This study looks at French women writers and representations of the Occupation in post-'68 France. Two groups of women writers are selected for discussion: The Women Resisters, those who were adult resisters during the war years, and The Daughters of the Occupation, those who were born during or after the war. By examining a number of texts, many of which have received little critical attention to date, this study analyzes how a nascent awareness of gender, representation and political activism informs the texts of an older generation of women writers. Such a perspective is reworked into overtly feminist representations of the Occupation by younger women writers who deal with their familial connection to three wartime memories: resistance, collaboration and Jewish persecution. This gender-conscious approach to women's writing and the Occupation marks this book as a new departure in the study of French literature and the Second World War.

This study explores France's preoccupation with memories of the Second World War through an examination of popular culture and one of its more enduring forms: crime fiction. It examines what such popular narratives have to tell us about past and present perceptions of the war years in France and how they relate to post-war debates over memory, culture and national identity. Starting with narratives of the Resistance in the late 1940s and concluding with contemporary crime fiction for younger readers, Gorrara examines popular memories of the Second World War in dialogue with the changing social, cultural and political contexts of remembrance in post-war France. From memories of the persecution of Jews and French collaboration to the legacies of the concentration camps and the figure of the survivor-witness, all the crime novels discussed grapple with the challenges of what it means to live in the shadow of such a past for generations past, present and future. -- .

For several decades, a political discourse, which incites exclusion and hatred against those who are perceived as different, has been gaining ground, most notably in affluent and developed countries. Racism is back, and antiracism is no longer accepted as an argument that suffices in itself. Focusing on the growth of racism in large cities and urban areas, this volume represents views by scholars from around the world, who work in different social sciences, on the one hand; on the other, it offers statements by non-practicing academics such as culture brokers, journalists and. The book is conceived in such a way that the contributions of the scientists and the non-academic specialists are grouped around common themes, highlighting existing debates and bringing together widely scattered information. Labour politics, cultural selectionism, separate education for minorities and majorities and other projects point in the direction of more exclusion and racism. Community work, intercultural education and political organization of religious practices explore alternative avenues.

During the fifty years since the end of hostilities, European literary memories of the war have undergone considerable change, influenced by the personal experiences of writers as well as changing political, social, and cultural factors. This volume examines changing ways of remembering the war in the literatures of France, Germany, and Italy; changes in the subject of memory, and in the relations between fiction, autobiography, and documentary, with the focus being on the extent to which shared European memories of the war have been constructed.

This study explores France's preoccupation with memories of the Second World War through an examination of popular culture and one of its more enduring forms, crime fiction. It examines what such popular narratives have to tell us about past and present perceptions of the war years in France and how they relate to post-war debates over memory, culture and national identity. Starting with narratives of the Resistance in the late 1940s and concluding with contemporary crime fiction for younger readers, Gorrara examines popular memories of the Second World War in dialogue with the changing social, cultural and political contexts of remembrance in post-war France. From memories of the persecution of Jews and French collaboration to the legacies of the concentration camps and the figure of the survivor-witness, all the crime novels discussed grapple with the challenges of what it means to live in the shadow of such a past for generations past, present and future.

This book is one of the first English-language studies to chart the development of crime fiction in French from the mid-nineteenth century to the present day. It analyses the distinctive features of a French-language tradition and introduces readers to a rich and varied body of work. Each chapter examines a specific period, movement or group of writers, as well as engaging with wider debates on the place of crime fiction within contemporary French and European culture. From early twentieth-century pioneers, such as Gaston Leroux and Maurice Leblanc, to the phenomenal success of Georges Simenon, from May 68 to the gender politics of crime fiction and postmodern reinventions, this collection approaches crime fiction in an interdisciplinary manner, alive to the innovative and often critically informed perspective it provides on French society and culture. The book also includes short extracts in English translation and an extensive bibliography of critical material for further reading. Such resources are aimed at encouraging the reader to gain a greater appreciation and understanding of this potent and formidable narrative of modern times.

This study examines French women's writing and representations of the Occupation in post-'68 France. The author looks at the work of 'The Women Resisters', those women who were adult resisters during the war, and 'The Daughters of the Occupation', those who were born during or after the war period. The main contention of the study is that the older generation's nascent awareness of how gender informs political activism is reworked into explicitly feminist representations of wartime France by younger women writers.

Thrilling, absorbing, and full of bizarre plots twists and motivations, the roman noir is crime fiction at its most exciting. In this lively introduction to the post-war French roman noir, Claire Gorrara challenges preconceptions about the roman noir as little more than a populist form of crime fiction and examines how selected writers have appropriated it as a critical response to formative concerns and debates in post-war French society. Analysing six texts (including one film noir) in their historical context, The Roman Noir in Post-War French Culture offers much more than close readings of these fascinating crime fiction texts; it demonstrates the important contribution of the roman noir to the cultural histories of post-war France.