England, 1766: After a long voyage from the East Indies, a ship docks in Bristol, England, and rumor quickly spreads about its unusual cargo. In the final two crates is a pair of young elephants, in poor health but alive.

Seeing a unique opportunity, a wealthy sugar merchant purchases the elephants for his country estate and turns their care over to a young stable boy, Tom Page. It takes time for Tom and the elephants to understand each other, but to the surprise of everyone on the estate, a remarkable bond is formed.

The Elephant Keeper is a captivating tale of love and loyalty between one man and the two exotic animals that change the lives of everyone who encounters them.

Rock Lighthouses of Britain & Ireland is a new edition of the classic work on the subject - but with some of the most famous Irish rock lighthouses included. The text has been updated to include the modern technology being used by the lighthouse authorities, as well as all the historical advances made over the centuries at British and Irish rock lights, complemented by scores of new and many stunning photographs. Also included are historic plans and drawings, many of them highly colourful and artistic, as used by the original lighthouse builders. At the end are comprehensive and detailed tables about the rock lighthouses maintained by all three lighthouse authorities. Building on the acclaim received for the earlier editions, it brings the history of these iconic structures completely up-to-date, from the day the first granite block was laid, through their construction, automation, the disappearance of the lighthouse keeper, right up to today's automated operation. Here are some of the world's most famous rock lighthouses. There are stories of men battling against Nature's most powerful forces to build a structure designed to save lives on a seemingly impossible site. Rock Lighthouses of Britain & Ireland spans the centuries between the world's first rock lighthouse on the Eddystone reef, to the very last rock lighthouse, constructed in the traditional style, on Ireland's Fastnet Rock and accordingly will remain the premier book about rock lighthouses.

From the author of the Costa Best Novel-shortlisted 'The Elephant Keeper', a poignant imagining of Thomas Hardy's relationship with his last muse. In the winter of 1924 the most celebrated English writer of the day, 84-year-old Thomas Hardy, was living at his Dorset home of Max Gate with his second wife, Florence. Aged 45 but in poor health, Florence came to suspect that Hardy was in the grip of a romantic infatuation. The woman in question was a beautiful local actress, 27-year-old Gertrude Bugler, who was playing Tess in the first dramatic adaptation of Hardy's most famous novel, 'Tess of the d'Urbervilles'. Inspired by these events, 'Winter' is a brilliantly realised portrait of an old man and his imaginative life; the life that has brought him fame and wealth, but that condemns him to living lives he can't hope to lead, and reliving those he thought he once led. It is also, though, about the women who now surround him: the middle-aged, childless woman who thought she would find happiness as his handmaiden; and the young actress, with her youthful ambitions and desires, who came between them.

'I asked the sailor what an Elephant looked like; he replied that it was like nothing on earth.' In the middle of the 18th century, a ship docks at Bristol with an extraordinary cargo: two young elephants. Bought by a wealthy landowner, they are taken to his estate in the English countryside. A stable boy, Tom Page, is given the task of caring for them. 'The Elephant Keeper' is Tom's account of his life with the elephants. As the years pass, and as they journey across England, his relationship with the female elephant deepens in a startling manner. Along the way they meet incredulity, distrust and tragedy, and it is only their understanding of each other that keeps them together. Christopher Nicholson's charming and captivating novel explores notions of sexuality and violence, freedom and captivity, and the nature of story-telling - but most of all it is the study of a profound and remarkable love between an elephant and a human being.

The Peak District has always been a formidable barrier to transport links across it, particularly railways. The first crude horse-drawn tramways fed canals on its eastern and western flanks, but in 1830 - only five years after the Stockton & Darlington Railway opened - a standard gauge line climbed over the top of the Peak District and down the other side on fearsome inclines to connect canals at Cromford and Whaley Bridge. Sheffield and Manchester were connected in 1845 by the first line across the Pennines through the notorious Woodhead Tunnel, followed by a gradual infilling of lines connecting Peak District towns and villages. Some of them became as famous as the Settle-Carlisle route, such were the engineering difficulties of driving a route through the limestone dales. The line between Dore and Chinley was the last main line in England to be driven across the Pennines in two huge tunnels. At its height the Peak District railway system encompassed a narrow gauge light railway for tourists, cable-hauled inclines to export limestone, seven of the UK's twenty longest railway tunnels, and Britain's first all-electric main line. The birth of British Railways in 1948 and the subsequent Beeching axe were the death knell for many of these unique railways. Today some of the tracks can still be followed on foot, bicycle or horseback thanks to the Peak District National Park and other leisure organisations. The historic tunnels, viaducts and stations on the most famous routes have been restored and reopened as long-distance footpaths and heritage lines - a renaissance to be enjoyed by today's tourists.

As the summer draws to a close, a few snowbeds - some as big as icebergs - survive in the Scottish Highlands. Christopher Nicholson's Among the Summer Snows is both a celebration of these great, icy relics and an intensely personal meditation on their significance. A book to delight all those interested in mountains and snow, full of vivid description and anecdote, it explores the meanings of nature, beauty and mortality in the twenty-first century.

Assembled from stories written over a period of twenty years, Christopher Nicholson’s short story collection offers an opportunity to engage with moral matters through wry humour and a careful understanding of the difficulties faced in seeing justice come to pass, be that in the courts or in everyday matters. Often amusing, sometimes comical and occasionally sad, these stories are wholly honest and in accord with Nicholson’s belief that in life there are no sacred cows; all aspects of life must be open to criticism, analysis and the most passionate adoration. With a light touch, an ear for language and its nuances, a sympathetic eye and an unusual mixture of relationships, Nicholson’s stories give the reader not only pause for thought, but the promise of entertainment.

"I asked the sailor what an Elephant looked like; he replied that it was like nothing on earth."

"England, 1766: " After a long voyage from the East Indies, a ship docks in Bristol, England, and rumor quickly spreads about its unusual cargo--some say a mermaid is on board. A crowd forms, hoping to catch a glimpse of the magical creature. One crate after another is unpacked: a zebra, a leopard, and a baboon. There's no mermaid, but in the final two crates is something almost as magical--a pair of young elephants, in poor health but alive.

Seeing a unique opportunity, a wealthy sugar merchant purchases the elephants for his country estate and turns their care over to a young stable boy, Tom Page. Tom's family has long cared for horses, but an elephant is something different altogether. It takes time for Tom and the elephants to understand one another, but to the surprise of everyone on the estate, a remarkable bond is formed.

"The Elephant Keeper," the story of Tom and the elephants, in Tom's own words, moves from the green fields and woods of the English countryside to the dark streets and alleys of late-eighteenth-century London, reflecting both the beauty and the violence of the age. Nicholson's lush writing and deft storytelling complement a captivating tale of love and loyalty between one man and the two elephants that change the lives of all who meet them.

We've been sending one another postcards for well over a century now - usually brief messages to our friends and family telling them about the weather on our holidays or where we're visiting next on our travels. A hundred years ago we sent postcards with more serious messages - important, personal information about births, marriages and deaths, urgent requests for help, or just to keep in touch before the use of the telephone became widespread. The choice of subjects featured on postcards today is vast, but amongst the most popular has always been the lighthouse - a symbol of safety and reliability, and evidence of Man's basic instinct to warn and reassure. Over the years, almost every British lighthouse has featured on a postcard of some description, and the ones with easy access are regularly updated with different views. This new book from Christopher Nicholson, author of the highly-acclaimed Rock Lighthouses of Britain, concentrates on vintage postcards featuring the remotest lighthouses of all. Within these pages are snapshots of the past and moments in time from the very edge of Britain - granite pillars rising from sea-swept reefs or the lights on uninhabited storm-lashed islets dotted around the coasts of England, Wales and Scotland. Some of these cards are artists' impressions, some are hand-tinted, while others are real sepia or black and white photographs - but they all show how things used to look and how life used to be at the very extremes of offshore Britain. Due to their age these postcards are now valuable documents of social history - keepers posing with their families or being relieved at the end of their stint of duty - and they also illustrate the changing appearance of the lighthouses, together with the appalling weather the keepers endured. Proof, if such were needed, that there was nowhere too isolated nor weather too rough that would daunt the determined postcard photographer! It was perhaps because of the very remoteness of the lighthouses that drew people to buy the postcards and these evocative photographs will invoke an appreciation of those bygone times. With chapters on 'pillar lights', 'island lights', 'relief days', 'wild winds and white water' and 'curiosities' the author has been given unique access to the collections of private individuals and lighthouse authorities to compile a fascinating and nostalgic work. Each lighthouse featured is accompanied by interesting historical details as well as a selection of vintage postcard views with extended captions - some over a century old.