Ken Russell helms this graphic 1971 adaptation of a documented witchcraft case, which took place in France in 1634. Outspoken priest Urbain Grandier (Oliver Reed) finds himself accused of seducing a group of hysterical nuns while in demon form by Mother Superior Sister Jeanne (Vanessa Redgrave), who is obsessed with Grandier and driven into a fit of envy when he marries another woman. With the involvement of charismatic exorcist Father Barre (Michael Gothard), the affair turns into a sordid mass exorcism of the tainted convent. With much controversy surrounding its subject matter of religion combined with violence and sex, many cuts were made to the film in order for it to attain certification.

For the second half of his long life, Christopher Logue (1926-2011) - political rebel, inventor of the poster poem, pioneer of poetry and jazz - was at work on a very different project: a rewriting of Homer's Iliad. The volumes that appeared from War Music (1981) onwards were distinct from translations, in that they set out to be a radical reimagining and reconfiguration of Homer's tale of warfare, human folly and the power of the gods, in a language and style of verse that were emphatically modern. As each instalment, from Kings to Cold Calls, was published, it became clear that this was to be Logue's masterpiece. Sadly, illness prevented him from finishing it. Enough, however, of his projected final volume, Big Men Falling a Long Way, survives in notebook drafts to give a clear sense of its shape, as well as some of its dramatic high points. These have been gathered into an appendix by Logue's friend and one-time editor, Christopher Reid. The result comes as near as possible to representing the poet's complete vision, and confirms what his admirers have long known, that Collected War Music is one of the great poems of our time.

The arrangement of these Selected Poems demonstrates the consistency of Christopher Logue's vision as it matured through a varied career. He published his first books in the early 1950s, in Paris, where he was associated with Alexander Trocchi, Samuel Beckett and Maurice Girodias. Returning to London in time for the sixties, he wrote plays and a musical for the Royal Court, began the vogue for public poetry readings, recorded Red Bird, the most successful British poetry/jazz disc, and invented the poster poem. He published his poems in many forms, including - again his own invention - New Numbers, a constantly changing collage, which appears here in its final form. The selection culminates in an early treatment of a passage from his version of Homer's Iliad - 'the best . . . since Pope's' (New York Review of Books) - and it illustrates Logue's belief in the power of poetry as a social force - dissident, sensual and humorous.

Selected Poems gives the reader a proper idea of Christopher Logue's lyrical gifts, as well as his irrepressible outspokenness and sense of artistic adventure. It contains fine poems which have been out of print for too long and others now regarded as classics.

In this series, a contemporary poet advocates a poet of the past or present whom they have particularly admired. By their selection of verses and by the personal and critical reactions they express, the selectors offer intriguing insight into their own work.

Collection of TV dramas by the acclaimed British film maker Ken Loach. 'The Big Flame' (1967) and 'Rank and File' (1971) are trademark Loach dramas, detailing with sympathy the plight of workers caught up in industrial disputes at the Liverpool docks and the Pilkington glassworks, respectively. 'Three Clear Sundays' (1965) tells the story of Danny (Tony Selby), a young man facing up to the death penalty after an attempt to help reduce the sentence of two other prison inmates goes badly wrong. 'Days of Hope' (1975) is an epic four-part series starring Paul Copley, Pamela Brighton and Nikolas Simmonds as members of a working class family whose fortunes are depicted from the end of WWI to what they perceive as their betrayal in the General Strike of 1926. 'The End of Arthur's Marriage' (1965) offers something of a departure from Loach's conventional films, an adaptation of a musical scripted by Christopher Logue. 'In Two Minds' (1967) stars Anna Cropper and examines the plight of those suffering from schizophrenia. 'Up the Junction' (1965) raised the issue of abortion, at the time illegal, and played a major role in shaping public debate on the issue. Its influence in this regard was possibly only surpassed by Loach's most famous TV drama 'Cathy Come Home' (1966), which follows the struggles of young bride Cathy (Carol White) as she struggles to keep a roof over herself and her children in a housing system that seems constantly to be working against her. 'The Price of Coal' (1977) is a two-part drama set in a Yorkshire mining village which contrasts the humour of the working men (many played by actual comedians, including Duggie Brown) with the dangerous conditions in which they are forced to earn a living.

"All Day Permanent Red" is the fourth installment of Christopher Logue's account of the "Iliad", the first three of which were collected in "Homer: War Music" (2001). In this new episode, Logue focuses upon the various battle scenes of the classic text, further testifying to the standing of these translations as a modern landmark in their own right.