Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

"Her life was a bridge from the nineteenth century to the twentieth, from the time-hallowed beauty and rigidity of a samurai household to the disorienting, forward-looking freedoms of the West." --Janice P. Nimura, from the foreword. This is the story of one woman's remarkable life successfully navigating two very different cultures--the first memoir of an Asian-American woman. Beautifully told, this immigrant's account of an unforgettable journey is the story of a headstrong and empowered woman--a loyal wife, a widowed mother and a bilingual breadwinner--finding her way and finding her voice in a strange new world. Follow in her footsteps and trace the remarkable trajectory of her life as she: Witnesses her father prepare and perform the ritual seppuku and her mother burn down the family home Bids an emotional farewell and sails across the ocean to marry a wealthy merchant in a new land Returns to Tokyo with her two daughters and mother-in-law, only to find her homeland just as alien as America, forcing her to reinvent herself again in order to provide for her family Returns to America with her children following the death of her mother-in-law An international bestseller when it was first published a century ago, A Daughter of the Samurai emerges as a rare testament to a singular woman's resolve, strength and endurance. This edition features a new foreword by 2022 Pulitzer Prize finalist Janice P. Nimura.

The Haunted Bookshop (1919) is a novel by Christopher Morley. Although less popular than Kitty Foyle (1939), a novel adapted into an Academy Award-winning film, The Haunted Bookshop is a fast-paced thriller that deserves a modern audience. From unassuming beginnings as a tale about a lovelorn advertising salesman who visits a charming bookstore, The Haunted Bookshop quickly morphs into a story of paranoia, stalking, and kidnapping. "If you are ever in Brooklyn, that borough of superb sunsets and magnificent vistas of husband-propelled baby-carriages, it is to be hoped you may chance upon a quiet by-street where there is a very remarkable bookshop." In need of a new client, Aubrey Gilbert steps into a bookstore on a quiet Brooklyn street. There, he meets Roger Mifflin, the store's owner, who inundates the adman with information on the value of books. Although he fails to get Mifflin's business, Gilbert is drawn to Titania Chapman, the man's beautiful young assistant who just so happens to be the daughter of Gilbert's most important client. As mysterious occurrences begin to pile up-a valuable book is stolen, Gilbert is assaulted, and a strange man is found lurking in the alleyway behind the store-it becomes clear that Titania is in grave danger. With a beautifully designed cover and professionally typeset manuscript, this edition of Christopher Morley's The Haunted Bookshop is a classic of American literature reimagined for modern readers.

The Haunted Bookshop (1919) is a novel by Christopher Morley. Although less popular than Kitty Foyle (1939), a novel adapted into an Academy Award-winning film, The Haunted Bookshop is a fast-paced thriller that deserves a modern audience. From unassuming beginnings as a tale about a lovelorn advertising salesman who visits a charming bookstore, The Haunted Bookshop quickly morphs into a story of paranoia, stalking, and kidnapping. "If you are ever in Brooklyn, that borough of superb sunsets and magnificent vistas of husband-propelled baby-carriages, it is to be hoped you may chance upon a quiet by-street where there is a very remarkable bookshop." In need of a new client, Aubrey Gilbert steps into a bookstore on a quiet Brooklyn street. There, he meets Roger Mifflin, the store's owner, who inundates the adman with information on the value of books. Although he fails to get Mifflin's business, Gilbert is drawn to Titania Chapman, the man's beautiful young assistant who just so happens to be the daughter of Gilbert's most important client. As mysterious occurrences begin to pile up-a valuable book is stolen, Gilbert is assaulted, and a strange man is found lurking in the alleyway behind the store-it becomes clear that Titania is in grave danger. With a beautifully designed cover and professionally typeset manuscript, this edition of Christopher Morley's The Haunted Bookshop is a classic of American literature reimagined for modern readers.

From humble origins in the middle of the 19th century as a penny singing class within the Birmingham and Midland Institute, the Birmingham School of Music was finally established as a major force for musical education in 1886. This beautiful illustrated history tells of the challenge it faced to forge an identity during the century that followed, eventually re-inventing itself as Royal Birmingham Conservatoire, a school within the Arts, Design and Media Faculty of Birmingham City University. Today a studentship at the Conservatoire can put the world at a graduate's feet.; It has become a huge presence in the cultural life of its home city, while passing down the greatest standards of musicianship to the next generation. Looking to its bright future, the Conservatoire has recently moved into its magnificent new state-of-the-art home in what is rapidly becoming Birmingham's learning quarter.; This stunning book celebrates Royal Birmingham Conservatoire - its history, its people, its triumphs: how it has positioned itself upon the world stage, the support of the wider university in facilitating these achievements, and the talents of the Conservatoire students themselves, both from long ago, and today, as they venture out into the world.

Here, brought together in one volume for the first time, are the best poems of Christopher Morley. Best known to the public as a novelist, Morley considered himself first and last a poet, and it is as a poet that he wished to be remembered. From the span of Morley's work, John Bracker has drawn 132 poems that may be said to represent the high points of the poet's art. In addition, the editor has included a number of the "translations from the Chinese," so much admired by Pearl Buck and Leonard Bacon.

In 1930 A. S. W. Rosenbach founded a Fellowship in Bibliography at the University of Pennsylvania. Christopher Morley was appointed the first fellow under this foundation. The present volume contains the five informal talks Morley delivered, on book collecting and literary anecdotes, at the University in the Autumn of 1931 and also includes a list of the author's eighty-five favorite books.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

Robert Schumann and Clara Wieck were drawn to each other the moment they met, but there were obstacles in the way. Clara was ten years younger and her domineering father, Friedrich Wieck, Robert's piano teacher, was against their relationship as it developed over the years. He saw Robert as a dissolute womaniser, and he saw his own reflected glory disappearing if Clara's career prospects as a pianist diminished. But the couple did marry, with help from the judiciary, and had a happy life together, so happy that their increasing number of children did indeed hamper Clara's performing opportunities. Then a young composer, Johannes Brahms, came into their household as a disciple of Schumann and nothing would ever be the same again. About The Author Christopher Morley is Chief Music Critic of the Birmingham Post, and contributes to several international magazines. Schumann has always been very special to him, and a visit to the asylum in which the composer died made a huge impression upon him.

Excerpt: ...person of our tale would frequentatively apply to his lips, and then withdraw with a quick, swooping motion. With a rapid, somewhat sidelong gait (at first somehow clumsy, yet upon closer observation a mode of motion seen to embrace certain elements of harmony) this gentleman would converge upon the southwest corner of Madison avenue and 38th street; and the intent observer, noting the menacing contours of the face, would conclude that he was going to work. This gentleman, beneath his sober but excellently haberdashered surtout, was plainly a man of large frame, of a Sam Johnsonian mould, but, to the surprise of the calculating observer, it would be noted that his volume (or mass) was not what his bony structure implied. Spiritually, in deed, this interesting individual conveyed to the world a sensation of stoutness, of bulk and solidity, which (upon scrutiny) was not (or would not be) verified by measurement. Evidently, you will conclude, a stout man grown thin; or, at any rate, grown less stout. His molded depth, one might assess at 20 inches between the eaves; his longitude, say, five feet eleven; his registered tonnage, 170; his cargo, literary; and his destination, the editorial sancta of a well-known publishing house. This gentleman, in brief, is Mr. Robert Cortes Holliday (but not the "stout Cortes" of the poet), the editor of The Bookman. CHAPTER II (OUR HERO BEGINS A CAREER) "It would seem that whenever Nature had a man of letters up her sleeve, the first gift with which she has felt necessary to dower him has been a preacher sire." R.C.H. of N.B. Tarkington. Mr. Holliday was born in Indianapolis on July 18, 1880. It is evident that ink, piety and copious speech circulated in the veins of his clan, for at least two of his grandfathers were parsons, and one of them, Dr. Ferdinand Cortez Holliday, was the author of a volume called "Indiana Methodism" in which he was the biographer of the Rev. Joseph Tarkington, the grandfather of Newton B....

Christopher Morley was one of the most celebrated American authors of the 1920s and 1930s. Best known as the author of Parnassus on Wheels and Kitty Foyle, Morley wrote for a popular audience that keenly appreciated his style, his wit, and his exuberant championing of the written word. Morley wrote most of the pieces collected in this volume from 1918 to 1920, while a columnist for the Philadelphia Evening Ledger. His assignment: to "saunter" around town and the Philadelphia suburbs, and then - usually after a leisurely lunch - report back. The result was a series of lively essays that, read now, not only reveals a city's colorful past, but sheds light on its present: much of the Philadelphia Morley explored remains intact for the native or visitor with the eye and patience to discover it. Morley's best Philadelphia work, scattered among 12 volumes published during his lifetime, have been collected in this handsome new book, which includes period illustrations by Walter Jack Duncan and Frank Taylor, and a critical introduction by Ken Kalfus. Published on May 5, 1990, on the 100th anniversary of Morley's birth, Christopher Morley's Philadelphia brings together numerous essays that have been out of print for 50 years or longer. The book joins Fordham University Press's 1988 collection, Christopher Morley's New York, as a lasting contribution to the Morley oeuvre.

Christopher Morley was one of the most celebrated American authors of the 1920s and 1930s. Best known as the author of Parnassus on Wheels and Kitty Foyle, Morley wrote for a popular audience that keenly appreciated his style, his wit, and his exuberant championing of the written word. Morley wrote most of the pieces collected in this volume from 1918 to 1920, while a columnist for the Philadelphia Evening Ledger. His assignment: to "saunter" around town and the Philadelphia suburbs, and then a usually after a leisurely lunch a report back. The result was a series of lively essays that, read now, not only reveals a cityas colorful past, but sheds light on its present: much of the Philadelphia Morley explored remains intact for the native or visitor with the eye and patience to discover it. Morleyas best Philadelphia work, scattered among 12 volumes published during his lifetime, have been collected in this handsome new book, which includes period illustrations by Walter Jack Duncan and Frank Taylor, and a critical introduction by Ken Kalfus. Published on May 5, 1990, on the 100th anniversary of Morleyas birth, Christopher Morleyas Philadelphia brings together numerous essays that have been out of print for 50 years or longer. The book joins Fordham University Pressas 1988 collection, Christopher Morleyas New York, as a lasting contribution to the Morley oeuvre.

A collection of fifty-five essays, written mostly in the mid-twenties but with some later examples as well, Christopher Morley's New York presents in rich, evocative detail New York at the end of World War I - that heady time after the doughboys returned, the Twenties got roaring, the Volstead Act found itself thwarted, and a lot of progressive life got on with its business before running into the wall of the Great Depression. In the first section of the book, East Side, West Side, All Around the Town, we experience New York just as Morley did: through its bookstores, restaurants, taverns, waterfronts, and other locales that lent the city its unique, rough-and-tumble character. But we're also treated to a vivid picture of Christopher Morley himself, particularly in the next section, The Three Hours for Lunch Club, in which Morley's gusto in food, drink, companionship, conversation, and general bonhomie is plainly evident. Finally, in the last section, we experience another, suburban New York: Roslyn, Long Island, where for years Morley lived with his wife and family. Contrasted with the vulgar beauty of the city, the natural splendor Morley encountered on Long Island is particularly affecting. This attractive volume is enhanced by the evocative period illustrations of Walter Jack Duncan, who illustrated so many Morley first editions.