How far would you go for the missing? When Clair Wills was in her twenties, she found out she had a cousin, Mary, who she had never met. In 1950s Ireland, Clair's uncle had got his lover Lily pregnant and gone to England, leaving her and the family farm - his inheritance - behind. Lily and Mary ended up in Bessborough Mother and Baby Home, not far from her grandmother's farm where Clair spent happy childhood summers, with no idea that Mary existed. The truly shocking thing about this story is how ordinary it was. It was repeated in families across Ireland for decades: the last mother and baby home closed in 1998. How could this happen? How could a whole family - a whole country - tacitly agree to abandon unmarried mothers and their children to such a stark fate, even to their death? And how, Wills asks, could her grandmother live with herself? To retrieve the missing, and make a new inheritance, Wills searches across archives and nations, from rural West Cork to Suffolk woodlands, from Paddington pubs to the factories of Massachusetts. But there are no easy resolutions, and there is a difference between a secret and a truth unspoken. Every family has its missing persons. Here is their story.

Clair Wills's The Best Are Leaving is an important and wide-ranging study of post-war Irish emigrant culture. Wills analyses representations of emigrants from Ireland and of Irish immigrants in Britain across a range of discourses, including official documents, sociological texts, clerical literature, journalism, drama, literary fiction, and popular literature and film. This book, written by a leading critic of Irish literature and culture, examines public opinion about post-war emigration from Ireland and about the immigrant community in Britain by discussing topics such as the loss of the finest people from rural Ireland and the destruction of traditional communities; the anxieties of women emigrants and their desire for the benefits of modern consumer society; the stereotype of the drunken Irishman; the charming and authentic country Irish in the city; and the ambiguous meanings of Irish Catholicism in England, which was viewed as both a threatening and civilising force. Wills explores this theme of emigration through writers as diverse as M. J. Molloy, John B. Keane, Tom Murphy, and Edna O'Brien.

Clair Wills's The Best Are Leaving is an important and wide-ranging study of post-war Irish emigrant culture. Wills analyses representations of emigrants from Ireland and of Irish immigrants in Britain across a range of discourses, including official documents, sociological texts, clerical literature, journalism, drama, literary fiction, and popular literature and film. This book, written by a leading critic of Irish literature and culture, examines public opinion about post-war emigration from Ireland and about the immigrant community in Britain by discussing topics such as the loss of the finest people from rural Ireland and the destruction of traditional communities; the anxieties of women emigrants and their desire for the benefits of modern consumer society; the stereotype of the drunken Irishman; the charming and authentic country Irish in the city; and the ambiguous meanings of Irish Catholicism in England, which was viewed as both a threatening and civilising force. Wills explores this theme of emigration through writers as diverse as M. J. Molloy, John B. Keane, Tom Murphy, and Edna O'Brien.

SHORTLISTED FOR THE ORWELL PRIZE 2018 TLS BOOKS OF THE YEAR 2017 'Generous and empathetic ... opens up postwar migration in all its richness' Sukhdev Sandhu, Guardian 'Groundbreaking, sophisticated, original, open-minded ... essential reading for anyone who wants to understand not only the transformation of British society after the war but also its character today' Piers Brendon, Literary Review 'Lyrical, full of wise and original observations' David Goodhart, The Times The battered and exhausted Britain of 1945 was desperate for workers - to rebuild, to fill the factories, to make the new NHS work. From all over the world and with many motives, thousands of individuals took the plunge. Most assumed they would spend just three or four years here, sending most of their pay back home, but instead large numbers stayed - and transformed the country. Drawing on an amazing array of unusual and surprising sources, Clair Wills' wonderful new book brings to life the incredible diversity and strangeness of the migrant experience. She introduces us to lovers, scroungers, dancers, homeowners, teachers, drinkers, carers and many more to show the opportunities and excitement as much as the humiliation and poverty that could be part of the new arrivals' experience. Irish, Bengalis, West Indians, Poles, Maltese, Punjabis and Cypriots battled to fit into an often shocked Britain and, to their own surprise, found themselves making permanent homes. As Britain picked itself up again in the 1950s migrants set about changing life in their own image, through music, clothing, food, religion, but also fighting racism and casual and not so casual violence. Lovers and Strangers is an extremely important book, one that is full of enjoyable surprises, giving a voice to a generation who had to deal with the reality of life surrounded by 'white strangers' in their new country.

This is an innovative and accessible study of contemporary Northern Irish poetry in the light of current debates about post-modernism, poetry and politics, and the figure of woman in Irish political discourse. Close readings of the work of Tom Paulin, Medbh McGuckian, and Paul Muldoon focus on the `improper' elements of the poetry: the refusal of a sense of home, the disruption of `traditional' poetic form, and the sexual narratives told. The intersections between post-modern literary form and post-coloniality are currently a focus of intense concern, but they have rarely been addressed in the context of Irish culture. Clair Wills focuses on Northern Irish poetry in her exploration of the complex relationship between an `international' poetic form and its national context. She assesses the relation between poetry and politics in Ireland; the limits of `Enlightenment' and `Romantic' influences on Irish culture; the nature of political violence; femininity in Irish political discourse; and the division between public and private spheres of activity. These discussions culminate in extended analyses of the work of Paulin, McGuckian, and Muldoon, showing that their work cannot be understood without a redefinition of the relationship between poetry and politics. Improprieties is a much-needed evaluation of Northern Irish poetry, distinguished by its critical sophistication and lucid readings of three notoriously complex but hugely important poets.

On Easter Monday 1916, while much of Dublin holidayed at the seaside and placed bets at the horse races, a disciplined group of Irish Volunteers seized the city s General Post Office in what would become the defining act of rebellion against British rule and the most significant single event in modern Irish history. By week s end, the rebels had surrendered, and the siege had left the once magnificent GPO an empty shell and turned it into the most famous and deeply symbolic building in all of Ireland.

This book unravels the events in and around the GPO during the Easter Rising of 1916. Drawing on participant and eyewitness accounts, diaries, and newspaper reports, Clair Wills recreates the harrowing moments that transformed the GPO from an emblem of nineteenth-century British power and civil government, to an embattled barricade, and finally to a national symbol. What was it like to be trapped in the building? To watch, and listen to, the destruction of the city? Was the act meant as a bloody sacrifice or a military coup d etat? Exploring these questions as they were experienced and understood then and later, her book reveals the twists and turns that the myth of the GPO has undergone in the last century, as it has stood for sacrifice and treachery, national unity and divisive violence, the future and the past.

Of the countries that remained neutral during the Second World War, none was more controversial than Ireland, with accusations of betrayal and hypocrisy poisoning the media. Whereas previous histories of Ireland in the war years have focused on high politics. That Neutral Island brings to life the atmosphere of a country forced to live under rationing, heavy censorship and the threat of invasion. It unearths the motivations of those thousands who left Ireland to fight in the British forces and shows how ordinary people tried to make sense of the Nazi threat through the lens of antagonism towards Britain.