin's night scene and his route to sexual liberation. As the Nazis rise to power, Isherwood describes his dramatic struggle to save his partner Heinz from persecution.

In 1939 Christopher Isherwood and W. H. Auden emigrated together to the United States. In spare, luminous prose these diaries describe Isherwood's search for a new life in California; his work as a screenwriter in Hollywood, his pacifism during World War II and his friendships with such gifted artists and intellectuals as Garbo, Chaplin, Thomas Mann, Charles Laughton, Gielgud, Olivier, Richard Burton and Aldous Huxley. Throughout this period, Isherwood continued to write novels and sustain his literary friendships - with E. M. Forster, Somerset Maugham, Tennessee Williams and others. He turned to his diaries several times a week to record jokes and gossip, observations about his adopted country, philosophy and mystical insights. His devotion to his diary was a way of accounting for himself; he used it as both a discipline and a release.

This volume contains Auden and Christopher Isherwood's dramatic extravaganzas The Dog Beneath the Skin, the Ascent of F 6, and On the Frontier. It also includes the two versions of Paid on Both Sides--which are so different as to constitute two works--and Auden's satiric revue The Dance of Death. Two plays appear in print for the first time, Auden and Isherwood's The Enemies of a Bishop and Auden's The Chase. Also included are Auden's prose and verse written for doucmentary films, a cabaret sketch, and an unpublished radio script. Many of the texts include poems by the young Auden that have never been published before. The extensive historical and textual notes trace the complex history of the production and revision of these plays, including full texts and rewritten scenes. During the years when these works were created, Auden moved from a "poetry of isolation" to more expansive and public writing. After he left Oxford at age twenty-one, during the summer of 1928, he wrote the tragicomic charade Paid on Both Sides. During the next ten years, until he left England for America, he created the increasingly ambitious works for stage, film, and broadcast that appear in this volume. The most important of these plays were written in collaboration with Isherwood. As the world political situation worsened, Isherwood and Auden's style combined the energy of popular entertainment with the urgency of sacramental ritual. Edard Mendelson is Professor of English and Comparative Literature at Columbia University and the author of Early Auden (Viking). He is the editor of two volumes of Aduen's poetry, Collected Poems (Random House) and The English Auden (Random House). Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

'A deliberate historical parable. Prater Violet resembles episodes in Goodbye to Berlin and keeps up the same high level of excellence' - Edmund Wilson An impatient phone call from the temperamental Austrian director, Friedrich Bergmann, introduces a young Christopher Isherwood to the film industry. Isherwood's job is to rescue the script of an idiotic love story set in nineteenth-century Vienna, a film called Prater Violet. In the real Vienna of 1934 the Austrian Right crushes a socialist uprising. Bergmann is distraught and his prophecy of the coming war goes unheeded. As tensions on set grow, studio intrigues and competing egos threaten to derail the whole project.

Christopher Isherwood gives fascinating insight into pre-war Berlin. MR NORRIS CHANGES TRAINS The first of Christopher Isherwood's classic 'Berlin' novels, this portrays the encounter and growing friendship between young William Bradshaw and the urbane and mildly sinister Mr Norris. Piquant, witty and oblique, it vividly evokes the atmosphere of pre-war Berlin, and forcefully conveys an ironic political parable. GOODBYE TO BERLIN The inspiration for the film Cabaret and for the play I Am a Camera, this novel remains one of the most powerful of the century, a haunting evocation of the gathering storm of the Nazi terror. Told in a series of wry, detached and impressionistic vignettes, it is an unforgettable portrait of bohemian Berlin, a city and a world on the very brink of ruin.