When your past is a lie, who are you? 'Provocative, moving and timely' Mail on Sunday 'All the excitement of a thriller with the depth of a literary novel' Cathy Rentzenbrink 'As memorable for her sharp and even funny social observation as it is for the powerful outrage that drives it' Sunday Times 'Brilliant, chilling' Helena Kennedy QC As a teenager, Tess falls into environmental activism - and the arms of an older, charismatic protester. She has never been happier. When he suddenly disappears, leaving her pregnant and alone, she is shattered. Slowly, though, she rebuilds a life for herself and her daughter Mia. 'We're all we need,' she sings to Mia as they dance around the kitchen. 'Me and you, us two.' But, as Mia nears her thirteenth birthday, the death of a relative sparks questions - about activism, about her family, about her father - that Tess cannot answer. And when a hidden letter is found, Tess suddenly has urgent questions of her own. As mother and daughter pull apart, caught up in their own private quests for answers, the certainties of memory and history begin to unravel and a single shocking question emerges: if your past is all a lie, then who are you? Complex, profound and devastatingly timely, this brilliant psychological suspense explores the twisted world of undercover operations, the most secretive part of the secret state where nothing is sacred and no one cares to count the cost.

When your past is a lie, who are you? 'Provocative, moving and timely' Mail on Sunday 'All the excitement of a thriller with the depth of a literary novel' Cathy Rentzenbrink 'As memorable for her sharp and even funny social observation as it is for the powerful outrage that drives it' Sunday Times 'Brilliant, chilling' Helena Kennedy QC As a teenager, Tess falls into environmental activism - and the arms of an older, charismatic protester. She has never been happier. When he suddenly disappears, leaving her pregnant and alone, she is shattered. Slowly, though, she rebuilds a life for herself and her daughter Mia. 'We're all we need,' she sings to Mia as they dance around the kitchen. 'Me and you, us two.' But, as Mia nears her thirteenth birthday, the death of a relative sparks questions - about activism, about her family, about her father - that Tess cannot answer. And when a hidden letter is found, Tess suddenly has urgent questions of her own. As mother and daughter pull apart, caught up in their own private quests for answers, the certainties of memory and history begin to unravel and a single shocking question emerges: if your past is all a lie, then who are you? Complex, profound and devastatingly timely, this brilliant psychological suspense explores the twisted world of undercover operations, the most secretive part of the secret state where nothing is sacred and no one cares to count the cost.

Few works of scholarship have so comprehensively recast an existing debate as Chinua Achebe's essay on Joseph Conrad's Heart of Darkness. Achebe - a highly distinguished Nigerian novelist and university teacher - looked with fresh eyes at a novel that was set in Africa, but in which Africans appear only as onlookers or as indistinguishable "savages". Dismissing the prevailing portrayal of Joseph Conrad as a liberal hero whose anti-imperialist views insulated him from significant criticism, Achebe re-cast the Polish author as a "bloody racist" in an analysis so cogent it changed the way in which his discipline looked not only at Conrad, but also at all works with settings indicative of racial conflict. The creative contribution of Achebe's essay lies in delving far beneath the surface of Conrad's novel; he not only generated new and highly influential hypotheses about the author's modes of thought and motivations, but also redefined the entire debate over Heart of Darkness. Just because the novel had been accepted into the "canon", and now falls into the class of "permanent literature", Achebe says, does not mean we should not question it closely - or criticize its author.

In the Full Light of the Sun follows the fortunes of three Berliners caught up in a devastating scandal of 1930s' Germany. It tells the story of Emmeline, a wayward, young art student; Julius, an anxious, middle-aged art expert; and a mysterious art dealer named Rachmann who are at the heart of Weimar Berlin at its hedonistic, politically turbulent apogee and are whipped up into excitement over the surprising discovery of thirty-two previously unknown paintings by Vincent van Gogh. Based on a true story, unfolding through the subsequent rise of Hitler and the Nazis, this gripping tale is about beauty and justice, and the truth that may be found when our most treasured beliefs are revealed as illusions. Brilliant on authenticity, vanity and self-delusion, it is a novel for our times.

This book examines the developments in British serial detective fiction which took place in the seven years when Sherlock Holmes was dead. In December 1893, at the height of Sherlock's popularity with the Strand Magazine's worldwide readership, Arthur Conan Doyle killed off his detective. At the time, he firmly believed that Holmes would not be resurrected. This book introduces and showcases a range of Sherlock's most fascinating successors, exploring the ways in which a huge range of popular magazines and newspapers clamoured to ensnare Sherlock's bereft fans. The book's case-study format examines a range of detective series-- created by L.T. Meade; C.L. Pirkis; Arthur Morrison; Fergus Hume; Richard Marsh; Kate and Vernon Hesketh-Prichard- that filled the pages of a variety of periodicals, from plush monthly magazines to cheap newspapers, in the years while Sherlock was dead. Readers will be introduced to an array of detectives-professional and amateur, male and female, old and young; among them a pawn-shop worker, a scientist, a British aristocrat, a ghost-hunter. The study of these series shows that there was life after Sherlock and proves that there is much to learn about the development of the detective genre from the successors to Sherlock Holmes. "In this brilliant, incisive study of late Victorian detective fiction, Clarke emphatically shows us there is life beyond Sherlock Holmes. Rich in contextual detail and with her customary eye for the intricacies of publishing history, Clarke's wonderfully accessible book brings to the fore a collection of hitherto neglected writers simultaneously made possible but pushed to the margins by Conan Doyle's most famous creation." - Andrew Pepper,, Senior Lecturer in English and American Literature, Queen's University, Belfast Professor Clarke's superb new book, British Detective : The Successors to Sherlock Holmes, is required reading for anyone interested in Victorian crime and detective fiction. Building on her award-winning first monograph, Late-Victorian Crime Fiction in the Shadows of Sherlock, Dr. Clarke further explores the history of serial detective fiction published after the "death" of Conan Doyle's famous detective in 1893. This is a path-breaking book that advances scholarship in the field of late-Victorian detective fiction while at the same time introducing non-specialist readers to a treasure trove of stories that indeed rival the Sherlock Holmes series in their ability to puzzle and entertain the most discerning reader. - Alexis Easley, Professor of English, University of St.Paul, Minnesota

Few works of scholarship have so comprehensively recast an existing debate as Chinua Achebe’s essay on Joseph Conrad's Heart of Darkness. Achebe – a highly distinguished Nigerian novelist and university teacher – looked with fresh eyes at a novel that was set in Africa, but in which Africans appear only as onlookers or as indistinguishable "savages". Dismissing the prevailing portrayal of Joseph Conrad as a liberal hero whose anti-imperialist views insulated him from significant criticism, Achebe re-cast the Polish author as a "bloody racist" in an analysis so cogent it changed the way in which his discipline looked not only at Conrad, but also at all works with settings indicative of racial conflict.

The creative contribution of Achebe’s essay lies in delving far beneath the surface of Conrad’s novel; he not only generated new and highly influential hypotheses about the author's modes of thought and motivations, but also redefined the entire debate over Heart of Darkness. Just because the novel had been accepted into the "canon", and now falls into the class of “permanent literature”, Achebe says, does not mean we should not question it closely – or criticize its author.

When your past is a lie, who are you? 'Provocative, moving and timely' Mail on Sunday 'All the excitement of a thriller with the depth of a literary novel' Cathy Rentzenbrink 'As memorable for her sharp and even funny social observation as it is for the powerful outrage that drives it' Sunday Times 'Brilliant, chilling' Helena Kennedy QC As a teenager, Tess falls into environmental activism - and the arms of an older, charismatic protester. She has never been happier. When he suddenly disappears, leaving her pregnant and alone, she is shattered. Slowly, though, she rebuilds a life for herself and her daughter Mia. 'We're all we need,' she sings to Mia as they dance around the kitchen. 'Me and you, us two.' But, as Mia nears her thirteenth birthday, the death of a relative sparks questions - about activism, about her family, about her father - that Tess cannot answer. And when a hidden letter is found, Tess suddenly has urgent questions of her own. As mother and daughter pull apart, caught up in their own private quests for answers, the certainties of memory and history begin to unravel and a single shocking question emerges: if your past is all a lie, then who are you? Complex, profound and devastatingly timely, this brilliant psychological suspense explores the twisted world of undercover operations, the most secretive part of the secret state where nothing is sacred and no one cares to count the cost.

In the Full Light of the Sun follows the fortunes of three Berliners caught up in a devastating scandal of 1930s' Germany. It tells the story of Emmeline, a wayward, young art student; Julius, an anxious, middle-aged art expert; and a mysterious art dealer named Rachmann who are at the heart of Weimar Berlin at its hedonistic, politically turbulent apogee and are whipped up into excitement over the surprising discovery of thirty-two previously unknown paintings by Vincent van Gogh. Based on a true story, unfolding through the subsequent rise of Hitler and the Nazis, this gripping tale is about beauty and justice, and the truth that may be found when our most treasured beliefs are revealed as illusions. Brilliant on authenticity, vanity and self-delusion, it is a novel for our times.

In the Full Light of the Sun follows the fortunes of three Berliners caught up in a devastating scandal of 1930s' Germany. It tells the story of Emmeline, a wayward, young art student; Julius, an anxious, middle-aged art expert; and a mysterious art dealer named Rachmann who are at the heart of Weimar Berlin at its hedonistic, politically turbulent apogee and are whipped up into excitement over the surprising discovery of thirty-two previously unknown paintings by Vincent van Gogh. Based on a true story, unfolding through the subsequent rise of Hitler and the Nazis, this gripping tale is about beauty and justice, and the truth that may be found when our most treasured beliefs are revealed as illusions. Brilliant on authenticity, vanity and self-delusion, it is a novel for our times.

""Beautiful Lies" is set in Victorian Britain; at its center is Maribel Campbell Lowe, the wife of a Scottish M.P. and a self-proclaimed Chilean heiress. But Maribel's life is based on a web of lies, and a newspaperman's uncommon interest in her could prove disastrous" --"New York Times Book Review"
London 1887. For Maribel Campbell Lowe, the beautiful bohemian wife of a maverick politician, it is the year to make something of herself. She is torn between poetry and the new art of photography. But it is soon plain that Maribel's choices are not so simple. As her husband's career hangs by a thread, her real past, and the family she abandoned, come back to haunt them both. When the notorious newspaper editor Alfred Webster begins to ask pointed questions, she fears he will not only destroy Edward's career but both of their reputations.

It is 1704 and, while the Sun King Louis XIV rules France from the splendour of Versailles, Louisiana, the new and vast colony named in his honour, is home to fewer than two hundred souls. When a demand is sent requesting wives be dispatched for the struggling settlers, Elisabeth is among the twenty-three girls who set sail from France to be married to men of whom they know absolutely nothing. Educated and skeptical, Elisabeth has little hope for happiness in her new life. It is to her astonishment that she, alone among the brides, finds herself passionately in love with her new husband, Jean-Claude, a charismatic and ruthlessly ambitious soldier.

Auguste, a poor cabin boy from Rochefort, must also adjust to a startlingly unexpected future. Abandoned in a remote native village, he is charged by the colony's governor with mastering the tribe's strange language while reporting back on their activities. It is there that he is befriended by Elisabeth's husband as he begins the slow process of assimilation back into life among the French.

The love Elisabeth and Auguste share for Jean-Claude changes both of their lives irrevocably. When in time he betrays them both, they find themselves bound together in ways they never anticipated.

With the same compelling prose and vividly realized characters that won her widespread acclaim for THE GREAT STINK and THE NATURE OF MONSTERS, Clare Clark takes us deep into the heart of colonial French Louisiana.

1666: The Great Fire of London sweeps through the streets and a heavily pregnant woman flees the flames. A few months later she gives birth to a child disfigured by a red birthmark. 1718: Sixteen-year-old Eliza Tally sees the gleaming dome of St. Paul's Cathedral rising above a rebuilt city. She arrives as an apothecary's maid, a position hastily arranged to shield the father of her unborn child from scandal. But why is the apothecary so eager to welcome her when he already has a maid, a half-wit named Mary? Why is Eliza never allowed to look her veiled master in the face or go into the study where he pursues his experiments? It is only on her visits to the Huguenot bookseller who supplies her master's scientific tomes that she realizes the nature of his obsession. And she knows she has to act to save not just the child but Mary and herself.

It is 1855, and engineer William May has returned home to London and his beloved wife from the horrors of the Crimean War. When he secures a job transforming the city's sewer system, he believes it will prove his salvation, as, in the subterranean world beneath the city, he begins to lay his ghosts to rest. But when the peace of the tunnels is shattered by a violent murder William loses his tenuous hold on his sanity. Implicated in the crime, plagued by nightmares and visions, he is no longer sure: Could he truly have committed it?
Long Arm Tom is a tosher who scavenges for anything of value in the old sewers, always accompanied by his beloved dog Lady. It is this business that brings him into contact with "The Captain," a wealthy businessman with a weakness for gambling who asks Tom to use his knowledge of London's underworld for an even less savory purpose. But Tom is also William's only hope of salvation. Will he help William bring the truth aboveground?
With richly atmospheric prose of almost visceral power, The Great Stink transports us behind (and below) the glittering facades of Victorian England. Seamlessly combining fact with fiction, it marks the debut of an outstandingly talented writer in the tradition of the very best of historical novelists.