As Chosen By… is a photographic series by Kate Friend shot exclusively on medium format film. In these portraits, her ‘sitters’ are flowers or plants, each one selected by a recognisable public figure or creative who is then recast through their botanical alter ego. Friend’s approach to the making of this series is a rigorous one: a single flower and vessel, chosen by an individual, is shot in natural light at their home, studio or garden. Each photograph is as much a portrait of a place as it is a portrait of a person and a flower. The coloured background for each image is selected by Friend, with the choice driven both by the aesthetic of the chosen flower and by a deeper intuitive sense of her sitter’s character. Although the methodology is concise and consistent, the resulting variety of images is testament to the array of unique personalities included in the project. Lavishly illustrated throughout, including many behind-the-scenes images taken by Friend throughout her process, the book features an introduction by writer Olivia Laing and an in-depth essay by Garden Museum Director Christopher Woodward. Sitters include: Anjelica Huston, Sir Paul Smith, Kulapat Yantrasast, Piet Oudolf, Luciano Giubbilei, Ai Weiwei, Claudia Schiffer, Tom Stuart-Smith, Yinka Ilori, Simone Rocha, Tania Compton, Georgie Hopton, Olivia Laing, Sue Stuart-Smith, Jamie Compton, Fernando Caruncho, Amanda Feilding, Ron Finley, Maggi Hambling, Polly Nicholson, Olivia Harrison, Dan Pearson, Penny Rimbaud, Margot Henderson, Duncan Grant, Cosey Fanni Tutti, Bethan Wood, Isabella Tree, Juergen Teller, Charlie McCormick, Molly Goddard, Jeremy Lee, Margaret Howell, Alys Fowler, John Pawson, Amanda Harlech.

Rousham in Oxfordshire was one of the first landscape gardens created in England and is, still, one of the most influential. Designed by William Kent in the late 1730s for the Cottrell-Dormer family (who are its owners today) it has become a place of pilgrimage for landscape architects and garden designers worldwide as well as garden lovers. Its magical glades and sculptural set-pieces have long intrigued Francis Hamel, who has lived and worked there for 25 years. Since the beginning of 2020 he has composed an extraordinary collection of paintings that capture the gardens and their magic. With essays by Tom Stuart-Smith, Joanna Kavenna and Christopher Woodward, the reader is led down its mysterious pathways; from tree-shaded walks peopled with statues of Pan, Venus and other immortals to sun-dappled meadows carpeted with wild flowers. It is just as Kent left it- a secret garden that is open to all.

This practical book provides a concise introduction for small and medium sized architectural practices considering introducing computers or using them more widely, and it should be useful for students who wish to learn how computers are used in practice. Jargon is avoided as far as possible, necessary technical terms are explained, and ideas are illustrated with figures and diagrams.

This book provides a concise introduction for small and medium sized architectural practices considering introducing computers or using them more widely.

In this enchanting meditation on ruins, Christopher Woodward takes us on a thousand-year journey from the plains of Troy to the monuments of ancient Rome, from the crumbling palaces of Sicily, Cuba, and Zanzibar to the rubble of the London Blitz. With an exquisite sense of romantic melancholy, we encounter the teenage Byron in the moldering Newstead Abbey, Flaubert watching the buzzards on the pyramids, Henry James in the Colosseum, and Freud at Pompeii. We travel the Appian Way with Dickens and behold the Baths of Caracalla with Shelley. An exhilarating tour, at once elegant and stimulating, In Ruins casts an exalting spell as it explores the bewitching power of architectural remains and their persistent hold on the imagination.