When The Culture of Narcissism was first published in 1979, Christopher Lasch was hailed as a "biblical prophet" (Time). Lasch's identification of narcissism as not only an individual ailment but also a burgeoning social epidemic was ground-breaking. His diagnosis of American culture is even more relevant today, predicting the limitless expansion of the anxious and grasping narcissistic self into every part of American life.

In a front-page review in the Washington Post Book World, John Judis wrote: "Political analysts have been poring over exit polls and precinct-level votes to gauge the meaning of last November's election, but they would probably better employ their time reading the late Christopher Lasch's book." And in the National Review, Robert Bork says The Revolt of the Elites "ranges provocatively [and] insightfully." Controversy has raged around Lasch's targeted attack on the elites, their loss of moral values, and their abandonment of the middle class and poor, for he sets up the media and educational institutions as a large source of the problem. In this spirited work, Lasch calls out for a return to community, schools that teach history not self-esteem, and a return to morality and even the teachings of religion. He does this in a nonpartisan manner, looking to the lessons of American history, and castigating those in power for the ever-widening gap between the economic classes, which has created a crisis in American society. The Revolt of the Elites and the Betrayal of Democracy is riveting social commentary.

"Plain Style" is an amusing and instructive guide to written English by the late Christopher Lasch, author of "The Culture of Narcissism," "The True and Only Heaven," and many other memorable works of American history and social criticism. Written for the benefit of the students at the University of Rochester, where Lasch taught from 1970 until his death in 1994, it quickly established itself in typescript as a local classic--a lively, witty, and historically minded alternative to the famous volume by William Strunk and E. B. White, "The Elements of Style." Now available for the first time in published form, "Plain Style" is fundamentally a clear, readable, practical guide to the timeless principles of effective composition. At the same time, however, in ways that Stewart Weaver explains in his critical introduction, it is a distinctive and revealing addition to the published work of an eminent American thinker. No mere primer, "Plain Style" is an essay in cultural criticism, a political treatise even, by one for whom directness, clarity, and honesty of expression were essential to the living spirit of democracy. As the teachers and students who have for years benefited from its succinct wisdom will testify, "Plain Style" is an indispensable guide to writing and, indeed, Christopher Lasch's least-expected but perhaps most serviceable work.

Life Against Death cannot fail to shock, if it is taken personally; for it is a book which does not aim at eventual reconciliation with the views of common sense.

"Extraordinarily creative . . . an important and engrossing contribution to a complex and elusive subject."—Newsweek

Around the turn of the century, the American liberal tradition made a major shift away from politics. The new radicals were more interested in the reform of education, culture, and sexual mores. Through vivid biographies, Christopher Lasch chronicles these social reformers from Jane Addams, Mabel Dodge Luhan, and Lincoln Steffens to Norman Mailer and Dwight MacDonald.

Christopher Lasch has examined the role of women and the family in Western society throughout his career as a writer, thinker, and historian. In Women and the Common Life, Lasch suggests controversial linkages between the history of women and the course of European and American history more generally. He sees fundamental changes in intimacy, domestic ideals, and sexual politics taking place as a result of industrialization and the triumph of the market. Questioning a static image of patriarchy, Women and the Common Life insists on a feminist vision rooted in the best possibilities of a democratic common life. In her introduction to the work, Elisabeth Lasch-Quinn offers an original interpretation of the interconnections between these provocative writings.

One of the earliest and sharpest cultural commentators to investigate the twentieth-century American family, Christopher Lasch argues in this book that as social science "experts" intrude more and more into our lives, the family's vital role as the moral and social cornerstone of society disintegrates and, left unchecked, so does our political and personal freedom. Mr. Lasch combines an analytic overview of the psychological and sociological literature on the American family with his own trenchant analysis of where the problem lies. "

"A major and challenging work. . . . Provocative, and certain to be controversial. . . . Will add important new dimension to the continuing debate on the decline of liberalism." —William Julius Wilson, New York Times Book Review

"An extraordinary book by one of our wisest social and political observers. Lasch's brilliant analysis of our secular dreams and hopes, our blind spots and foolishness, ought to help us all figure out what we believe and where we are headed." —Robert Coles

"Christopher Lasch has written a great book about the most important things. As a major contribution to public discourse, The True and Only Heaven will be at the center of discussion for years to come." —Robert Bellah, coauthor of Habits of the Heart

"The battle that has been going on for the past two decades among historians and philosophers, nothing less than a struggle to define the historical nature of America's political soul, has been joined by Christopher Lasch. His provocative and learned book offers fresh perspectives on many topics and illuminates the relevance of Christian and classical thinkers for our troubled era." —John Patrick Diggins

"Powerful and moving. . . . A magisterial synthesis." —Michael Stern, San Francisco Chronicle

"A profound and intellectually honest work of breathtaking historical scope that could easily set the terms of political debate in a post-cold-war world in which the ideologies of right and left seem totally exhausted. . . . A cleareyed study of our usable past." —Kirkus Reviews

"Mr. Lasch has arresting and original things to say. . . . There is much wisdom in his psychopolitical reflections." —Dennis H. Wrong, New York Times Book Review

Faced with an escalating arms race, rising crime and terrorism, environmental deterioration, and long-term economic decline, people have retreated from commitments that presuppose a secure and orderly world. Christopher Lasch, the renowned historian and social critic, powerfully argues that self-concern, so characteristic of our time, has become a search for psychic survival.

"Stinging and provocative . . . [by] one of this country's most trenchant social critics." —Jim Miller, Newsweek

"As lucid, suggestive, and meticulous as [The Culture of Narcissism]. . . . With this new essay, Christopher Lasch has extended his invaluable critique of modern culture and its apologists, who must now, like the rest of us, pay close attention to his plea for the establishment of real democracy." —Mark Crispin Miller, The Atlantic

"An important book that offers a new and convincing diagnostic point of view on the interrelations of today's politics and culture." —Library Journal

Randolph Bourne was only thirty-two when he died in 1918, but he left a legacy of astonishingly mature and incisive writings on politics, literature, and culture, which were of enormous influence in shaping the American intellectual climate of the 1920s and 1930s. This definitive collection, back in print at last, includes such noted essays as "The War and the Intellectuals," "The Fragment of the State," "The Development of Public Opinion," and "John Dewey's Philosophy." Bourne's critique of militarism and advocacy of cultural pluralism are enduring contributions to social and political thought, sure to have an equally strong impact in our own time. In their introduction and preface, Olaf Hansen and Christopher Lasch provide biographical and historical context for Bourne's work.