This book explores how people interact online through anonymous communication in encrypted, hidden, or otherwise obscured online spaces. Beyond the Dark Web itself, this book examines how the concept of ‘dark social’ broadens the possibilities for examining notions of darkness and sociality in the age of digitality and datafied life. The authors take into account technical, moral, ethical, and pragmatic responses to ourselves and communities seeking to be/belong in/of/ the dark. Scholarship on the Darknet and Dark Social Spaces tends to focus on the uses of encryption and other privacy-enhancing technologies to engender resistance acts. Such understandings of the dark social are naturally in tension with social and political theories which argue that for politics and ‘acts’ to matter they must appear in the public light. They are also in tension with popular narratives of the ‘dark recesses of the web’ which are disparaged by structural powers who seek to keep their subjects knowable and locatable on the clear web. The binary of dark versus light is challenged in this book. The authors’ provocation is that practices of ‘dark’ resistance, motility and power are enacted by emerging data cultures. This book draws together scholarship, activism, and creativity to push past conceptual binary positions and create new approaches to darknet and dark social studies. The Dark Social: Online Practices of Resistance, Motility and Power will be a key resource for academics, researchers, and advanced students of media studies, cultural studies, communication studies, research methods, and sociology. This book was originally published as a special issue of Continuum: Journal of Media & Cultural Studies.

In this book, Cinque takes a generative perspective on typological questions relating to word order and to the syntax of relative clauses. In particular, Cinque looks at: the position of the Head vis a vis the relative clause in relation to the position of the verb vis a vis his object; a general cross-linguistic analysis of correlatives; the need to distinguish a sentence-grammar, from a discourse-grammar, type of non-restrictives (with languages differing as to whether they possess both, one, the other, or neither); a selective type of extraction from relative clauses; and a tentative sketch of a more ample work in progress on a unified analysis of externally headed, internally headed, and headless relative clauses.

In this new book, well-known linguist Guglielmo Cinque takes a generative perspective on typological questions relating to word order and to the syntax of relative clauses. The articles gathered in the first part of the present volume deal with word order, while the second address relative clauses. In particular, Cinque looks at: the position of the Head vis vis the relative clause in relation to the position of the verb vis vis his object; a general cross-linguistic analysis of correlatives; the need to distinguish a sentence-grammar, from a discourse-grammar, type of non-restrictives (with languages differing as to whether they possess both, one, the other, or neither); a selective type of extraction from relative clauses; and a tentative sketch of a more ample work in progress on a unified analysis of externally headed, internally headed, and headless relative clauses.

Digital, visual media are found in most aspects of everyday life, from workplaces to household devices - computer and digital television screens, appliances such as refrigerators and home assistants, and applications for social media and gaming. Each technologically enabled opportunity brings an increasingly sophisticated language with the act of pursuing the intrasensorial ways of perceiving the world around us - through touch, movement, sound and vision - that is the heart of screen media use and audience engagement with digital artifacts. Drawing on digital media's currently evolving transformation and transforming capacity this book builds a story of the multiple processes in robotics and AI, virtual reality, creative image and sound production, the representation of data and creative practice. Issues around commodification, identity, identification, and political economy are critically examined for the emerging and affecting encounters and perceptions that are brought to bear.

Built from stories and memories shared by self-defined David Bowie fans, this book explores how Bowie existed as a figure of renewal and redemption, resonating in particular with those marginalized by culture and society. Sean Redmond and Toija Cinque draw on personal interviews, memorabilia, diaries, letters, communal gatherings and shared conversation to find out why Bowie mattered so much to the fans that idolized him. Contextualising the identification streams that have emerged around David Bowie, the book highlights his remarkable influence.

Built from stories and memories shared by self-defined David Bowie fans, this book explores how Bowie existed as a figure of renewal and redemption, resonating in particular with those marginalized by culture and society. Sean Redmond and Toija Cinque draw on personal interviews, memorabilia, diaries, letters, communal gatherings and shared conversation to find out why Bowie mattered so much to the fans that idolized him. Contextualising the identification streams that have emerged around David Bowie, the book highlights his remarkable influence.

Digital, visual media are found in most aspects of everyday life, from workplaces to household devices — computer and digital television screens, appliances such as refrigerators and home assistants, and applications for social media and gaming. Each technologically enabled opportunity brings an increasingly sophisticated language with the act of pursuing the intrasensorial ways of perceiving the world around us — through touch, movement, sound and vision — that is the heart of screen media use and audience engagement with digital artifacts. Drawing on digital media’s currently evolving transformation and transforming capacity this book builds a story of the multiple processes in robotics and AI, virtual reality, creative image and sound production, the representation of data and creative practice. Issues around commodification, identity, identification, and political economy are critically examined for the emerging and affecting encounters and perceptions that are brought to bear.

Relative clauses play a hugely important role in analysing the structure of sentences. This book provides the first evidence that a unified analysis of the different types of relative clauses is possible - a step forward in our understanding. Using careful analyses of a wide range of languages, Cinque argues that the relative clause types can all be derived from a single, double-headed, structure. He also presents evidence that restrictive, maximalizing, ('integrated') non-restrictive, kind-defining, infinitival and participial RCs merge at different heights of the nominal extended projection. This book provides an elegant generalization about the structure of all relatives. Theoretically profound and empirically rich, it promises to radically alter the way we think about this subject for years to come.

Relative clauses play a hugely important role in analysing the structure of sentences. This book provides the first evidence that a unified analysis of the different types of relative clauses is possible - a step forward in our understanding. Using careful analyses of a wide range of languages, Cinque argues that the relative clause types can all be derived from a single, double-headed, structure. He also presents evidence that restrictive, maximalizing, ('integrated') non-restrictive, kind-defining, infinitival and participial RCs merge at different heights of the nominal extended projection. This book provides an elegant generalization about the structure of all relatives. Theoretically profound and empirically rich, it promises to radically alter the way we think about this subject for years to come.

A longstanding, successful and frequently controversial career spanning more than four decades establishes David Bowie as charged with contemporary cultural relevance. That David Bowie has influenced many lives is undeniable to his fans. He requisitions and challenges his audiences, through frequently indirect lyrics and images, to critically question sanity, identity and essentially what it means to be 'us' and why we are here. Enchanting David Bowie explores David Bowie as an anti-temporal figure and argues that we need to understand him across the many media platforms and art spaces he intersects with including theatre, film, television, the web, exhibition, installation, music, lyrics, video, and fashion. This exciting collection is organized according to the key themes of space, time, body, and memory - themes that literally and metaphorically address the key questions and intensities of his output.