In Facets of Eros, David Sobelman, an award-winning writer of documentaries, explores the early drawings of Canadian artist Claire Wilks, their presciently feminist visual vocabulary. He does so by looking at the drawings-so open in their sexuality, so puzzling in their vision of motherhood, so sensually affirming in their engagement with death in the Shoah camps-through the lens of that ancient figure Eros, as first discussed by Plato. This is a startling, original approach to a startling, original artist, the meta-portrait of a singular woman who expressed the world she saw around her with her hands.

2018 marks the tenth anniversary of an International Congress that gathered in Ghent to celebrate and discuss the work of Etty Hillesum, a woman who died in Auschwitz, whose diaries and letters have been translated into 67 languages. She is unquestionably one of the most singular voices from the Holocaust. But most in our country have never heard of her. So, who was Etty Hillesum? She was a Dutch Jew who died at the age of 29, leaving behind deeply moving, intellectually profound diaries and letters written during the last two years of her life under Nazi occupation. We only have these works because she threw them from a train on her way to the death camp. This volume is their visionary responses to Etty Hillesum.

A celebration of the whole of Claire Wilks' work and her presence in the world as a woman of great character and a singular artist, the book presents her career-with ample selections of her drawings, sculptures, and monoprints-including appearances in Rome, Stockholm, Jerusalem, Zagreb, New York, Venice, Mexico City and, of course, her home town, Toronto. In the company of her works are commentaries, critical responses, poems, photographs, and art by many who were touched by her career and personality.