As the grandson of actress Ivy Close and son of director Ronald Neame (Straight from the Horse's Mouth; Scarecrow, 2003), Christopher Neame's roots in the film business were already firmly established by the time he joined the family profession. In his first memoir, Rungs on a Ladder, Neame gave readers an insider's look into a number of productions of the 1960s and 70s produced by Hammer Studios. Christopher followed this with A Take on British TV Drama, in which he recounted the challenges and rewards of working on some of the most distinguished works of British television, including The Flame Trees of Thika, Monsignor Quixote, and Danger: U.X.B. In Principal Characters, Neame fills in the gaps of his illustrious career by providing brief intimate portraits of the many important film figures he has worked with. In this charming collection of anecdotes, he asks and answers questions about the stars, who reveal both their carefree and vulnerable moments alike: Was Richard Harris really such a hell-raiser as a young man? What was Peter Sellers like to work with? How did Robert Mitchum find himself in trouble? How many faces did Alec Guinness have? What was behind Peter O'Toole and a bomb threat in Paris? Looking behind the camera lens, Neame captures director Karel Reisz (This Sporting Life) wearing a producer's hat, marvels at cinematographer Geoffrey Unsworth 'painting' Cabaret with light, discloses Kenneth Tynan's unusual predilection, and weighs in on the culinary skills of Ismail Merchant (A Room with a View). Throughout these accounts, Christopher looks both acutely and often amusingly at many who are household names, and when he feels it is appropriate to do so, he doesn't pull punches. This work is a fitting conclusion to an autobiographical "trilogy," and will be of interest to all those curious about the film industry and especially the stars and directors Christopher Neame has worked with over the years.

Rungs on a Ladder looks at part of the movie industry from a unique perspective. Christopher Neame, son of director Ronald, started his career (in the early 1960s) at the very bottom, but determinedly made his way to the top. Neame fondly recalls his learning years at Bray Studios and beyond. Simply and often amusingly, he recounts his days with Hammer Films and observes many of the characters both in front of and behind the camera-names synonymous with those classic tales of Gothic horror: director Terrence Fisher, producers Anthony Hinds, Michael Carreras and Anthony Nelson Keys, screenwriter/producer Jimmy Sangster, and of course, Peter Cushing and Christopher Lee. Along the way, he encounters those less obviously connected to Hammer like Joan Fontaine, Joseph Cotten, Norman Lloyd, and Bette Davis. Never the one to reserve his critical eye for others alone, Neame willingly says mea culpa when deserved. The book begins with his rude awakening to the "string and sealing wax" world of Dracula Prince of Darkness and follows his journey through sixteen subsequent productions including three Frankensteins, The Devil Rides Out (which American distributors thought was going to be a Western!), and a couple of Mummy films. Neame also shares stories of his participation in non-genre ventures like Quatermass and the Pit, The Anniversary, Demons of the Mind and Fear in the Night. Includes 16 pages of photos.