Melville's Other Lives is the first book-length study on The Piazza Tales-Herman Melville's only authorized collection of short fiction published in his lifetime-and the first book to explore the rich and varied subject of embodiment in any published collection of Melville's stories. As Christopher Sten shows, all of the stories in The Piazza Tales present encounters between established white male figures: a writer, a lawyer, a ship captain, a homeowner, an architect, a world traveler, and characters who are outsiders, minorities, outcasts, or "others": a seamstress, an office drudge, enslaved Africans, a traveling salesman, island castaways, the poor. In each, Melville concentrates on the trials of the human body, its pain and trauma, its struggles and frustrations. Some tales concern common trials such as illness or invalidism ("The Piazza"), the tedium of office work ("Bartleby"), or the aggravation of door-to-door salesmen ("The Lightning-Rod Man"). Others concern extraordinary trials: the traumatic violence of a rebellion on a slave ship ("Benito Cereno"), the hardships of surviving on a wasteland archipelago ("The Encantadas"), the perils of creating a monstrous "man-machine" ("The Bell-Tower"). In their concern for the cultural meanings of such trials, Melville's stories look forward to the work of Michel Foucault, Raymond Williams, and other cultural materialists who have shown how cultures define, control, and oppress bodies based on their otherness. As a storyteller, Melville understood how such cultural dynamics operate and seized on our collective obsession with the human body as subject, symbol, and vehicle to dramatize his tales.

Melville's Other Lives is the first book-length study on The Piazza Tales-Herman Melville's only authorized collection of short fiction published in his lifetime-and the first book to explore the rich and varied subject of embodiment in any published collection of Melville's stories. As Christopher Sten shows, all of the stories in The Piazza Tales present encounters between established white male figures: a writer, a lawyer, a ship captain, a homeowner, an architect, a world traveler, and characters who are outsiders, minorities, outcasts, or "others": a seamstress, an office drudge, enslaved Africans, a traveling salesman, island castaways, the poor. In each, Melville concentrates on the trials of the human body, its pain and trauma, its struggles and frustrations. Some tales concern common trials such as illness or invalidism ("The Piazza"), the tedium of office work ("Bartleby"), or the aggravation of door-to-door salesmen ("The Lightning-Rod Man"). Others concern extraordinary trials: the traumatic violence of a rebellion on a slave ship ("Benito Cereno"), the hardships of surviving on a wasteland archipelago ("The Encantadas"), the perils of creating a monstrous "man-machine" ("The Bell-Tower"). In their concern for the cultural meanings of such trials, Melville's stories look forward to the work of Michel Foucault, Raymond Williams, and other cultural materialists who have shown how cultures define, control, and oppress bodies based on their otherness. As a storyteller, Melville understood how such cultural dynamics operate and seized on our collective obsession with the human body as subject, symbol, and vehicle to dramatize his tales.

This is the first book exclusively devoted to the Civil War writings of Walt Whitman and Herman Melville, arguably the most important poets of the war. The essays brought together in this volume add significantly to recent critical appreciation of the skill and sophistication of these poets; growing recognition of the complexity of their views of the war; and heightened appreciation for the anxieties they harbored about its aftermath. Both in the ways they come together and seem mutually influenced, and in the ways they disagree, Whitman and Melville grapple with the casualties, complications, and anxieties of the war while highlighting its irresolution. This collection makes clear that rather than simply and straightforwardly memorializing the events of the war, the poetry of Whitman and Melville weighs carefully all sorts of vexing questions and considerations, even as it engages a cultural politics that is never pat. Contributors: Kyle Barton, Peter Bellis, Adam Bradford, Jonathan A. Cook, Ian Faith, Ed Folsom, Timothy Marr, Cody Marrs, Christopher Ohge, Vanessa Steinroetter, Sarah L. Thwaites, Brian Yothers

Washington, D.C., has long been a magnet for writers and an object of interest and fascination to essayists, novelists, and poets. "Literary Capital" offers a compelling portrait of the city through the work of seventy authors ranging from early Americans such as Abigail Adams and Washington Irving to contemporaries such as Edward P. Jones and Joan Didion.

Arranged by both period and theme, this anthology begins with the founding of Washington in 1800 and extends through the early twenty-first century. In the introduction Christopher Sten explores two broad categories of prose--historical writing focused on politics and writing about the lives and times of the people of D.C. with official Washington as the setting. Sten also defines a core group of "Washington writers," native and naturalized authors who focus much of their work on the city: Frederick Douglass, Henry Adams, Jean Toomer, John Dos Passos, Gore Vidal, Ward Just, and Susan Richards Shreve, among others.

Included are letters, essays, short stories, poems, and excerpts from novels and historical writings by a broad selection of such renowned American and international authors as Nathaniel Hawthorne, Charles Dickens, Alexis de Tocqueville, Louisa May Alcott, Walt Whitman, Mark Twain, Sinclair Lewis, Norman Mailer, Mary McCarthy, and Joseph Heller. The reader also incorporates many writings by well-known African American authors, including Booker T. Washington, Paul Laurence Dunbar, Jean Toomer, Sterling A. Brown, Langston Hughes, May Miller, Ralph Ellison, and Marita Golden.