Contemporary Italian Women Poets introduces English-reading audiences to the diversity of contemporary women's poetry in Italy during the past five decades. It includes twenty-five authors whose work has been published since World War II: poets from different generations and regions, some with international acclaim, others known primarily to those within women's literary circles. THE POETS who appear are: Mariella Bettarini, Cristina Campo, Anna Cascella, Patrizia Cavalli, Elena Clementelli, Rosita Copioli,Biancamaria Frabotta, Luciana Frezza, Vera Gherarducci, Margherita Guidacci, Armanda Guiducci, Jolanda Insana, Vivian Lamarque, Gabriella Leto, Dacia Maraini, Daria Menicanti, Alda Merini, Giulia Niccolai, Luciana Notari, Rossana Ombres, Piera Oppezzo, Amelia Rosselli, Gabriella Sica, Maria Luisa Spaziani and Patrizia Valduga. DUAL-LANGUAGE POETRY. Introduction, notes on the poets, bibliography & index of first lines.

Drawing on recent feminist and psychoanalytic criticism, Cinzia Sartini Blum provides the first analysis of the rhetoric, politics, and psychology of gender in the avant-garde writings of the Italian Futurist F.T. Marinetti. Her book explores the relations between the seemingly unrelated goals of Italian Futurism: technical revolution, espousal of violence, avowed misogyny, and rejection of literary tradition.
Blum argues for the centrality of the rhetoric of gender in Marinetti's work. She also investigates a diverse array of his futurist textual practices that range from formal experimentation with "words in freedom" to nationalist manifestos that advocate intervention in World War I and anticipate subsequent fascist rhetoric of power and virility. A major contribution to the study of the twentieth-century avant-garde and the first full-length study of Marinetti in English, "The Other Modernism" will interest all those concerned with twentieth-century literature, culture, and society and the problem of modern subjectivity.