The Regency period in general, and the aristocrat-poet Lord Byron in particular, were notorious for scandal, but the historical circumstances of this phenomenon have yet to be properly analysed. Lord Byron and Scandalous Celebrity explores Byron's celebrity persona in the literary, social, political and historical contexts of Regency Britain and post-Napoleonic Europe that produced it. Clara Tuite argues that the Byronic enigma that so compelled contemporary audiences - and provoked such controversy with its spectacular Romantic Satanism - can be understood by means of 'scandalous celebrity', a new form of ambivalent fame that mediates between notoriety and traditional forms of heroic renown. Examining Byron alongside contemporary figures including Caroline Lamb, Stendhal, Napoleon Bonaparte and Lord Castlereagh, Tuite illuminates the central role played by Byron in the literary, political and sexual scandals that mark the Regency as a vital period of social transition and emergent celebrity culture.

Challenging the assumptions which underlie an understanding of the "Romantics" as solitary and anti-sociable, this volume introduces sociability to the field of Romantic literary and cultural studies. The volume focuses in particular on sociability in British radical culture of the 1790s as it moved away from eighteenth-century ideas of a masculine "public sphere", and on the gendered nature of sociability. In a range of essays the volume transforms our understanding of Romanticism by exploring the social networks of Romantic figures including Barbauld, Burney, Coleridge, Godwin, Hazlitt, Priestley, Thelwall and Wollstonecraft.

This volume is the first to address Jane Austen's writings within the traditions of Romanticism. Tuite's study presents a series of historically contextualized readings of Austen's juvenilia (Catharine, or The Bower and The History of England), Sense and Sensibility, Mansfield Park and Austen's posthumously published novel, Sanditon, to examine ways in which Romantic-period definitions of nation, culture and literature continue to function in contemporary readings of Austen and her period.

George Gordon, the sixth Lord Byron (1788-1824), was one of the most celebrated poets of the Romantic period, as well as a peer, politician and global celebrity, famed not only for his verse, but for his controversial lifestyle and involvement in the Greek War of Independence. In thirty-seven concise, accessible essays, by leading international scholars, this volume explores the social and intertextual relationships that informed Byron's writing; the geopolitical contexts in which he travelled, lived and worked; the cultural and philosophical movements that influenced changing outlooks on religion, science, modern society and sexuality; the dramatic landscape of war, conflict and upheaval that shaped Napoleonic and post-Napoleonic Europe and Regency Britain; and the diverse cultures of reception that mark the ongoing Byron phenomenon as a living ecology in the twenty-first century. This volume illuminates how we might think of Byron in context, but also as a context in his own right.

The Regency period in general, and the aristocrat-poet Lord Byron in particular, were notorious for scandal, but the historical circumstances of this phenomenon have yet to be properly analysed. Lord Byron and Scandalous Celebrity explores Byron's celebrity persona in the literary, social, political and historical contexts of Regency Britain and post-Napoleonic Europe that produced it. Clara Tuite argues that the Byronic enigma that so compelled contemporary audiences - and provoked such controversy with its spectacular Romantic Satanism - can be understood by means of 'scandalous celebrity', a new form of ambivalent fame that mediates between notoriety and traditional forms of heroic renown. Examining Byron alongside contemporary figures including Caroline Lamb, Stendhal, Napoleon Bonaparte and Lord Castlereagh, Tuite illuminates the central role played by Byron in the literary, political and sexual scandals that mark the Regency as a vital period of social transition and emergent celebrity culture.

A full-length scholarly monograph examining Jane Austen's writings within the traditions of Romanticism. It argues that Austen's central position within the literary canon can only be fully understood by locating her work within Romantic cultural traditions. Taking the contemporary Austen revival as its cue, the study presents a series of historically contextualized readings of Austen's juvenilia (Catharine, or The Bower and The History of England), Sense and Sensibility, Mansfield Park and Austen's posthumously published novel, Sanditon, to examine ways in which Romantic-period definitions of nation, culture and literature continue to function in contemporary readings of Austen and her period. An investigation of the sexual politics of national culture, heritage culture and literary canon-formation informs the study's discussion of the relationship between Romanticism, Austen and the literary canon.

Challenging the assumptions which underlie an understanding of the 'Romantics' as solitary and anti-sociable, and Romanticism as representing the rejection of Enlightenment sociability, this 2002 volume introduces sociability to the field of Romantic literary and cultural studies. The volume engages with Jurgen Habermas' model of the 'public sphere' which emphasizes the coffee-house and club as models of an older, masculine eighteenth-century sociability, and focuses on the changing nature of sociability in British radical culture of the 1790s and on the gendered nature of sociability. In a range of essays which examine modes of sociability as diverse as circles of sedition, international republicanism, Dissenting culture, Romantic lecturing, theatre, and shopping, the volume transforms our understanding of Romanticism by exploring the social networks of such central Romantic figures as Anna Barbauld, Frances Burney, Samuel Taylor Coleridge, William Godwin, William Hazlitt, Anne Lister, Robert Merry, Joseph Priestley, John Thelwall and Mary Wollstonecraft.

George Gordon, the sixth Lord Byron (1788-1824), was one of the most celebrated poets of the Romantic period, as well as a peer, politician and global celebrity, famed not only for his verse, but for his controversial lifestyle and involvement in the Greek War of Independence. In thirty-seven concise, accessible essays, by leading international scholars, this volume explores the social and intertextual relationships that informed Byron's writing; the geopolitical contexts in which he travelled, lived and worked; the cultural and philosophical movements that influenced changing outlooks on religion, science, modern society and sexuality; the dramatic landscape of war, conflict and upheaval that shaped Napoleonic and post-Napoleonic Europe and Regency Britain; and the diverse cultures of reception that mark the ongoing Byron phenomenon as a living ecology in the twenty-first century. This volume illuminates how we might think of Byron in context, but also as a context in his own right.

The Romantic period in British culture was an era of extraordinarily diverse and original achievements in literature and the arts, accomplished in a time of great political and social upheaval. This book is the first major interdisciplinary reference guide to provide a broad cultural and historical perspective which presents the aesthetic achievements of great literary figures like Wordsworth and Coleridge, their followers and opponents, alongside their counterparts in the field of art, music, design, science, and the history of ideas, within a comprehensive picture of the period. Forty long essays on key topics, written by major international authorities, are complemented by an alphabetical reference section detailing all the significant figures, works, topics, and major events. Illustrated throughout.