|
Showing 1 - 9 of
9 matches in All Departments
PAPERBACK FOR SALE IN AFRICA ONLY African dance is discussed here
in its global as well as local contexts as a powerful vehicle of
aesthetic and cultural exchange and influence. To date, scholars
have tended, with a few exceptions, to write about African dance in
primarily ethnographic terms. This collection seeks to challenge
this pattern and expand dance research by engaging with the
aesthetics and socio-political impact of dance for communities in
and out of Africa in an increasingly global context. Contributors
to this issue look at the impact that specifically situated
indigenous dance forms have had on the development of newforms
locally, and the reciprocal impact of local and international
infrastructures, including funding bodies, tourism and festivals.
African Theatre 17 examines how dance is contributing to a
particularly African interculturalism, while analysing the issues
of representation of Africa in a postcolonial context. Articles
address the efficacy of dance to engage audiences with disavowed
issues regarding gender, sexuality and dis/ability both within and
beyond Africa. Highlights include a dance photo essay on F.O.D.
Gang's 2017 site-specific street performance "Untitled" in Lagos, a
new non-themed section, and the playscript Lunatic! by Zimbabwean
playwright Thoko Zulu. Volume Editors: YVETTE HUTCHISON &
CHUKWUMA OKOYE Series Editors: Yvette Hutchison, Reader, Department
of Theatre & Performance Studies, University of Warwick;
Chukwuma Okoye, Reader in African Theatre & Performance
University of Ibadan; Jane Plastow, Professor of African Theatre,
University of Leeds.
African dance is discussed here in its global as well as local
contexts as a powerful vehicle of aesthetic and cultural exchange
and influence. To date, scholars have tended, with a few
exceptions, to write about African dance in primarily ethnographic
terms. This collection seeks to challenge this pattern and expand
dance research by engaging with the aesthetics and socio-political
impact of dance for communities in and out of Africa in an
increasingly global context. Contributors to this issue look at the
impact that specifically situated indigenous dance forms have had
on the development of newforms locally, and the reciprocal impact
of local and international infrastructures, including funding
bodies, tourism and festivals. African Theatre 17 examines how
dance is contributing to a particularly African interculturalism,
while analysing the issues of representation of Africa in a
postcolonial context. Articles address the efficacy of dance to
engage audiences with disavowed issues regarding gender, sexuality
and dis/ability both within and beyond Africa. Highlights include a
dance photo essay on F.O.D. Gang's 2017 site-specific street
performance "Untitled" in Lagos, a new non-themed section, and the
playscript Lunatic! by Zimbabwean playwright Thoko Zulu. Volume
Editors: YVETTE HUTCHISON & CHUKWUMA OKOYE Series Editors:
Yvette Hutchison, Reader, Department of Theatre & Performance
Studies, University of Warwick; Chukwuma Okoye, Reader in African
Theatre & Performance University of Ibadan; Jane Plastow,
Professor of African Theatre, University of Leeds.
|
African Theatre 18 (Hardcover)
Chukwuma Okoye; Contributions by Amy Bonsall, Bernard Eze Orji, Chukwuma Okoye, Femi Osofisan, …
|
R2,010
Discovery Miles 20 100
|
Ships in 12 - 17 working days
|
Highlighted in this volume is the detective play The Inspector and
the Hero by Femi Osofisan, one of Africa's leading playwrights. The
play has until now only been published in Nigeria. This open issue
of African Theatre is a departure from the traditional themed
format to showcase the plethora of styles, approaches and
perspectives that populate the contemporary field of African
theatre studies, with contributions from Ethiopia, Malawi, Nigeria,
South Africa and Ghana. Focusing mainly on case studies,
contributors engage a variety of performance forms, ranging from
investigations into radical dramatic and popular musical
performances, through "street theatre" (festivals and masquerade
shows) and pop culture, to consideration of applied theatre, dance,
audience, cultural performances and folktales. Articles address
African American and African cultural dialogue; choreographic
study; the carnivalization of indigenous African festivals; the
stigmatization of disability; the performance of nationality, as
well as orality and African performance aesthetics. Highlighted in
this volume is the playscript of the detective play The Inspector
and the Hero by Femi Osofisan, one of Africa's foremost
playwrights. Volume Editor: CHUKWUMA OKOYE Series Editors: Yvette
Hutchison, Reader, Department of Theatre & Performance Studies,
University of Warwick; Chukwuma Okoye, Reader in African Theatre
& Performance, University of Ibadan; Jane Plastow, Professor of
African Theatre, University of Leeds.
|
Genesis 12-50 (Paperback)
James Chukwuma Okoye
|
R1,599
R1,256
Discovery Miles 12 560
Save R343 (21%)
|
Ships in 10 - 15 working days
|
|
Genesis 12-50 (Hardcover)
James Chukwuma Okoye
|
R2,225
R1,718
Discovery Miles 17 180
Save R507 (23%)
|
Ships in 10 - 15 working days
|
|
Mission to Kilimanjaro (Hardcover)
Alexandre Le Roy; Translated by Adrian Edwards; Edited by James Chukwuma Okoye
|
R1,433
R1,124
Discovery Miles 11 240
Save R309 (22%)
|
Ships in 10 - 15 working days
|
|
Mission to Kilimanjaro (Paperback)
Alexandre Le Roy; Translated by Adrian Edwards; Edited by James Chukwuma Okoye
|
R927
R749
Discovery Miles 7 490
Save R178 (19%)
|
Ships in 10 - 15 working days
|
|
You may like...
Loot
Nadine Gordimer
Paperback
(2)
R398
R330
Discovery Miles 3 300
Ab Wheel
R209
R149
Discovery Miles 1 490
|