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An in-depth and beautifully illustrated look at one of the most
revered works of antiquity, the Ishtar Gate of ancient Babylon In
the ancient Near East, expert craftspeople were more than
technicians: they numbered among those special members of society
who could access the divine. While the artisans' names are largely
unknown today, their legacy remains in the form of spectacular
artworks and monuments. One of the most celebrated works of
antiquity-Babylon's Ishtar Gate and its affiliated Processional
Way-featured a dazzling array of colorful beasts assembled from
molded, baked, and glazed bricks. Such an awe-inspiring structure
demanded the highest level of craft; each animal was created from
dozens of bricks that interlocked like a jigsaw. Yet this display
of technical and artistic skill also served a ritual purpose, since
the Gate provided a divinely protected entrance to the sacred inner
city of Babylon. A Wonder to Behold explores ancient Near Eastern
ideas about the transformative power of materials and craftsmanship
as they relate to the Ishtar Gate. This beautifully illustrated
catalogue accompanies an exhibition at New York University's
Institute for the Study of the Ancient World. Essays by
archaeologists, art historians, curators, conservators, and text
specialists examine a wide variety of artifacts from major American
and European institutions. Contributors include Anastasia Amrhein,
Heather Baker, Jean-Francois de Laperouse, Eduardo Escobar, Anja
Fugert, Sarah Graff, Helen Gries, Elizabeth Knott, Katherine
Larson, Beate Pongratz-Leisten, Shiyanthi Thavapalan, and May-Sarah
Zessin. Distributed for the Institute for the Study of the Ancient
World at New York University Exhibition Schedule Institute for the
Study of the Ancient World, New York University Exhibition Dates:
November 6, 2019-May 24, 2020
In the ancient world, dance was used to express important truths
about the human condition, and this significance can still be seen
today in representations of dancers in ancient art. Sculpture,
relief carving, vase painting, and other visual media offer a
glimpse of the function of dance in antiquity. In the modern era,
the Ballets Russes, a Paris-based collective established by Sergei
Diaghilev (1872-1929), revolutionized dance and revived European
and American interest in ballet, in part by drawing on notions of
dance from the ancient world. Ballets Russes choreographers,
designers, and collaborators looked to ancient culture for subjects
and themes, and for a notion of dance as an expressive art form
integrated with ritual. Hymn to Apollo explores the role of dance
in ancient art and culture and how artists of the Ballets Russes
returned to the past as a source for modern expression. Thematic
essays and lavish illustrations present a fresh perspective on
ancient artifacts, and watercolors, illustrations, sketchbooks,
photographs, costumes, and other archival Ballets Russes material
show how artists turned to the ancient world to create something
new. Contributors include John Bowlt, Rachel Herschman, Kenneth
Lapatin, and F. G. Naerebout. Distributed for the Institute for the
Study of the Ancient World at New York University Exhibition Dates:
March 6-June 2, 2019
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