This groundbreaking new volume unites eighteenth-century studies and the environmental humanities, showcasing how these fields can vibrantly benefit one another. In eleven chapters that engage a variety of eighteenth-century texts, contributors explore timely themes and topics such as climate change, new materialisms, the blue humanities, indigeneity and decoloniality, and green utopianism. Additionally, each chapter reflects on pedagogical concerns, asking: How do we teach eighteenth-century environmental humanities? With particular attention to the voices of early-career scholars who bring cutting-edge perspectives, these essays highlight vital and innovative trends that can enrich both disciplines, making them essential for classroom use.

This groundbreaking new volume unites eighteenth-century studies and the environmental humanities, showcasing how these fields can vibrantly benefit one another. In eleven chapters that engage a variety of eighteenth-century texts, contributors explore timely themes and topics such as climate change, new materialisms, the blue humanities, indigeneity and decoloniality, and green utopianism. Additionally, each chapter reflects on pedagogical concerns, asking: How do we teach eighteenth-century environmental humanities? With particular attention to the voices of early-career scholars who bring cutting-edge perspectives, these essays highlight vital and innovative trends that can enrich both disciplines, making them essential for classroom use.

Uncorked Words: The First Bottle is Annie-Claire Campbell's debut poetic work. It comprises words for all drinkers; Just a Tipple (Haikus), Just a Glass (Micropoetry), and The Whole Bottle (Full length poetry and Villanelles). Subject matters cover life, death, love, and society; with rhyme, as well as free verse, with both gentle and divisive abandon. This is the first of many bottles, best drunk upon opening.

Creating with Reverence: Art, Diversity, Culture and Soul inspires us to form a dynamic creative foundation and expand our cultural perspectives, through reflections on artists who are committed to life-giving values including; Maria Martinez, a Pueblo potter, the woodworkers of Kyoto, Japan, painters from Australia who honor their Aboriginal ancestry, the weavers of Chiapas, Mexico, DIY and leading contemporary artists. Readers are invited to refine insights on the relation of creativity to a continuity of generations, concepts of time, the significance of beauty, craftsmanship, our daily lives and spiritual well-being. Color illustrations by eminent photographers are interspersed throughout the text.

When Canada created a Dominion Parks Branch in 1911, it became the first country in the world to establish an agency devoted to managing its national parks. Over the past century this agency, now Parks Canada, has been at the centre of important debates about the place of nature in Canadian nationhood and relationships between Canada's diverse ecosystems and its communities. Today, Parks Canada manages over forty parks and reserves totalling over 200,000 square kilometres and featuring a dazzling variety of landscapes, and is recognized as a global leader in the environmental challenges of protected places. Its history is a rich repository of experience, of lessons learned-critical for making informed decisions about how to sustain the environmental and social health of our national parks.