"Francis Jeffrey is celebrated as the editor of the Edinburgh Review, but little is known of his remarkable visit to America and his enthusiastic reception by American readers. Elliott and Hook have produced a marvellous edition of Jeffrey's record of his journey between New York and Washington during the second Anglo-American War. Historians will be fascinated by Jeffrey's account of his discussion of British-American differences with President James Madison and Secretary of State James Monroe, which furnish remarkable first hand accounts of these men's beliefs about the origins and nature of the conflict. Literary scholars will be intrigued by the unsuspected romantic sensibilities evident in Jeffrey's descriptions of the American environment. This is an excellent edition of Jeffrey's engaging account of the new American republic." -- Simon P. Newman, Sir Denis Brogan Professor of American Studies, University of Glasgow. Clare Elliott is Lecturer in Nineteenth-Century Literature at Northumbria University and has taught at the universities of Glasgow and Edinburgh, recently completing a post at Teesside University. Her research interests lie in Transatlantic Literary Studies, Transnationalism and Transatlantic Romanticisms. Clare has published on William Blake, Ralph Waldo Emerson and Walt Whitman and is reviewer of American literature to 1900 for the Years Work in English Studies. The long eighteenth century in Scotland is increasingly recognized as a period of outstanding cultural achievement. In these years both the Scottish Enlightenment and Scottish Romanticism made lasting contributions to Western intellectual and cultural life. This series is designed to further our understanding of this crucial era in a range of ways: by reprinting less familiar but important works by writers in the period itself; by producing new editions of key out-of-print books by modern scholars; and by publishing new research and criticism by contemporary scholars. Perspectives: Scottish Studies of the long Eighteenth Century Series Editor: Andrew Hook

An eclectic selection of twentieth-century artwork from the collection of legendary curator and museum director Walter Hopps, some with personal reminiscences by the artists themselves Over a fifty-year career that included stints at the famed Ferus Gallery in Los Angeles and as director of the Pasadena Art Museum (now Norton Simon Museum), the Corcoran Gallery, and as founding director of the Menil Collection, the legendary curator Walter Hopps (1932–2005) established himself as a voracious and eclectic collector of twentieth-century art. Hopps together with his wife Caroline Huber—also a curator, as well as an artist—assembled an adventurous and diverse collection of art, a large portion of which has been donated or promised to the Menil Collection. Featuring sculpture and photography as well as drawings and paintings, and including work by Christo, Linda Connor, Beauford Delaney, Anne Doran, Marcel Duchamp, Walker Evans, Robert Rauschenberg, Ed Ruscha, and Niki de Saint Phalle, to name a few, this book reveals the personal choices of two fine curatorial minds. Many of the more than fifty works illustrated have a story—often marvelous, sometimes humorous, and in several cases in the artist’s own words—of how they came to be in the collection. The publication also highlights artists not often featured in print, such as John Altoon, James Bettison, Mark Flood, and Sonia Gechtoff. Candid photos also highlight some of interactions between Hopps, Huber, and the artists from 1957 to 2001.   Distributed for the Menil Collection

New and original collection of scholarly essays examining the literary complexities of the Atlantic world system This Companion offers a critical overview of the diverse and dynamic field of Atlantic literary studies, with contributions by distinguished scholars on a series of topics that define the area. The essays focus on literature and culture from first contact to the present, exploring fruitful Atlantic connections across space and time, across national cultures, and embracing literature, culture and society. This research collection proposes that the analysis of literature and culture does not depend solely upon geographical setting to uncover textual meaning. Instead, it offers Atlantic connections based around migration, race, gender and sexuality, ecologies, and other significant ideological crossovers in the Atlantic World. The result is an exciting new critical map written by leading international researchers of a lively and expanding field. Key Features Offers an introduction to the growing field of Atlantic literary studies by showcasing current work engaged in debate around historical, cultural and literary issues in the Atlantic World Includes 26 newly-commissioned scholarly essays by leading experts in Atlantic literary studies Fuses breadth of historical knowledge with depth of literary scholarship Considers the full range of intercultural encounters around and across the Atlantic Ocean

This Companion offers a critical overview of the diverse and dynamic field of Atlantic literary studies, with contributions by distinguished scholars on a series of topics that define the area. The essays focus on literature and culture from first contact to the present, exploring fruitful Atlantic connections across space and time, across national cultures, and embracing literature, culture and society. This research collection proposes that the analysis of literature and culture does not depend solely upon geographical setting to uncover textual meaning. Instead, it offers Atlantic perspectives on migration, race, gender and sexuality, ecologies, and other significant ideological crossovers in the Atlantic world. The result is an exciting new critical map created by leading international researchers of a lively and expanding field. Key Features-- Offers an introduction to the growing field of Atlantic literary studies by showcasing current work engaged in debate around historical, cultural and literary issues in the Atlantic World.-- Includes 26 newly-commissioned scholarly essays by leading experts in Atlantic literary studies.-- Fuses breadth of historical knowledge with depth of literary scholarship.-- Considers the full range of intercultural encounters around and across the Atlantic Ocean.

American artist Walter De Maria is associated with Minimal, conceptual, installation, and land art. He is best known for The Lightning Field, 1977, a long-term installation in western New Mexico made up of four hundred pointed stainless steel poles arranged in a grid over an area measuring one mile by one kilometer. Despite the role he has played in contemporary art over the past fifty years, few books have been dedicated to the artist. Featuring new paintings and sculptures and never before published texts, this volume explores in detail the works in the artist's first major museum exhibition in the United States: "Walter De Maria: Trilogies" at the Menil Collection. In the expansive new work the Bel Air Trilogy, 2000-11, De Maria has combined exacting geometry with the entirely unexpected element of three impeccably restored 1955 Chevrolet Bel Air two-tone hardtops. Each car is pierced by a twelve-foot-long stainless steel rod in the shape of a circle, square, or triangle that runs through the front and rear windshields. The Bel Air Trilogy is joined by De Maria's austere tripartite sculpture with moveable spheres, the Channel Series, 1972, and The Statement Series, 1968/2011. Building upon his large-scale 1968 canvas The Color Men Choose When They Attack The Earth, for The Statement Series, the artist created two additional monochrome paintings with engraved stainless steel plates that complement the original piece. The works in this volume are a testament to De Maria's ongoing investigation of the conceptual, the dramatic, the monumental, the minimal, and the real. Together these three trilogies challenge and broaden our understanding of the artist's work. Distributed for The Menil Collection Exhibition Schedule: The Menil Collection(09/16/11-01/08/12)

The first comprehensive look at Rauschenberg's Cardboard series, a previously unexplored realm of the artist's oeuvre Robert Rauschenberg (b. 1925) began to investigate the boundaries between painting and sculpture in the 1950s, working with a variety of found objects in his Combine paintings and freestanding Combines. Later, in his Cardboard series (1971-72), he confined himself to the use of cardboard boxes, eliminating virtually all imagery, reducing the palette to a near monochrome, and commenting in subtle ways on the materialism and disposability of modern life. This book is the first to focus exclusively on Rauschenberg's rarely seen Cardboards, along with related works from his Made in Tampa Clay, Cardbirds, Egyptian, and Venetian series. Approximately eighty-eight Cardboards and related sculptural pieces, many from the artist's personal collection, are reproduced in the book. Full provenance and exhibition history are provided for each work, along with a complete bibliography. In addition, distinguished scholar Yve-Alain Bois offers an insightful essay that discusses the Cardboards and situates these lesser-known but critical pieces within the context of Rauschenberg's long and creative career. Distributed for The Menil Collection Exhibition Schedule: The Menil Collection, Houston (February 23 - May 13, 2007)