When Janie's neighbour Mrs Tolen goes into hospital with a broken hip, it looks as though she will have to move out of her old caravan and into a house. Janie is desperate to help, but all seems lost until her school visits a local recycling plant. All it takes from there is imagination, a supportive community, and lots and lots of hard work to transform Mrs Tolen's old caravan into a safe and secure new home! The latest picture book by renowned Romani storyteller Richard O'Neill celebrates the traditional Traveller virtues of resilience, adaptability, loyalty and independence.

Take a journey of self-exploration in a compassionate and safe space. The Therapy Toolkit includes sixty cards devised by an experienced and qualified therapist - each featuring questions and reflections that emulate the process of therapy. Split into four categories - Experiences, Emotions, Relationships and Childhood - and peer-reviewed, the gentle, guiding questions on each card offer a simple first step into therapy. The thoughtful gift package is accompanied by provoking and meditative illustrations by South Korean artist Cindy Kang - as well as a comprehensive booklet which includes an introduction to the therapeutic process, how to use the deck and further resources. Take the first step towards creating deep, meaningful change with The Therapy Toolkit.

One woman's influential contribution to modernism, achieved through a fascinating revival of tapestry Marie Cuttoli (1879-1973) lived in Algeria and Paris in the 1920s and collected the work of avant-garde artists such as Georges Braque, Joan Miro, and Pablo Picasso. In the ensuing decades, she went on to revive the French tapestry tradition and to popularize it as a modernist medium. This catalogue traces Cuttoli's career, beginning with her work in fashion and interiors under her label Myrbor. She subsequently commissioned artists including Braque, Le Corbusier, Fernand Leger, Man Ray, Miro, and Picasso to design cartoons to be woven at Aubusson, a center of tapestry production since the 17th century. Today these cartoons-paintings and collages by canonical artists-are often understood as autonomous works of art, but this catalogue uncovers their original purpose as textile designs. Beautifully illustrated with rarely exhibited works by giants of European modernism, Marie Cuttoli reveals the significant contributions of a shrewd and visionary woman as well as the role of the decorative arts in the development of the movement. Distributed for the Barnes Foundation Exhibition Schedule: The Barnes Foundation, Philadelphia (February 23-August 23, 2020)

Revealing the vital influence of the French artist Marie Laurencin, her visual idiom, and her sexual expression on the modernism of twentieth-century Paris   This book offers a long-overdue reassessment of the career of the Parisian-born artist Marie Laurencin (1883–1956), who moved seamlessly between the Cubist avant-garde and lesbian literary and artistic circles, as well as the realms fashion, ballet, and decorative arts. Critical essays explore her early experiments with Cubism; her exile in Spain during World War I; her collaborative projects with major figures of her time such as André Mare, Serge Diaghilev, Francis Poulenc, and André Groult; and her role in the emergence of a “Sapphic modernity� in Paris in the 1920s. Along with more than 60 full-color plates, Laurencin’s life and career are documented through an illustrated chronology and exhibition history, as well as an appendix charting her network of female patrons and associates. Laurencin became a fixture of the contemporary art scene in pre–World War I Paris, including as a muse and romantic partner of the poet Guillaume Apollinaire. She returned to the city after the war, having developed her signature style of diaphanous female figures in a blue-rose-gray palette. Laurencin’s feminine yet sexually fluid aesthetic defined 1920s Paris, and her work as an artist and designer met with high demand, with commissions by Ballets Russes and Coco Chanel, among others. Her romantic relationships with women inspired homoerotic paintings that visualized the modern Sapphism of contemporary lesbian writers like Nathalie Clifford Barney. Indeed, one of Laurencin’s final projects was to illustrate the poems of Sappho in 1950.   Distributed for the Barnes Foundation   Exhibition Schedule:   Barnes Foundation, Philadelphia (October 22, 2023–January 21, 2024)