From the bestselling author of Fight Club comes a dark, satirical parable about a string of mysterious high school disappearances, the seedy underbellies of billionaires, and the tough choices we make in the face of an uncertain future.

In Shock Induction, the best and brightest students at a seemingly reputable high school are disappearing. Every day it seems another overachiever is lost to an apparent suicide. But something far more sinister is lurking beneath the surface.

These kids have been under surveillance since birth, monitored and measured by an online service called “Greener Pastures.” It’s here, in Greener Pastures, that billionaires observe and recruit the next generation of talent. The highest test scores, the best grades, and the most niche extracurriculars just might land these teenagers an enticing offer at auction. A couple billion dollars in exchange for the remainder of your life and intellectual labor sounds like a pretty fair deal—doesn’t it?

In a high school only Chuck Palahniuk could imagine, students must choose between the risk of following their dreams or the security of money and a lifetime of servitude to the world’s wealthiest and most elite—but how much of a choice do they truly have?

From the bestselling author of Fight Club comes a hilarious horror satire “equal parts saccharine caricature and startling raunch” (Kirkus Reviews) about a family of professional killers responsible for the most atrocious events in history and the young brothers that are destined to take over.

Meet Otto and Cecil. Two brothers who grew up privileged in the Welsh countryside. They enjoyed watching nature shows, playing with their pet pony, impersonating their Grandfather…and killing the help. Murder is the family business after all. Downton Abbey, this is not.

However, it’s not so easy to continue the family legacy with the constant stream of threats and distractions seemingly leaping from the hedgerow. First, there is the matter of the veritable cavalcade of escaped convicts that keep showing up at their door. Not to mention the debaucherous new tutor who has a penchant for speaking Greek and dismembering sex dolls. Then there’s Mummy’s burgeoning opioid addiction. And who knows where Daddy is. He just vanished one day after he and Mummy took a walk in the so-called “Ghost Forest.”

With Grandfather putting pressure on Otto to step up, it becomes clear that this will all end in only two ways: a nuclear apocalypse or just another day among the creeping thistle and tree peonies. And in a novel written by Chuck Palahniuk, either are equally possible.

From the bestselling author of Fight Club comes a hilarious horror satire about a family of professional killers responsible for the most atrocious events in history and the young brothers that are destined to take over. Meet Otto and Cecil. Two brothers growing up privileged in the Welsh countryside. They enjoy watching nature shows, playing with their pet pony, impersonating their Grandfather...and killing the help. Murder is the family business after all. Downton Abbey, this is not. However, it's not so easy to continue the family legacy with the constant stream of threats and distractions seemingly leaping from the hedgerow. First there is the matter of the veritable cavalcade of escaped convicts that keep showing up at their door. Not to mention the debaucherous new tutor who has a penchant for speaking in Greek and dismembering sex dolls. Then there's Mummy's burgeoning opioid addiction. And who knows where Daddy is. He just vanished one day after he and Mummy took a walk in the so called "Ghost Forest." With Grandfather putting pressure on Otto to step up, it becomes clear that this will all end in only two ways: a nuclear apocalypse or just another day among the creeping thistle and tree peonies. And in a novel written by Chuck Palahniuk, either are equally possible.

VINTAGE CLASSICS' AMERICAN GOTHIC SERIES Spine-tingling, mind-altering and deliciously atmospheric, journey into the dark side of America with nine of its most uncanny classics. Every weekend, in basements and parking lots across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded for as long as they have to. Then they go back to those jobs with blackened eyes and loosened teeth and the sense that they can handle anything. Fight Club is the invention of Tyler Durden, projectionist, waiter and dark, anarchic genius. And it's only the beginning of his plans for revenge on a world where cancer support groups have the corner on human warmth. 'Hypnotic, pitiless and told brilliantly' Bret Easton Ellis 'Like a noxious Doug Coupland, Palahiuk charts new-felt and totally contemporary categories of despair' Ali Smith, Guardian

From the author of the underground sensation Fight Club, a mesmerizing, unnerving, and hilarious vision of cult and post-cult life.

Tender Branson — last surviving member of the so-called "Creedish Death Cult" — is dictating his incredible life story into the flight recorder of Flight 2039, cruising on autopilot at 39,000 feet somewhere over the Pacific Ocean. He is all alone in the plane, which will shortly reach terminal velocity and crash into the vast Australian outback. Before it does, he will unfold the tale of his journey from an obedient Creedish child and humble domestic servant to an ultra-buffed, steroid- and collagen-packed media messiah, author of a best-selling autobiography, Saved from Salvation, and the even better selling Book of Very Common Prayer (The Prayer to Delay Orgasm, The Prayer to Prevent Hair Loss, The Prayer to Silence Car Alarms). He'll even share his insight that "the only difference between suicide and martyrdom is press coverage," and deny responsibility for the Tender Branson Sensitive Materials Landfill — a 20,000-acre repository for the nation's outdated pornography. Among other matters both bizarre and trenchant.

Not since Kurt Vonnegut's Mother Night and Jerzy Kosinski's Being There has there been as black and telling a satire on the wages of fame and the bedrock lunacy of the modern world. Survivor is Chuck Palahniuk at his deadpan peak, and it marks him as a blazing talent for the new millennium.

"Maybe our generation has found its Don DeLillo."—Bret Easton Ellis

Boisterous, ribald, and ultimately shattering, Ken Kesey's One Flew Over the Cuckoo's Nest is the seminal novel of the 1960s that has left an indelible mark on the literature of our time. Here is the unforgettable story of a mental ward and its inhabitants, especially the tyrannical Big Nurse Ratched and Randle Patrick McMurphy, the brawling, fun-loving new inmate who resolves to oppose her. We see the struggle through the eyes of Chief Bromden, the seemingly mute half-Indian patient who witnesses and understands McMurphy's heroic attempt to do battle with the awesome powers that keep them all imprisoned.

Chuck Palahniuk showed himself to be his generation's most visionary satirist in this, his first book. Fight Club's estranged narrator leaves his lackluster job when he comes under the thrall of Tyler Durden, an enigmatic young man who holds secret after-hours boxing matches in the basements of bars. There, two men fight "as long as they have to." This is a gloriously original work that exposes the darkness at the core of our modern world.

Haunted is a novel made up of stories: twenty-three of the most horrifying, hilarious, mind-blowing, stomach-churning tales you'll ever encounter. They are told by the people who have all answered an ad headlined 'Artists Retreat: Abandon your life for three months'. They are led to believe that here they will leave behind all the distractions of 'real life' that are keeping them from creating the masterpiece that is in them. But 'here' turns out to be a cavernous and ornate old theatre where they are utterly isolated from the outside world - and where heat and power and, most importantly, food are in increasingly short supply. And the more desperate the circumstances become, the more desperate the stories they tell - and the more devious their machinations to make themselves the hero of the inevitable play/movie/non-fiction blockbuster that will certainly be made from their plight.

'THE FIRST RULE ABOUT FIGHT CLUB IS YOU DON'T TALK ABOUT FIGHT CLUB' 'THE SECOND RULE ABOUT FIGHT CLUB IS YOU DON'T TALK ABOUT FIGHT CLUB' 'THE THIRD RULE ABOUT FIGHT CLUB IS TWO MEN PER FIGHT' Every weekend, in the basements and parking lots across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded just as long as they have to. Then they go back to those jobs with blackened eyes and loosened teeth and the sense that they can handle anything. Fight club is the invention of Tyler Durden, projectionist, waiter, and dark, anarchic genius and it's only the beginning of his plans for revenge on a world where cancer support groups have the corner on human warmth.

She's a fashion model who has everything: a boyfriend, a career, a loyal best friend. But when a sudden freeway "accident" leaves her disfigured and incapable of speech, she goes from being the beautiful center of attention to being an invisible monster, so hideous that no one will acknowledge she exists. Enter Brandy Alexander, Queen Supreme, one operation away from becoming a real woman, who will teach her that reinventing yourself means erasing your past and making up something better. And that salvation hides in the last places you'll ever want to look.

Ida has a secret: she is in love with her best friend. But any time she gets close to intimacy, Ida faints or loses her voice. She needs a shrink. Or so her philandering father thinks. Immediately wise to the head games of her new shrink, Siggy, Ida - and alter-ego Dora - hatch a plan to secretly film him. But when the film goes viral, Ida finds herself targeted by unethical hackers. Dora: A Headcase is a contemporary coming-of-age story based on Freud's famous case study, retold and revamped through Dora's point-of-view. Yuknavitch's Dora is radical and unapologetic - you won't have met a character quite like her before.

Renowned, bestselling novelist Chuck Palahniuk takes us behind the scenes of the writing life, with postcards from decades on the road and incredible examination of the power of fiction and the art of storytelling.

In this spellbinding blend of memoir and insight, bestselling author Chuck Palahniuk shares stories and generous advice on what makes writing powerful and what makes for powerful writing.

With advice grounded in years of careful study and a keenly observed life, Palahniuk combines practical advice and concrete examples from beloved classics, his own books, and a "kitchen-table MFA" culled from an evolving circle of beloved authors and artists, with anecdotes, postcards from the road, and much more.

Clear-eyed, sensitive, illuminating, and knowledgeable, Consider This is Palahniuk's love letter to stories and storytellers, booksellers and books themselves. Consider it a classic in the making.

Chuck Palahniuk's startling and outrageous debut novel, basis of the hit movie starring Brad Pitt and Edward Norton.

The first rule about fight club is you don't talk about fight club.

Every weekend, in the basements and parking lots of bars across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded just as long as they have to.

The second rule about fight club is you don't talk about fight club.

The third rule about fight club is two men per fight.

Where does Tyler Durden come from? Why do his violent schemes so capture the troubled, insomniac narrator? What events bring them to the roof of the world's tallest building, wired to explode in ten minutes? The answers in Fight Club reveal a world poised on the brink of mayhem-and introduce a blazingly original new talent to the literary scene.

"Fight Club is hot. It's great. Even I can't write this well."—Thom Jones

"Haunted" is a novel made up of twenty-three horrifying, hilarious, and stomach-churning stories. They're told by people who have answered an ad for a writer's retreat and unwittingly joined a "Survivor"-like scenario where the host withholds heat, power, and food. As the storytellers grow more desperate, their tales become more extreme, and they ruthlessly plot to make themselves the hero of the reality show that will surely be made from their plight. This is one of the most disturbing and outrageous books you'll ever read, one that could only come from the mind of Chuck Palahniuk.

Tender Branson, the last surviving member of the Creedish death cult, has commandeered a Boeing 747, emptied of passengers, in order to tell his story to the plane's black box before it crashes. Brought up by the repressive cult and, like all Creedish younger sons, hired out as a domestic servant, Tender finds himself suddenly famous when his fellow cult members all commit suicide. As media messiah he ascends to the very top of the freak-show heap before finally and apocalyptically spiralling out of control.

Tender Branson-last surviving member of the Creedish Death Cult-is dictating his life story into the recorder of Flight 2039, cruising on autopilot at 39,000 feet somewhere over the Pacific Ocean. He is all alone in the airplane, which will crash shortly into the vast Australian outback. But before it does, Branson will unfold the tale of his journey from an obedient Creedish child and humble domestic servant to an ultra-buffed, steroid- and collagen-packed media messiah.

Carl Streator is a reporter investigating Sudden Infant Death Syndrome for a soft-news feature. After responding to several calls with paramedics, he notices that all the dead children were read the same poem from the same library book the night before they died. It's a 'culling song' - an ancient African spell for euthanizing sick or old people. Researching it, he meets a woman who killed her own child with it accidentally. He himself accidentally killed his own wife and child with the same poem twenty years earlier. Together, the man and the woman must find and destroy all copies of this book, and try not to kill every rude sonofabitch that gets in their way.

Lullaby is a comedy/drama/tragedy. In that order. It may also be Chuck Palahniuk's best book yet.

Victor Mancini has devised a complicated scam to pay for his mother's hospital care: pretend to be choking on a piece of food in a restaurant and the person who 'saves you' will feel responsible for you for the rest of their lives. Multiply that a couple of hundred times and you generate a healthy flow of cheques, week in, week out. Victor also works at a theme park with a motley group of losers, cruises sex addiction groups for action, and visits his mother, whose Alzheimer's disease now hides what may be the startling truth about his parentage.

She's a catwalk model who has everything: a boyfriend, a career, a loyal best friend. But when a sudden motor 'accident' leaves her disfigured and incapable of speech, she goes from being the beautiful centre of attention to being an invisible monster, so hideous that no one will acknowledge she exists. Enter Brandy Alexander, Queen Supreme, one operation away from being a real woman, who will teach her that reinventing yourself means erasing your past and making up something better, and that salvation hides in the last place you'll ever want to look. The narrator must exact revenge upon Evie, her best friend and fellow model; kidnap Manus, her two-timing ex-boyfriend; and hit the road with Brandy in search pf a brand-new past, present and future.