A sumptuous treasury of Dior scarves.

Plain and elaborate, commonplace and precious, fashionable and timeless, masculine and feminine: Dior’s silk scarves form a unique visual repertoire and cover a gamut of palettes, themes and styles. The epitome of Parisian chic, they express the poetic imagination of the creative directors who have shaped the destiny of the house, from Christian Dior to Maria Grazia Chiuri.

Unveiling the history and artistry of Dior’s scarves from the first designs to today, this sumptuous book celebrates their incredible variety and beauty as never before. At its heart is an atlas of over 400 scarves, organized by theme and printed on a delicate paper that replicates the texture of the scarves themselves. Dior’s creative director Maria Grazia Chiuri, who has overseen the creation of this volume, contributes a foreword. The atlas is supplemented by exclusive visual essays from renowned photographers Brigitte Niedermair and Pol Baril, as well as texts by distinguished fashion historians Maria Luisa Frisa, Claire Allen-Johnstone, Elda Danese and Emilie Hammen.

From vibrant opulence to graphic harmony, every scarf conveys a mood and every one tells a story. Those stories are now brought together in a book that will delight all aficionados of this symbol of timeless elegance.

This book analyses London fiction at the millennium, reading it in relation to an exploration of a theoretical positioning beyond the postmodern. It explores how a selection of novels can be considered as "second-wave" or "post-postmodern" in light of their borrowing more from mainstream and classical genres as opposed to formally experimental avant-garde techniques. It considers how writers utilise the cultural capital of London in a process of relocating marginalized, subjugated or under-represented voices. The millennium provides an apt symbolic opportunity to reflect on British fiction and to consider the direction in which contemporary authors are moving. As such, key novels by Martin Amis, Bella Bathurst, Bernardine Evaristo, Mark Haddon, Nick Hornby, Hanif Kureishi, Andrea Levy, Gautam Malkani, Timothy Mo, Will Self, Ali Smith, Zadie Smith, Rupert Thomson, and Sarah Waters are used to explore writing beyond the postmodern.'In this significant and welcome contribution to the field, Allen provides us with a sophisticated, detailed, and rigorous study of the move in contemporary fiction beyond postmodernism as exemplified by London fiction.' -Nick Hubble, Brunel University London, UK

Silk has long captured the imagination of peoples round the globe, inspiring creativity in the making of luxurious textiles. This major new survey draws on the exceptional collections of London's Victoria and Albert Museum and explores tradition and innovation across the history and geography of silk production, celebrating the ingenuity and skill of designers and makers. Structured by technique, from weaving and knitting to dyeing, printing and embroidery, this compendium showcases a rich variety of artworks, furnishings and clothing, including fashions from recent designer catwalk shows in North America, Asia and Europe. Silk will inform every student, connoisseur and admirer of beautiful textiles. With 620 illustrations in colour

This book analyses London fiction at the millennium, reading it in relation to an exploration of a theoretical positioning beyond the postmodern. It explores how a selection of novels can be considered as "second-wave" or "post-postmodern" in light of their borrowing more from mainstream and classical genres as opposed to formally experimental avant-garde techniques. It considers how writers utilise the cultural capital of London in a process of relocating marginalized, subjugated or under-represented voices. The millennium provides an apt symbolic opportunity to reflect on British fiction and to consider the direction in which contemporary authors are moving. As such, key novels by Martin Amis, Bella Bathurst, Bernardine Evaristo, Mark Haddon, Nick Hornby, Hanif Kureishi, Andrea Levy, Gautam Malkani, Timothy Mo, Will Self, Ali Smith, Zadie Smith, Rupert Thomson, and Sarah Waters are used to explore writing beyond the postmodern.'In this significant and welcome contribution to the field, Allen provides us with a sophisticated, detailed, and rigorous study of the move in contemporary fiction beyond postmodernism as exemplified by London fiction.' -Nick Hubble, Brunel University London, UK