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The two volumes of Reviewing Dante's Theology bring together work by a range of internationally prominent Dante scholars to assess current research on Dante's theology and to suggest future directions for research. Volume 2 considers some of the broader social, cultural and intellectual contexts for Dante's theological engagement. The contributors discuss the relationship between theology and poetry as Dante sees and presents it; Dante's thought on the nature of the Church; the ways in which liturgical practice helped shape the poet's work; the links between Dante's political and theological ideas; the importance of preaching in Dante's context; the ways in which the notion of virtue connects theological and ethical thought in Dante's works; and the extent to which Dante's often surprising, groundbreaking work tests medieval notions of orthodoxy. Each essay offers an overview of its topic and opens up new avenues.
The two volumes of Reviewing Dante's Theology bring together work by a range of internationally prominent Dante scholars to assess current research on Dante's theology and to suggest future directions for research. Volume 1 considers some of the key theological influences on Dante. The contributors discuss what 'doctrine' might have meant for Dante and consider the poet's engagement with key theological figures and currents in his time including: Christian Aristotelian and scholastic thought, including that of Thomas Aquinas; Augustine; Plato and Platonic thought; Gregory the Great; and notions of beatific vision. Each essay offers an overview of its topic and opens up new avenues for future study. Together they capture the energy of current research in the field, test the limits of our current knowledge and set the future study of Dante's theology on firm ground.
This book examines the role and function of the notion of the city in Dante's works. It focuses most closely on the ways in which the poet's multifaceted interest in and utilization of the city receive their fullest expression in the Commedia.
Dante's political thought has long constituted a major area of interest for Dante studies, yet the poet's political views have traditionally been considered a self-contained area of study and viewed in isolation from the poet's other concerns. Consequently, the symbolic and poetic values which Dante attaches to political structures have been largely ignored or marginalised by Dante criticism. This omission is addressed here by Claire Honess, whose study of Dante's poetry of citizenship focuses on more fundamental issues, such as the relationship between the individual and the community, the question of what it means to be a citizen, and above all the way in which notions of cities and citizenship enter the imagery and structure of the Commedia.
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