In her wildly acclaimed new novel Claire Kilroy creates an unforgettable heroine, whose fierce love for her young son clashes with the seismic change to her own identity.

As her marriage strains and she struggles with questions of love, autonomy, creativity and the passing of time, an old friend makes a welcome return - but can he really offer a lifeline to the woman she used to be?

There was a crooked man and he walked a crooked mile He made a crooked deal and he blew a crooked pile He dug a crooked hole And he sank the crooked isle And they all went to hell in a stew of crooked bile. The Devil I Know is a thrilling novel of greed and hubris, set against the backdrop of a brewing international debt crisis. Told by Tristram, in the form of a mysterious testimony, it recounts his return home after a self-imposed exile only to find himself trapped as a middle man played on both sides - by a grotesque builder he's known since childhood on the one hand, and a shadowy businessman he's never met on the other. Caught between them, as an overblown property development begins in his home town of Howth, it follows Tristram's dawning realisation that all is not well. From a writer unafraid to take risks, The Devil I Know is a bold, brilliant and disturbing piece of storytelling.

Anna Hunt has lost her memory and is on the run. From who and what she is unsure, but trapped in the present she seems certain of only one thing - she is somehow linked to the stolen painting currently being restored in the National Gallery. In a wonderfully unsettling first novel, Claire Kilroy manages to combine beautiful, poetic prose with the menacing atmosphere of a thriller as she explores themes of memory, violence, art and escape. 'A compelling read. The surprises are real and yet so subtly tracked . . . It's a thriller, a confession and a love story framed by a meditation on the arts.' Margaret Reynolds, The Times

Eva Tyne, an Irish violinist living and working in New York, collapses after her solo debut and is rushed to hospital. Still dazed after the incident, she finds herself embarked on a chaotic and dangerous odyssey. Leaving her steady partner, she quickly falls in love with a mysterious man, and shortly thereafter comes across a rare violin of dubious provenance, for which she must raise the required payment in cash in less than a week. But, haunted by the ghost of her father, racked with jealousy, and unsure whom she can trust around her, Eva soon finds herself playing a desperate psychological game as her desires threaten to destroy her. Narratated in Eva's unforgettable voice - at once passionate and unreliable - Tenderwire is a novel of immense pace and skill, a guessing game and a whodunnit that surprises at every turn.

**AVAILABLE FOR PRE-ORDER NOW** A resonant and provocative novel about motherhood from the prize-winning author of The Devil I Know and Tenderwire. 'Compelling . . This is a scorching read. I could not put it down.' ANNE ENRIGHT 'Soldier Sailor is the most uncompromising, provocative novel I've read in quite some time. . . As honest as fiction gets.' JOHN BOYNE 'A blistering account of that twilit zone of early motherhood.' JANE FEAVER Well, Sailor. Here we are once more, you and me in one another's arms. The Earth rotates beneath us and all is well, for now. . . In her first novel for over a decade, Claire Kilroy takes us deep into the early days of motherhood. Exploring the clash of fierce love for a new life with a seismic change in identity, she vividly realises the raw, tumultuous emotions of a new mother, as her marriage strains and she struggles with questions of love, autonomy and creativity. As she smiles at her baby, Sailor, while mentally composing her own suicide note, an old friend makes a welcome return, but can he really offer a lifeline to the woman she used to be?

All Names Have Been Changed is set in Dublin in the mid-1980s - a city in the grip of recession and a heroin epidemic. Narrated by Declan, the only boy of a tight-knit writing group at Trinity College, it tells of their fascination with the formidably talented but troubled writer Glynn, and the darkly exhilarating journey this leads them on. Brilliantly exploring the shifting group dynamic, and offering a unique insight into the pursuit of the creative life - with all its energy and demons, its moments of artistic elation and defeat - this is a novel of considerable verve. Following earlier forays into the worlds of art restoration and classical music, it is further evidence of Claire Kilroy's natural gift for narrative, atmosphere and character.

Brilliant, fast-paced, and highly suspenseful, Tenderwire tells the story of a reckless young musician and her obsession with a very old violin.
Eva Tyne leaves her home in Ireland for New York to play in the New Amsterdam Chamber Orchestra. She collapses after her solo debut, checks herself out of the hospital prematurely, and embarks on a chaotic and dangerous odyssey. She falls in love with a mysterious man and becomes obsessed with a rare violin of dubious provenance, for which she must pay in cash. But consumed by obsession, her pursuit of the violin becomes a nightmare of paranoia: Haunted by the ghost of her father, racked with jealousy, and unsure whom she can trust, Eva is pitched into a desperate psychological conundrum as her desires threaten to destroy her.
Narrated in Eva's unforgettable and unreliable voice, Tenderwire is a guessing game and a whodunit that surprises at every turn.

In "The Devil I Know," award-winning writer Claire Kilroy delivers a delicious novel, a cautionary tale of financial excess set during the Irish property bubble.
Tristram St. Lawrence has not been home for years--ever since he missed his mother's deathbed in favor of going on a bender, the thirteenth Earl of Howth is not welcome in the family castle. Now sober, he lives in self-imposed exile, and his main confidant is his sponsor, a mysterious businessman known only as M. Deauville.
One day, when his plane is unexpectedly diverted to Dublin, Tristram ends up where he started, and an old acquaintance, a bully from his school days who's now making a name in construction, pitches to Tristram an ambitious development project. The trouble is, M. Deauville thinks it's a good idea, and before Tristram knows it he's settled in Howth under his father's baleful gaze and is up to his neck in funding proposals, zoning approvals, and the personal life of his business partner.
A wry and timely skewering of a country, a man, and an entire international financial system descended into madness, "The Devil I Know" establishes Claire Kilroy as a vigorous and wonderful new talent.