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Publishing Scholarly Editions offers new intellectual tools for
publishing digital editions that bring readers closer to the
experimental practices of literature, editing, and reading. After
the Introduction (Section 1), Sections 2 and 3 frame intentionality
and data analysis as intersubjective, interrelated, and
illustrative of experience-as-experimentation. These ideas are
demonstrated in two editorial exhibitions of nineteenth-century
works: Herman Melville's Billy Budd, Sailor, and the anti-slavery
anthology The Bow in the Cloud, edited by Mary Anne Rawson. Section
4 uses pragmatism to rethink editorial principles and data
modelling, arguing for a broader conception of the edition rooted
in data collections and multimedia experience. The Conclusion
(Section 5) draws attention to the challenges of publishing digital
editions, and why digital editions have failed to be supported by
the publishing industry. If publications are conceived as pragmatic
inventions based on reliable, open-access data collections, then
editing can embrace the critical, aesthetic, and experimental
affordances of editions of experience.
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