First published in 1949, this book presents the collected works of Christopher Smart, the eighteenth-century poet whose life has an attraction for the curioso of literature. There is the early marriage with Anne Vane, his secret marriage, eighteenth-century Cambridge life, the intrigues of Grub Street, and, finally, insanity and confinement in an asylum. Smart remains a strange, enigmatic figure, repulsive or attractive according to the temperament of the investigator. His poetry is not easy to disentangle from his character - egocentric, given to exhibitionism, childish, oscillating between the extremes of self-belittlement and self-glorification; but he has his own claim to fame. Few other poets match him in directness of expression. He is a poet with the eye of a painter, developed in an unusually high degree. He has a stereoscopic vision which makes the object leap to the eye, the painter's sense of physical texture and his skill in composing a picture. Then again, there is his versatility. He practised almost every kind of poetry and gave to each kind his own personal inflection. It is the aim of this edition to present as complete a text as possible in the way that Smart himself would have seen it and, in giving some account of the poet's life, to link his poetry with it. The book will be of interest to students of eighteenth-century literature and history.

"Mining in a Medieval Landscape" explores the history and archaeology of the late medieval royal silver mines at Bere Ferrers in Devon's Tamar Valley and examines their significance for mining history as a whole. Comparing their impact on the landscape with that of less intensive, traditional mining industries, this authoritative volume analyzes maps and documents together in light of recent archaeological field surveys, allowing the mining landscape to be reconstructed in remarkable detail.

First published in 1949, this book presents the collected works of Christopher Smart, the eighteenth-century poet whose life has an attraction for the curioso of literature. There is the early marriage with Anne Vane, his secret marriage, eighteenth-century Cambridge life, the intrigues of Grub Street, and, finally, insanity and confinement in an asylum. Smart remains a strange, enigmatic figure, repulsive or attractive according to the temperament of the investigator. His poetry is not easy to disentangle from his character - egocentric, given to exhibitionism, childish, oscillating between the extremes of self-belittlement and self-glorification; but he has his own claim to fame. Few other poets match him in directness of expression. He is a poet with the eye of a painter, developed in an unusually high degree. He has a stereoscopic vision which makes the object leap to the eye, the painter's sense of physical texture and his skill in composing a picture. Then again, there is his versatility. He practised almost every kind of poetry and gave to each kind his own personal inflection. It is the aim of this edition to present as complete a text as possible in the way that Smart himself would have seen it and, in giving some account of the poet's life, to link his poetry with it. The book will be of interest to students of eighteenth-century literature and history.

A scholarly edition of poetical works by Christopher Smart. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

The extent to which Anglo-Saxon society was capable of large-scale transformations of the landscape is hotly disputed. This interdisciplinary book - embracing archaeological and historical sources - explores this important period in our landscape history and the extent to which buildings, settlements and field systems were laid out using sophisticated surveying techniques. In particular, recent research has found new and unexpected evidence for the construction of building complexes and settlements on geometrically precise grids, suggesting a revival of the techniques of the Roman land-surveyors (Agrimensores). Two units of measurement appear to have been used: the 'short perch' of 15 feet in central and eastern England, where most cases occur, and the 'long perch' of 18 feet at the small number of examples identified in Wessex. This technically advanced planning is evident during two periods: c.600-800, when it may have been a mostly monastic practice, and c.940-1020, when it appears to have been revived in a monastic context but then spread to a wider range of lay settlements. Planning in the Early Medieval Landscape is a completely new perspective on how villages and other settlement were formed. It combines map and field evidence with manuscript treatises on land-surveying to show that the methods described in the treatises were not just theoretical, but were put into practice. In doing so it reveals a major aspect of previously unrecognised early medieval technology.