An introduction to the design, production and use of luxury embroideries in medieval England (c. 1200-1530) In medieval Europe, embroidered textiles were indispensable symbols of wealth and power. Owing to their quality, complexity and magnificence, English embroideries enjoyed international demand and can be traced in Continental sources as opus anglicanum (English work). Essays by leading experts explore the embroideries' artistic and social context, while catalogue entries examine individual masterpieces. Medieval embroiderers lived in a tightly knit community in London, and many were women who can be identified by name. Comparisons between their work and contemporary painting challenge modern assumptions about the hierarchy of artistic media. Contributors consider an outstanding range of examples, highlighting their craftsmanship and exploring the world in which they were created. Published in association with the Victoria and Albert Museum

When chronic insomniac James Beauman joins a study group on dreaming and sleep disorders, he thinks he is simply the 'control', as he never dreams. But under the direction of psychologist Huw Reeves, the 'dream laboratory' starts to dominate his waking thoughts, particularly when he meets and falls in love with Delphine, whose dreams are terrifyingly intense. Then suddenly and inexplicably Delphine walks out and James is forced to confront their past and his own history. Why did she leave? Has he been sleepwalking through his own life? And could it be that Reeves' plans for the group, and Delphine in particular, are something rather more sinister than a good night's sleep?