When the young salesman Gregor Samsa wakes up one morning transformed into a monstrous insect, his shock and incomprehension are coupled with the panic of being late for work and having to reveal his appearance to family and colleagues. Although over the following weeks he gradually becomes used to this new existence confined within the bounds of the apartment, and his parents and sister adapt to living with a grotesque bug, Gregor notices that their attitudes towards him are changing and he feels increasingly alienated. One of the masterpieces of twentieth-century world literature, 'The Metamorphosis' is accompanied in this volume by a selection of other classic tales and sketches by Kafka - such as 'The Judgement', 'In the Penal Colony' and 'A Country Doctor' - all presented in a lively and meticulous new translation by Christopher Moncrieff.

Beautiful Emma Rouault yearns for the life of wealth, passion and romance she has encountered in popular sentimental fiction, and when her doctor, the well-meaning but awkward and unremarkable Charles Bovary, begins to pay her attention, she imagines that she may be granted her wish. However, after their marriage, Emma soon becomes frustrated with the boredom of provincial life and finds herself seeking escape and contemplating adultery. As Emma's efforts to make a reality of her fantasies become more dangerous, both she and those around her must face the shattering consequences of her actions.

Alma Classics Evergreens is a series of popular classics. All the titles in the series are provided with an extensive critical apparatus and extra reading material, including a section of photographs and notes. The texts are based on the most authoritative edition (or collated from the most authoritative editions or manuscripts) and edited using a fresh, intelligent editorial approach. With an emphasis on the production, editorial and typographical values of a book, Alma Classics aspires to revitalize the whole experience of reading the classics.

A first-person diary of a prisoner's final day before being executed for an unspecified crime, Victor Hugo's poignant tale vividly conveys the mental anguish of a man confronted with the intransigent mechanism of justice, as his mind seeks refuge in recollections from his past and philosophical musings on his inevitable fate. As relevant today as when it was first published in 1829, The Last Day of a Condemned Man is an eloquent plea for compassion and a masterpiece of realist fiction. This edition includes the Preface to the 1832 edition of the book, a manifest of Hugo's personal opinions, 'A Comedy about a Tragedy' and 'Claude Gueux', an early example of "true crime" fiction.

Nathanael remains haunted by his childhood fear that the lawyer Coppelius, a strange night-time visitor who used to come to his house to conduct alchemical experiments with his father - the latter dying as a consequence of one of these sessions - was none other than the Sandman, a mythical figure who was said to steal the eyes of children who refused to go to sleep. When a mysterious Italian salesman comes to town, Nathanael's suspicions are reawakened, pushing him to the brink of madness as extraordinary events unfold. First published in 1816, this classic of German Gothic fiction has enthralled generations ever since, and has spawned countless interpretations by critics intrigued by its powerful symbolism. Sigmund Freud famously examined the novella in relation to his concept of the "Uncanny", and an extract from this analysis is included in this volume.

As Katharine Hilbery, the granddaughter of a famous man of letters buried in Poets’ Corner, is helping her mother write the biography of their illustrious progenitor, she becomes engaged to William Rodney, a budding writer with an exaggerated opinion of his own poetical talent. Meanwhile, the suffragette Mary Datchet is in love with Ralph Denham, a lawyer and reviewer from a lowly background, who in turn feels more attracted to Katharine. As the stories and the romantic interests of these four young people evolve and intertwine, a picture emerges of a society still obsessed with class and hung up on the social mores of the Victorian era. By far the most accessible and traditional of all Virginia Woolf’s novels, Night and Day is a powerful evocation of a fast-changing world, and, though conventional in style, addresses many of the author’s recurring preoccupations, such as the role of women in society and the difficulties in reconciling love and marriage.

Musil's limpid, psychological evocation of adolescent sexuality and its often sadistic eroticism which anticipates the carnage of both World Wars. As the nineteenth century draws to an end, young Toerless is sent to a military boarding school for the sons of the nobility on the eastern outreaches of the Austro-Hungarian Empire. Far from his comfortable, free-thinking bourgeois home and left to his own devices, he experiences the joy, pain and self-doubt of adolescence. He is confronted with desire and love, but also his own cruelty, as he finds himself participating in his fellow pupils' bullying campaigns. A dark Bildungsroman which shocked its readership at the time, Robert Musil's first novel is a fresco of psychoanalysis, philosophy, eroticism, snobbery, sado-masochism and schoolboy humour, a hothouse of alternately repressed and unchained desires that prefigure the carnage of both World Wars.