This book considers how contemporary travelers from Latin America write their journeys at and about home. How do Latin American writers of the late twentieth-century negotiate the hybrid and volatile category of travel writing, which has been shaped in large part by myriad Euro-American travelers? How do they engage with the enduring myths about the region perpetuated by their imperial/ist predecessors? And, if not journeys of expansion or exploration, on precisely what kinds of travel do their own journeys rest? Drawing on ideas from many disciplines, including anthropology, philosophy, sociology, literary and cultural studies, this book considers contemporary journey narratives from Latin America through a series of case studies concerning four key sites of travel, each of which engenders particular forms of travel and travel narrative: Patagonia, the Andes, Mexico and the Mexico-US border. This book thus explores the complex practice and representation of journeys in the region by writers including Luis Sepulveda, Mempo Giardinelli, Andres Ruggeri, Ana Garcia Bergua, Silvia Molina, Maria Luisa Puga, Ruben Martinez and Luis Alberto Urrea. In doing so, it explores questions relating to mobility, representation, and globalization that are of widespread concern across the world today."

This book considers how contemporary travelers from Latin America write their journeys at and about home. How do Latin American writers of the late twentieth-century negotiate the hybrid and volatile category of travel writing, which has been shaped in large part by myriad Euro-American travelers? How do they engage with the enduring myths about the region perpetuated by their imperial/ist predecessors? And, if not journeys of expansion or exploration, on precisely what kinds of 'travel' do their own journeys rest? Drawing on ideas from many disciplines, including anthropology, philosophy, sociology, literary and cultural studies, this book considers contemporary journey narratives from Latin America through a series of case studies concerning four key sites of travel, each of which engenders particular forms of travel and travel narrative: Patagonia, the Andes, Mexico and the Mexico-US border. This book thus explores the complex practice and representation of journeys in the region by writers including Luis Sepulveda, Mempo Giardinelli, Andres Ruggeri, Ana Garcia Bergua, Silvia Molina, Maria Luisa Puga, Ruben Martinez and Luis Alberto Urrea. In doing so, it explores questions relating to mobility, representation, and globalization that are of widespread concern across the world today."

This open access book discusses the relationship between periodicals, tourism, and nation-building in Mexico. It enquires into how magazines, a staple form of the promotional apparatus of tourism since its inception, articulated an imaginative geography of Mexico at a time when that industry became a critical means of economic recovery and political stability after the Revolution. Notwithstanding their vogue, popularity, reach, and close affiliations to commerce and state over several decades, magazines have not received any sustained critical attention in the scholarship on that period. This book aims to redress that oversight. It argues that illustrated magazines like Mexican Folkways (1925-1937) and Mexico This Month (1955-1971) offer rich and compelling materials in that regard, not only as unique tools for interrogating the ramifications of tourism on the country's reconstruction, but as autonomous objects of study that form a vital if complex part of Mexico's visual culture.

The end of the twentieth century witnessed a « boom in the production, publication, readership, and scholarship of women's writing from Latin America. In fact, the emergence of women writers is perhaps the most significant phenomenon of the « post-boom« period of Latin American literary history, a phenomenon that has been influenced in turn by the burgeoning development of a number of women's movements on the continent. Within this « boom« , the short story has become an increasingly popular genre amongst women writers. This book considers the location(s) of four major women writers - Cristina Peri Rossi, Rosario Ferre, Albalucia Angel, and Isabel Allende - and their short fiction within these changing literary and social contexts. Combining close textual analysis of their fiction with a consideration of the social, historical, and geographical contexts of literary production, this book is essential reading for students and scholars in Latin American studies, women's studies, and comparative literature.