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Showing 1 - 12 of
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La Peineta Calada
Cirilo Villaverde
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R373
Discovery Miles 3 730
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Ships in 10 - 15 working days
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Cecilia Valdes, one of the jewels of nineteenth-century Latin
American fiction, displays a thematic complexity that is unique
among the novels of its time. Cecilia, the alluring mulata, has
come to represent the survival strategies of women of color in a
racist society. The novel occupies a prominent place in
post-colonial studies about social stratification according to skin
color in plantation societies. Villaverde's novel shows the process
of modernization that resulted from the boom in the sugar industry,
and the transformation of Havana and its social dynamics. The
spaces through which the narrator leads us are the same spaces
where the story of Cecilia and the history of Havana unfold in
parallel lines. A close reading of the novel corroborates the often
reiterated perception that Cecilia -alluring, hybrid, complex and
tempestuous- is Havana, and is Cuba.
Cecilia Valdes o la loma del Angel es considerada como una de las
novelas mas representativas de la cubania tanto por sus temas como
por su argumento; asimismo, se puede considerar la primera novela
cubana. Su argumento es dramatico e inolvidable, lo que ha
permitido que la obra sea adaptada tanto al teatro como a la
zarzuela y el cine.
Cecilia Valdes es la gran novela antiesclavista de Cirilo
Villaverde. La historia esta centrada en el mundo de los mulatos
libres de La Habana, contrapuesto y en lucha con el mundo de los
blancos ricos. Pero es, sobre todo, una obra fundadora de lo
nacional y su protagonista, el simbolo de la mujer cubana.
Cecilia Valdes is arguably the most important novel of 19th century
Cuba. Originally published in New York City in 1882, Cirilo
Villaverde's novel has fascinated readers inside and outside Cuba
since the late 19th century. In this new English translation, a
vast landscape emerges of the moral, political, and sexual
depravity caused by slavery and colonialism. Set in the Havana of
the 1830s, the novel introduces us to Cecilia, a beautiful
light-skinned mulatta, who is being pursued by the son of a Spanish
slave trader, named Leonardo. Unbeknownst to the two, they are the
children of the same father. Eventually Cecilia gives in to
Leonardo's advances; she becomes pregnant and gives birth to a baby
girl. When Leonardo, who gets bored with Cecilia after a while,
agrees to marry a white upper class woman, Cecilia vows revenge. A
mulatto friend and suitor of hers kills Leonardo, and Cecilia is
thrown into prison as an accessory to the crime.
For the contemporary reader Helen Lane's masterful translation of
Cecilia Valdes opens a new window into the intricate problems of
race relations in Cuba and the Caribbean. There are the elite
social circles of European and New World Whites, the rich culture
of the free people of color, the class to which Cecilia herself
belonged, and then the slaves, divided among themselves between
those who were born in Africa and those who were born in the New
World, and those who worked on the sugar plantation and those who
worked in the households of the rich people in Havana. Cecilia
Valdes thus presents a vast portrait of sexual, social, and racial
oppression, and the lived experience of Spanish colonialism in
Cuba.
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