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Weary of academic study, an eminent scholar turns to magic and
makes a deal with the Devil. Mephistopheles will serve him and give
him whatever he wants, but after twenty-four years Faustus must
keep his side of the bargain. This edition contains a detailed
introductory section that puts the play in its historical context,
in-depth textual notes, extracts from key critical works and
exam-style questions.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Doctor Faustus exists in two versions, both of which were edited
from performances in the time of Marlowe. Both are considered to be
authentic, but there are notable differences, both the b text
containing additional scenes as well as different wording. Doctor
Faustus: A text *Written to help students make the transition from
GCSE to AS/A level;*Contains a detailed introductory section that
puts the play in its historical context;*Provides in-depth textual
notes;*Contains exam-style questions;*Includes carefully selected
extracts from key critical works on the play;*Offers additional
study skills for AS and A2 learning.
'York Notes Advanced' offer an accessible approach to English
Literature. This series has been completely updated to meet the
needs of today's A-level and undergraduate students. Written by
established literature experts, 'York Notes Advanced' introduce
students to more sophisticated analysis, a range of critical
perspectives and wider contexts.
Pearson English Readers bring language learning to life through the
joy of reading. Well-written stories entertain us, make us think,
and keep our interest page after page. Pearson English Readers
offer teenage and adult learners a huge range of titles, all
featuring carefully graded language to make them accessible to
learners of all abilities. Through the imagination of some of the
world's greatest authors, the English language comes to life in
pages of our Readers. Students have the pleasure and satisfaction
of reading these stories in English, and at the same time develop a
broader vocabulary, greater comprehension and reading fluency,
improved grammar, and greater confidence and ability to express
themselves. Find out more at english.com/readers
This Norton Critical Edition includes: The 1633 quarto (Q) text-the
only authoritative version-with modernised spelling and silent
alteration of obvious errors, of confusing punctuation and of
word-form changes. A Textual Notes section follows the play.
Editorial matter by Lloyd Kermode. Six illustrations and one map.
An unusually rich selection of sixteenth- and seventeenth-century
contexts, thematically organised to promote classroom discussion.
Topics include "Theater and Marlowe", "Machiavelli and
Mediterranean Identities" and "Ideas of the Jew". Twenty-seven
critical interpretations spanning three centuries and including
seven considerations of The Jew of Malta in performance. A
chronology and a selected bibliography. About the Series Read by
more than 12 million students over fifty-five years, Norton
Critical Editions set the standard for apparatus that is right for
undergraduate readers. The three-part format-annotated text,
contexts and criticism-helps students to better understand, analyse
and appreciate the literature, while opening a wide range of
teaching possibilities for instructors. Whether in print or in
digital format, Norton Critical Editions provide all the resources
students need.
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Massacre at Paris (Paperback)
Christopher Marlowe; Contributions by Mint Editions
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R159
R131
Discovery Miles 1 310
Save R28 (18%)
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Ships in 12 - 17 working days
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Soon after he inherits the throne, King Edward of England writes a
letter to his favorite nobleman, Piers Gaveston, who had previously
been exiled, asking him to come back to England. Eager to return
and happy to have the king's favor, Gaveston travels to the kingdom
immediately. However, when the other noblemen and advisors hear of
Edward's decision, they quickly try to talk him out of it.
Believing that Gaveston is a manipulative social climber, the
noblemen warn Edward that he should reconsider his pardon. However,
Edward loves Gaveston deeply, and refuses to revoke his pardon. He
appoints Gaveston the power to issue commands and draw money from
the treasury, happy to be reunited with the man. Meanwhile, the
angered noblemen start to gather a group of resistance. Concerned
about the power Edward has given Gaveston, they continue their
attempts to disillusion him, convincing others close to Edward to
talk him into turning against the man. As some of Edward's closest
friends and family, take a side against him, the distrust the
nobles hold for Gaveston begins to bleed into contempt for the
king. With schemes of manipulation, invasion, and abdication plague
the kingdom, Edward must reconsider his love for Gaveston before it
causes his downfall. First debuted in 1592, Edward the Second is
among the legendary playwright's final works. Considered to be
Marlowe's masterpiece, Edward the Second is praised for its unique
topic, disciplined rhetoric, and homoeotic undertones. Having been
adapted for film and radio, as well as inspiring theatre revivals,
Edward the Second is one of Marlowe's most popular and celebrated
works. With exemplary writing and a high-stakes plot, Edward the
Second provides an intriguing perspective on the rule of Edward
that remains fascinating to modern audience. This edition of Edward
the Second by Christopher Marlowe is now presented in an
easy-to-read font and features a striking new cover decision,
creating an accessible reading experience. With these
accommodations, Edward the Second is restored to modern standards
while the original genius and vivid imagery of Marlowe's poetry is
preserved.
When Edward becomes king, he uses his new authority to pardon his
favorite nobleman, Piers Gaveston, from his exile, angering key
supporters. Soon after he inherits the throne, King Edward of
England writes a letter to his favorite nobleman, Piers Gaveston,
who had previously been exiled, asking him to come back to England.
Eager to return and happy to have the king's favor, Gaveston
travels to the kingdom immediately. However, when the other
noblemen and advisors hear of Edward's decision, they quickly try
to talk him out of it. Believing that Gaveston is a manipulative
social climber, the noblemen warn Edward that he should reconsider
his pardon. However, Edward loves Gaveston deeply, and refuses to
revoke his pardon. He appoints Gaveston the power to issue commands
and draw money from the treasury, happy to be reunited with the
man. Meanwhile, the angered noblemen start to gather a group of
resistance. Concerned about the power Edward has given Gaveston,
they continue their attempts to disillusion him, convincing others
close to Edward to talk him into turning against the man. As some
of Edward's closest friends and family, take a side against him,
the distrust the nobles hold for Gaveston begins to bleed into
contempt for the king. With schemes of manipulation, invasion, and
abdication plague the kingdom, Edward must reconsider his love for
Gaveston before it causes his downfall. First debuted in 1592,
Edward the Second is among the legendary playwright's final works.
Considered to be Marlowe's masterpiece, Edward the Second is
praised for its unique topic, disciplined rhetoric, and homoeotic
undertones. Having been adapted for film and radio, as well as
inspiring theatre revivals, Edward the Second is one of Marlowe's
most popular and celebrated works. With exemplary writing and a
high-stakes plot, Edward the Second provides an intriguing
perspective on the rule of Edward that remains fascinating to
modern audience. This edition of Edward the Second by Christopher
Marlowe is now presented in an easy-to-read font and features a
striking new cover decision, creating an accessible reading
experience. With these accommodations, Edward the Second is
restored to modern standards while the original genius and vivid
imagery of Marlowe's poetry is preserved.
Separated into two parts, Christopher Marlowe's Tamburlaine the
Great follows the conquests of an outlaw who slowly rises to power
through extreme displays of aggression. When Mycetes, the king of
Persia, complains to his brother, Cosroe, about a group of outlaws
that were causing trouble, Cosroe claimed that Mycetes was weak,
and that a king shouldn't have such a problem. In response, Mycetes
sends out a powerful soldier to kill the leader of the outlaws,
Tamburlaine. Though the soldier's army was twice the size of
Tamburlaine's, the outlaw was hardly discouraged. Using his wit and
charm, Tamburlaine attempts to convince the soldier to convert to
his side, merging the two armies. As Tamburlaine grows stronger, he
gains new allies, such as his clever wife, Zenocrate. Though he
seemed to be just a petty outlaw at first, the leaders of prominent
Eurasian countries become increasingly concerned as Tamburlaine
slowly overcomes armies and nations with force, manipulation, and
unlikely alliances. As his makeshift armies continue to challenge
elite armed forces, countless lives are at stake as Tamburlaine's
bloody ambition only grows. When first released, Tamburlaine the
Great both fascinated and disgusted the 16th century audience.
Gaining a mix of fame and infamy, Tamburlaine the Great is praised
for its masterful imagery and language, enchanting audiences with
its drama. However, Marlowe still received criticism for the play's
suspected atheist undertones and the violence associated with the
play, both real and depicted. With strong themes of humanism,
Tamburlaine the Great celebrates the accomplishments of Tamburlaine
with little regard to the character's cruelty and aggression,
creating a thought-provoking narrative that stays with readers long
after the play's conclusion. Often referenced in prominent literary
works, Tamburlaine the Great remains relevant with radio and film
adaptations, and is still performed in theatres around the world.
This edition of Tamburlaine the Great by Christopher Marlowe is now
presented in an easy-to-read font and features a striking new cover
decision, creating an accessible reading experience. With these
accommodations, Tamburlaine the Great is restored to modern
standards while the original genius and vivid imagery of Marlowe's
poetry is preserved.
Set in Malta, a European island off the coast of Italy, The Famous
Tragedy of the Rich Jew of Malta by Christopher Marlowe follows a
rich Jewish merchant, Barabas, who enjoys the privileges that his
wealth allows. When the governor of Malta, Ferneze, summons Barabas
to his office, Barabas is intrigued and complies immediately.
However, when the governor tells Barabas of a deal he is keeping
with the Turks, Barabas is appalled. Ferneze demands that Barabas
gives up half of his wealth in order to help the government pay
tribute to the Turks, but the merchant refuses to cooperate,
protesting the injustice. Filled with anger, Ferneze then decides
to seize all of Barabas' assets, including his home. Unable to
dispute the decision, Barabas leaves to begin plotting his revenge.
First, he is determined to recover the treasure he has hidden
around his home, which Ferneze turned into a convent to mock
Barabas' own religious beliefs. After his plan to steal back some
of the hidden fortune in his house is successful, Barabas begins to
enact his revenge. Using his daughter as a pawn, Barabas promises
to marry her to two men. As Barabas continues his cunning scheme to
harm Ferneze, a chain of tragedies ensues, involving manipulation,
murder, and even the threat of war. Christopher Marlowe's The
Famous Tragedy of the Rich Jew of Malta was an immediate success
following its first performance in 1592. Compelled by the drama,
characterization and the complex themes of religion, class,
capitalism, and prejudice, audiences have been invested in
Marlowe's tragedy for centuries. This edition of The Famous Tragedy
of the Rich Jew of Malta by Christopher Marlowe is now presented in
an easy-to-read font and features a striking new cover decision,
creating an accessible reading experience. With these
accommodations, The Famous Tragedy of the Rich Jew of Malta is
restored to modern standards while the original genius and vivid
imagery of Marlowe's work is preserved.
Driven by an insatiable thirst for power, Doctor Faustus chooses to
make the ultimate sacrifice to become an all-knowing practitioner
of traditional and supernatural arts. He enters an agreement with
Lucifer, trading his soul for unbridled access to a catalog of
mystical spells. Doctor Faustus signs a contract ensuring 24 years
of service from the demon Mephastophilis. In exchange, Lucifer will
own his soul for all of eternity. Faustus immediately takes
advantage of his divine skills, using them to impress various men
of distinction. During his meteoric rise, Faustus experiences
moments of regret, but they're quickly quelled under
Mephastophilis' influence. As he approaches death, Faustus is
overwhelmed by fear and futile attempts to escape the inevitable.
In The Tragical History of Doctor Faustus, Marlowe uses
supernatural themes to explore the dire trappings of human nature.
With influences from Christian doctrine, the story implicates the
true wages of sin stemming from greed, gluttony and pride. The
author illustrates how the greatest tragedy is the one of your own
making. With an eye-catching new cover, and professionally typeset
manuscript, this edition of The Tragical History of Doctor Faustus
is both modern and readable.
Referencing early modern English play texts alongside contemporary
records, accounts and statutes, this study offers an overdue
assessment of the relationship between the dramatic efforts of the
universities and early modern male identity. Taking into account
the near single-sex constitution of early modern universities, the
book argues that performances of university plays, and student
responses to them, were key ways of exploring and shaping early
modern masculinity. Christopher Marlow shows how the plays dealt
with their academic and social contexts, and analyses their
responses to competing versions of masculinity. He also considers
the implications of university authority and royal patronage for
scholarly performances of masculinity; the effect of the literary
traditions of classical friendship and platonic love on academic
representations of male behaviour; and the relationship between
university drama and masculine initiation rituals. Including
discussion of the Parnassus trilogy, Club Law and works by Thomas
Randolph, William Cartwright, John Milton and others, this study
shines new light on long neglected aspects of the golden age of
English drama.
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The Jew of Malta (Paperback)
Christopher Marlowe; Edited by William H. Sherman, Chloe Preedy
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R401
Discovery Miles 4 010
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Ships in 9 - 15 working days
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The Jew of Malta, written around 1590, can present a challenge for
modern audiences. Hugely popular in its day, the play swings wildly
and rapidly in genre, from pointed satire, to bloody revenge
tragedy, to melodramatic intrigue, to dark farce and grotesque
comedy. Although set in the Mediterranean island of Malta, the play
evokes contemporary Elizabethan social tensions, especially the
highly charged issue of London's much-resented community of
resident merchant foreigners. Barabas, the enormously wealthy Jew
of the play's title, appears initially victimized by Malta's
Christian Governor, who quotes scripture to support the demand that
Jews cede their wealth to pay Malta's tribute to the Turks. When he
protests, Barabas is deprived of his wealth, his means of
livelihood, and his house, which is converted to a nunnery. In
response to this hypocritical extortion, Barabas launches a
horrific (and sometimes hilarious) course of violence that goes
well beyond revenge, using murderous tactics that include
everything from deadly soup to poisoned flowers. The play's
sometimes complex treatment of anti-Semitism and its relationship
to Shakespeare's Merchant of Venice remain matters of continuing
scholarly reflection. This new edition is expertly edited with an
accompanying introduction that addresses issues of performance,
cultural and historical context, interpretation and the key themes
explored by the play. Arden Early Modern Drama editions offer the
best in contemporary scholarship, providing a wealth of helpful and
incisive commentary and guiding the reader to a deeper
understanding and appreciation of the play. This edition provides:
A clear and authoritative text Detailed on-page commentary notes A
comprehensive, illustrated introduction to the play's historical,
cultural and performance contexts A bibliography of references and
further reading
Separated into two parts, Christopher Marlowe’s Tamburlaine the
Great follows the conquests of an outlaw who slowly rises to power
through extreme displays of aggression. When Mycetes, the king of
Persia, complains to his brother, Cosroe, about a group of outlaws
that were causing trouble, Cosroe claimed that Mycetes was weak,
and that a king shouldn’t have such a problem. In response,
Mycetes sends out a powerful soldier to kill the leader of the
outlaws, Tamburlaine. Though the soldier’s army was twice the
size of Tamburlaine’s, the outlaw was hardly discouraged. Using
his wit and charm, Tamburlaine attempts to convince the soldier to
convert to his side, merging the two armies. As Tamburlaine grows
stronger, he gains new allies, such as his clever wife, Zenocrate.
Though he seemed to be just a petty outlaw at first, the leaders of
prominent Eurasian countries become increasingly concerned as
Tamburlaine slowly overcomes armies and nations with force,
manipulation, and unlikely alliances. As his makeshift armies
continue to challenge elite armed forces, countless lives are at
stake as Tamburlaine’s bloody ambition only grows. When first
released, Tamburlaine the Great both fascinated and disgusted the
16th century audience. Gaining a mix of fame and infamy,
Tamburlaine the Great is praised for its masterful imagery and
language, enchanting audiences with its drama. However, Marlowe
still received criticism for the play’s suspected atheist
undertones and the violence associated with the play, both real and
depicted. With strong themes of humanism, Tamburlaine the Great
celebrates the accomplishments of Tamburlaine with little regard to
the character’s cruelty and aggression, creating a
thought-provoking narrative that stays with readers long after the
play’s conclusion. Often referenced in prominent literary works,
Tamburlaine the Great remains relevant with radio and film
adaptations, and is still performed in theatres around the world.
This edition of Tamburlaine the Great by Christopher Marlowe is now
presented in an easy-to-read font and features a striking new cover
decision, creating an accessible reading experience. With these
accommodations, Tamburlaine the Great is restored to modern
standards while the original genius and vivid imagery of
Marlowe’s poetry is preserved.
This Norton Critical Edition includes: Newly edited texts of the
1604 (A-Text) and the 1616 (B-Text) versions of the play. Editorial
matter by David Scott Kastan and Matthew Hunter. Sources and
background materials related to Christopher Marlowe, the
composition and publication of Doctor Faustus, early performance of
the play, the Faust legend, and Renaissance magic, including a new
selection from James I and IV’s Of Daemonologie. Eighteen
critical essays: five classic assessments and—new to the Second
Edition—thirteen recent interpretations. A chronology and an
updated selected bibliography.
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Doctor Faustus (Hardcover)
Christopher Marlowe; Edited by John D. Jump
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R4,137
Discovery Miles 41 370
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Ships in 12 - 17 working days
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In this classic and much-loved edition of Marlowe's best-known
play, John D. Jump provides the reader with a wealth of
introductory and explanatory material. As well as a fascinating
chronology of Marlowe's life and works and extensive notes on the
text, this edition includes a substantial and authoritative
historical introduction to the play. An essential text whether
studying the play in detail or coming to it for the first time.
Marlowe's classic treatment of the myth of man's greed has
contemporary reverberations that make it compelling drama. Mr.
Rudall has streamlined the story and turned it into fast-paced
theatre.
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Doctor Faustus - A-text (Paperback)
Christopher Marlowe; Volume editing by David Ormerod, Christopher Wortham
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R286
R138
Discovery Miles 1 380
Save R148 (52%)
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Ships in 12 - 17 working days
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This New Mermaids anthology brings together the four most popular
and widely studied of Christopher Marlowe's plays: Tamburlaine,
Parts 1 and 2, The Jew of Malta, Edward II and Dr Faustus. The new
introduction by Brian Gibbons explores the plays in the context of
early modern theatre, culture and politics, as well as examining
their language, characters and themes. On-page commentary notes
guide students to a better understanding and combine to make this
an indispensable student edition ideal for study and classroom use
from A Level upwards.
This edition provides newly edited texts of both the 1604 (A-Text)
and 1616 (B-Text) versions of the play, each with detailed
explanatory annotations. "Sources and Contexts" includes a generous
selection from Marlowe s main source, The Damnable Life and
Deserved Death of Dr. John Faustus, along with contemporary
writings on magic and religion (including texts by Agrippa, Calvin,
and Perkins) that establish the play s intellectual background.
This volume also reprints early documents relating to the writing
and publication of the play and to its first performances, along
with contemporary comments on Marlowe s scandalous reputation.
Twenty-five carefully chosen interpretations written from the
eighteenth century to the present allow students to enrich their
critical understanding of the play. These diverse critical essays
include classic analyses by Charles Lamb, William Hazlitt, and A.
C. Swinburne, among others, and recent criticism from, among
others, Michael Neill, Katharine Eisaman Maus, Alison Findlay,
Stephen Orgel, and David Bevington. A Chronology and Selected
Bibliography are also included."
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